Matthew Marks Gallery

Matthew Marks is an art gallery located in the New York City neighborhood of Chelsea and the Los Angeles neighborhood of West Hollywood. Founded in 1991 by Matthew Marks, it specializes in modern and contemporary painting, sculpture, photography, installation art, film, and drawings and prints. The gallery has three exhibition spaces in New York City and two in Los Angeles.[1]

Artists

Matthew Marks represents several living artists, including:

In addition, the gallery manages various artist estates, including:

In the past, the gallery has worked with the following artists and estates:

History

Matthew Marks worked for the Pace Gallery in New York City and Anthony d'Offay in London prior to opening his own gallery.[24]

After working for three years at d'Offay, Marks moved back to New York City to open his own gallery, a {{convert|1000|sqft|m2} space on Madison Avenue.[25] The Matthew Marks Gallery had its first exhibition, Artists' Sketchbooks, in February 1991, including Louise Bourgeois, Francesco Clemente, Jackson Pollock, and Cy Twombly.[26]

Matthew Marks Gallery opened its first space in Chelsea – a converted single-story garage with skylights on 22nd Street –[27] in 1994, with a show of Ellsworth Kelly.[28] By 1997, the gallery was fully transplanted to Chelsea, and the Madison Ave. space was closed. Over the following years, two more spaces in Chelsea were added.[29]

Since 1998, Matthew Marks Gallery and another gallery – first Pat Hearn Gallery (1998), later Greene Naftali Gallery (2008, 2018) – have organized "Painting: Now and Forever", a large-scale, ongoing survey of contemporary painting, every 10 years.[30]

In 2012, Matthew Marks Gallery opened two locations in West Hollywood, Los Angeles,[31] both designed by Peter Zellner.[32]

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References
  1. Shnayerson, Michael (May 21, 2019). Boom : mad money, mega dealers, and the rise of contemporary art (First ed.). New York. ISBN 9781610398411. OCLC 1055566751.
  2. Coco Romack (October 14, 2019), An Artist’s Personal Museum in Brooklyn T: The New York Times Style Magazine.
  3. Randy Kennedy (September 24, 2015), Changing Galleries New York Times.
  4. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  5. Daniel Grant (June 10, 2008), ‘Committed’ Collectors Snap Up Katharina Fritsch’s Iconic Works ARTnews.
  6. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  7. Numbers: Which New York Gallery Represents the Most Warhol-ian Artists? New York Observer, September 7, 2012
  8. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  9. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  10. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  11. Holland Cotter (December 27, 2015), Ellsworth Kelly, Who Shaped Geometries on a Bold Scale, Dies at 92 New York Times.
  12. Andrew Russeth (February 24, 2012), Ken Price, Inventive and Irreverent Sculptor, Dies at 77 The New York Observer.
  13. Louisa Buck (November 21, 2019), Nan Goldin brings her empathy and activism to London The Art Newspaper.
  14. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  15. Sarah Douglas (September 30, 2011), Musing On Marks’ New LA Space The New York Observer.
  16. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  17. Numbers: Which New York Gallery Represents the Most Warhol-ian Artists? New York Observer, September 7, 2012
  18. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  19. Robin Pogrebin (January 12, 2017), Brice Marden Joining Gagosian Gallery New York Times.
  20. Julie Belcove (September 29, 2017), Brice Marden: When the grass is greener Financial Times.
  21. Nate Freeman (March 1, 2017), Pace Now Represents the Estate of Tony Smith ARTnews.
  22. Numbers: Which New York Gallery Represents the Most Warhol-ian Artists? New York Observer, September 7, 2012
  23. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  24. Eric Konigsberg, "Marks Nabs Johns: How gallerist Matthew Marks bagged the flag man and became the new Leo Castelli," New York Magazine, May 21, 2005.
  25. Eric Konigsberg (April 29, 2005), Marks Nabs Johns New York Magazine.
  26. Shnayerson, Michael (2019). Boom : mad money, mega dealers, and the rise of contemporary art (First ed.). New York: Hachette. p. 158. ISBN 9781610398404. OCLC 1054266745.
  27. Michael Kimmelman (November 1, 1998), A New Chelsea and the Evanescence of Chic New York Times.
  28. Carol Vogel (September 29, 2011), That Gallery Facade Sure Looks Familiar New York Times.
  29. Roberta Smith (November 28, 2004), Chelsea Enters Its High Baroque Period New York Times.
  30. Roberta Smith (August 2, 2018), Painting: An (Incomplete) Survey of the State of the Art New York Times.
  31. Carol Vogel (September 29, 2011), That Gallery Facade Sure Looks Familiar New York Times.
  32. David Ng (October 24, 2012), Los Angeles Times.

Further reading
  • Matthew Marks, l'homme pressé. Beaux Arts, November 1993, 40–41.
  • The Print Collector's Newsletter, May–June 1991.
  • Gimelson, Deborah. The Art of the Dealer. Mirabella, March 1992, 71–72.
  • Gubernick, Lisa. De Kooning's Uptown Upstart Art Dealer Slouches Toward Success Despite Slump. New York Observer, April 25, 1994.
  • Kazanjian, Dodie. Marks and Sparks. Vogue, February 1995, 256–259, 296.
  • Kennedy, Randy. Chelsea: The Art and Commerce of One Hot Block. The New York Times, November 3, 2006, sec E.
  • Mar, Alex. Critics Pick: Matthew Marks. New York Magazine
  • Tröster, Christian. Ins Herz de Kunstler: Matthew Marks ist New Yorks neuer Stargalerist. German Vogue, April 1997
  • West, Kevin. Matthew's Mark. W, March 1997, 290–296
  • Yablonsky, Linda. Portrait of the Dealer as a Young Man. Out, November 1997.

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