Medonte (Mysliveček)

Il Medonte is an Italian opera in three acts by Josef Mysliveček set to a libretto by Giovanni de Gamerra. Like all of the composer's operas, it belongs to the serious genre in Italian referred to as opera seria.

Josef Mysliveček

Performance history

The opera was first performed at the Teatro Argentina in Rome on 26 January 1780. It was a moderate success that redeemed the failure of the composer's Armida, which was a spectacular failure at Milan during the same carnival operatic season of 1780. In modern times, it was revived for performances in Opava in 1961 and Leverkusen in 2010. The most famous vocal piece from the opera is the rondò "Luci belle, se piagente," which was widely disseminated in Europe until the early 19th century and was indeed one of the most outstanding vocal compositions of its era. It was originally sung by Tommaso Consoli in the role of Arsace. All of the original performers in the opera were male, since women were prohibited from appearing on stage in Roman theaters until Pius VII was elevated to the Holy See in the year 1800.

Roles
Role Voice type Premiere cast, 26 January 1780, Teatro Argentina, Rome
Medonte, King of Epirus, lover and betrothed of Selene tenor Giacomo David
Selene, Princess of Argos, daughter of Aglauro, king of Argos, in love with Arsace soprano castrato Michelangelo Bologna
Arsace, Royal prince of Dodone and supreme commander of the armies of Epirus soprano castrato Tommaso Consoli
Zelinda, Royal princess of Larissa, a tributary and friend of Medonte soprano castrato Silvestro Fiammenchi
Evandro, a Grande of the kingdom of Epirus and captain of the royal guards soprano castrato Biagio Parca
Talete, one of the notables of the kingdom of Argos alto castrato Lorenzo Galeffi

Vocal Set pieces

Act I, scene 1 - Cavatina of Arsace, "Deh, s'affretti, astri tiranni"
Act I, scene 1 - Aria of Evandro, "Merta gli allori al crine"
Act I, scene 2 - Aria of Arsace, "Fra gli affanni"
Act I, scene 3 - Aria of Zelinda, "Ch'io presso del soglio"
Act I, scene 4 - Aria of Selena, "Ah, caro ben vicina"
Act I, scene 5 - Aria of Medonte, "Pensa che sol per poco"
Act I, scene 7 - Accompanied recitative for Selena and Arsace, "Tu parli di morire?"
Act I, scene 7 - Duet for Selena and Arsace, "Ah, se mi sei fedete"

Act II, scene 1 - Aria of Talete, "Vedrò fier sempre in calma"
Act II, scene 3 - Aria of Zelinda, "Se vuoi dell'indegno"
Act II, scene 5 - Aria of Medonte, "Serba costante"
Act II, scene 7 - Accompanied recitative of Selena, "Dov'è, ah dov'è, son io"
Act II, scene 7 - Cavatina of Selena, "Adorata mia speranza"
Act II, scene 9 - Accompanied recitative of Arsace, "Cedere è forza, o cara"
Act II, scene 9 - Aria (Rondò) of Arsace, "Luci belle, se piangete"
Act II, scene 12 - Aria of Evandro, "Vedrai se un fido core"
Act II, scene 13 - Trio for Selena, Arsace, and Medonte, "Tremate empi"

Act III, scene 2 - Aria of Medonte, "Perfidi io sciolgo il freno"
Act III, scene 3 - Aria of Arsace, "Scioglio cara un dolce riso"
Act III, scene 4 - Aria of Selena, "Mesti affanni"

Recording
  • Myslivecek: Medonte Loriana Castellano (mezzo-soprano), Thomas Michael Allen (tenor), Juanita Lascarro (soprano), Ulrike Andersen (contralto), Susanne Bernhard (soprano), Stephanie Elliott (soprano). L'arte del mondo, de:Werner Ehrhardt (Dirigent). Deutsche Harmonia Mundi 3CD, 2011.
gollark: Who wants *that*?
gollark: It's precise, it just doesn't have great range.
gollark: I had a more ridiculous idea than that involving just a lot of nested tuples.
gollark: Arbitrarily sized tuples are *basically* lists.
gollark: If you had nestable lists, I had a great idea for how to hack those into numbers more efficiently than unary.

References
    • Freeman, Daniel E. Josef Mysliveček, "Il Boemo." Sterling Heights, Mich.: Harmonie Park Press, 2009.
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