Randolph Bourne

Randolph Silliman Bourne (/bɔːrn/; May 30, 1886 – December 22, 1918) was a progressive writer and intellectual born in Bloomfield, New Jersey, and a graduate of Columbia University. He is considered to be a spokesman for the young radicals living during World War I. His articles appeared in journals including The Seven Arts and The New Republic. Bourne is best known for his essays, especially his unfinished work "The State," discovered after he died. The essay is the source of the well-known phrase "war is the health of the state," by which Bourne lamented governments' success at arrogating authority and resources during conflicts.

Randolph Bourne
Born(1886-05-30)May 30, 1886
Bloomfield, New Jersey, US
DiedDecember 22, 1918(1918-12-22) (aged 32)
New York City, US
NationalityAmerican
Alma materColumbia University
OccupationWriter

Life and works

Bourne's face was deformed at birth by misused forceps and the umbilical cord was coiled round his left ear, leaving it permanently damaged and misshapen. At age four, he suffered tuberculosis of the spine, resulting in stunted growth and a hunched back.[1] He chronicled his experiences in his essay titled, "The Handicapped - by one of them", considered a foundational work in disability studies. At age 23, he won a [[scholarship to study at Columbia University, from which he graduated in 1912 with a Bachelor of Arts degree and a Master's degree in 1913. He was a journalist and editor of the Columbia Monthly, and he was also a contributor to the leftist weekly The New Republic since it was first launched in 1914, but after America entered the war, the magazine found his pacifist views incompatible. From 1913 to 1914, he studied in Europe on a Columbia Fellowship.[2]

World War I divided American progressives and pitted an anti-war faction—including Bourne and Jane Addams—against a pro-war faction led by pragmatist philosopher and educational theorist John Dewey. Bourne was a student of Dewey's at Columbia, but he rejected Dewey's idea of using the war to spread democracy. (He was a member of the Boar's Head Society.[3]) In his pointedly titled 1917 essay "Twilight of Idols", he invoked the progressive pragmatism of Dewey's contemporary William James to argue that America was using democracy as an end to justify the war, but that democracy itself was never examined. Although initially following Dewey, he felt that Dewey had betrayed his democratic ideals by focusing only on the facade of a democratic government rather than on the ideas behind democracy that Dewey had once professed to respect.

Bourne was greatly influenced by Horace Kallen's 1915 essay, "Democracy Versus the Melting-Pot". Like Kallen, Bourne argued that Americanism ought not to be associated with Anglo-Saxonism. In his 1916 article "Trans-National America," Bourne argued that the United States should accommodate immigrant cultures into a "cosmopolitan America," instead of forcing immigrants to assimilate to the dominant Anglo-Saxon-based culture.

Bourne was an enthusiast for Jean-Jacques Rousseau's belief in the necessity of a general will. Bourne once exclaimed,[4]

Yes, that is what I would have felt, done, said! I could not judge him and his work by those standards that the hopelessly moral and complacent English have imposed upon our American mind. It was a sort of moral bath; it cleared up for me a whole new democratic morality, and put the last touch upon the old English way of looking at the world in which I was brought up and which I had such a struggle to get rid of.

— Randolph Bourne

Bourne died in the Spanish flu pandemic after the war, in 1918.[1] John Dos Passos, an influential American modernist writer, eulogized Bourne in the chapter "Randolph Bourne" of his novel 1919 and drew heavily on the ideas presented in War Is The Health of the State in the novel.

"Trans-National America"

In this article, Bourne rejects the melting-pot theory and does not see immigrants assimilating easily to another culture.[5]:248 Bourne's view of nationality was related to the connection between a person and their “spiritual country,”[6] that is, their culture. He argued that people would most often hold tightly to the literature and culture of their native country even if they lived in another. He also believed this was true for the many immigrants to the United States. Therefore, Bourne could not see immigrants from all different parts of the world assimilating to the Anglo-Saxon traditions, which were viewed as American traditions.

This article goes on to say that America offers a unique liberty of opportunity and can still offer traditional isolation, which he felt could lead to a cosmopolitan enterprise.[5]:262 He felt that with this great mix of cultures and people, America would be able to grow into a trans-national nation, which would have interconnecting cultural fibers with other countries. Bourne felt America would grow more as a country by broadening people's views to include immigrants' ways instead of conforming everyone to the melting-pot ideal. This broadening of people's views would eventually lead to a nation where all who live in it are united, which would inevitably pull the country towards greatness. This article and most of the ideas in it were influenced by World War I, during which the article was written.[5]:264

Notes
  1. "Randolph Silliman Bourne". Encyclopaedia Britannica.
  2. "Randolph Silliman Bourne Papers, 1910-1966". www.columbia.edu. Retrieved 2019-10-16.
  3. Chaddock, K (2012). The Multi-Talented Mr. Erskine: Shaping Mass Culture through Great Books and Fine Music. Springer. Retrieved 6 March 2016.
  4. Siegel, Fred (2013). The Revolt Against the Masses: How Liberalism Has Undermined the Middle Class. New York: Encounter Books. p. 18. ISBN 1594036985.
  5. Lasch, Hansen. (1977). The Radical Will: Selected Writing of Randolph Bourne. New York: Urizen Books.
  6. Filler, L. "Randolph Bourne". American Council on public Affairs: Washington D.C.
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References
  • Abrahams, Edward (1986). The Lyrical Left: Randolph Bourne, Alfred Stieglitz, and the Origins of Cultural Radicalism in America. Charlottesville: University Press of Virginia. ISBN 0-8139-1080-3.
  • Blake, Casey Nelson (1990). Beloved Community: The Cultural Criticism of Randolph Bourne, Van Wyck Brooks, Waldo Frank & Lewis Mumford. Chapel Hill: University of North Carolina Press. ISBN 0-8078-1935-2.
  • Hansen, Olaf (ed.) (1977). Randolph Bourne: The Radical Will: Selected Writings, 1911–1918. New York: Urizen Books. ISBN 0-916354-00-8.CS1 maint: extra text: authors list (link)
  • Hollinger, David A. (1995). Postethnic America: Beyond Multiculturalism. New York: BasicBooks. ISBN 0-465-05991-0.
  • Lasch, Christopher (1986) [1965]. The New Radicalism in America, 1889–1963: The Intellectual As a Social Type (paperback ed.). New York: Norton. ISBN 0-393-30319-5.
  • Paul, Sherman (1966). Randolph Bourne. Minneapolis: University of Minnesota Press.
  • Sandeen, Eric J. (ed.) (1981). The Letters of Randolph Bourne: A Comprehensive Edition. Troy, N.Y.: Whitston Pub. Co. ISBN 0-87875-190-4.CS1 maint: extra text: authors list (link)
  • Bourne, Randolph (1964). War and the Intellectuals: Collected Essays 1915–1919. NY: Harper Torchbook.
  • Vaughan, Leslie (1997). Randolph Bourne and the Politics of Cultural Radicalism. Lawrence, KS: University Press of Kansas.

Further reading
Online bibliography
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