Ezio (Mysliveček, 1775)

Ezio is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's first setting of a libretto by the Italian poet Metastasio that was first performed with music by Pietro Auletta in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day. The story is based on incidents from the lives of the 5th-century Roman emperor Valentinian III and his general Aetius. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1775 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.

Josef Mysliveček

Performance history

The opera was first performed at the Teatro San Carlo in Naples on 30 May 1775 in honor of the nameday of Ferdinand, the king of Naples.[1] It was the last of a series of four operas composed by Mysliveček for the Teatro San Carlo between 1773 and 1775, the last two commissions made possible by the failure of Johann Christian Bach to make good on a commitment to the management of the theater. Ezio (and all three of the other operas from this series) were very well received by the Neapolitan musical public. The cast was distinguished, as would be expected at the San Carlo; it included the castrato Gaspare Pacchierotti. Mysliveček's Ezio of 1775 was first revived in modern times in Prague in 1937.

Connection with Mozart

The musicologist Daniel E. Freeman has demonstrated that Mozart used Mysliveček's scene and aria, "Misera, dove son?/Ah, non so io che parlo," as a partial model for his own setting of the same texts, K. 369.[2]

Roles
Role Voice type Premiere cast, 30 May 1775, Teatro San Carlo, Naples
Valentiniano III, emperor of Rome, in love with Fulvia soprano castrato Giuseppe Benedetti
Fulvia, daughter of Massimo, a Roman patrician, in love with Ezio and betrothed to him soprano Anna de Amicis-Buonsollazzi
Ezio, general of the imperial armies, in love with Fulvia soprano castrato Gaspare Pacchierotti
Onoria, sister of Valentiniano, secretly in love with Ezio soprano Elisabetta Ranieri
Massimo, Roman patrician, father of Fulvia, confidant and secret enemy of Valentiniano tenor Arcangelo Cortoni
Varo, prefect of the Praetorian guard, friend of Ezio soprano castrato Nicola Lancelotti

Vocal Set Pieces

Act I, scene 2 - Aria of Valentiniano, "Se tu la reggi al volo"
Act I, scene 3 - Aria of Ezio, "Pensa a serbarmi, o cara"
Act I, scene 4 - Aria of Varo, "Più lieti imagini" [a non-Metastasian text]
Act I, scene 5 - Aria of Fulvia, "Caro padre, a me non dei"
Act I, scene 6 - Accompanied recitative for Massimo, "Che sventura è la mia"
Act I, scene 6 - Aria of Massimo, "Il nocchier che si figura"
Act I, scene 8 - Aria of Onoria, "Quanto mai felici siete"
Act I, scene 12 - Accompanied recitative for Ezio and Fulvia, "Fu questo il primo oggetto"
Act I, scene 12 - Duet for Ezio and Fulvia, "Mia vita, se m'ami" [a non-Metastasian text]

Act II, scene 3 - Aria of Valentiniano, "Vi fida lo sposo"
Act II, scene 4 - Aria of Massimo, "Va, dal furor portata"
Act II, scene 6 - Aria of Ezio, "Recagli quell'acciaro"
Act II, scene 7 - Aria of Varo, "Mostra per poco almeno" [a non-Metastasian text]
Act II, scene 9 - Aria of Onoria, "Fin che per te mi palpita"
Act II, scene 11 - Aria of Ezio, "Caro mio bene, addio"
Act II, scene 12 - Aria of Valentiniano, "A tuo dispetto ingrata" [a non-Metastasian text]
Act II, scene 13 - Accompanied recitative for Fulvia, "Misera, dove son?"
Act II, scene 13 - Aria of Fulvia, "Ah, non son io che parlo"

Act III, scene 2 - Aria of Ezio, "Mi dona, mi rende" [a non-Metastasian text]
Act III, scene 6 - Aria of Massimo, "Tergi l'ingiuste lagrime"
Act III, scene 7 - Aria of Fulvia, "Dei clementi amici" [a non-Metastasian text]

gollark: https://osmarks.tk/pi/tau/1000
gollark: * here
gollark: I'm going for no Herr.
gollark: What is this "ring"?
gollark: Ah, a true haskeller.

See also

References
  1. Detailed documentation concerning the Naples performance of Mysliveček's Ezio of 1775 is found in Daniel E. Freeman, Josef Mysliveček, "Il Boemo" (Sterling Heights, Mich.: Harmonie Park Press, 2009).
  2. See Daniel E. Freeman, "Music for the Noble Amateur: Mozart's Scene and Aria 'Misera, dove son?/Ah, non so io che parlo,' K. 369," in Mozart-Jahrbuch 2000 (Kassel: Bärenreiter, 2002): 47-71.

Complete score in manuscript available for viewing and downloading at http://www.internetculturale.it (Subcategory: Digital Contents)

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