Martine Syms

Martine Syms (born 1988) is an American artist based in Los Angeles who works in publishing, video, installation, and performance.

Martine Syms
Born1988
Los Angeles
NationalityAmerican
EducationBard College, School of the Art Institute of Chicago
Known forartist, critic, publisher
Websitemartinesyms.com

In 2007, Syms coined the term "conceptual entrepreneur" to characterize her practice. The broad idea of the artist as an agent seeking financial self-determination runs throughout modern and contemporary art, most notably in works by Marcel Duchamp and Marcel Broodthaers but also Piero Manzoni, David Hammons, and Joe Scanlan. The idea was given its most explicit sanction in a text by Scanlan titled People in Trade, in which he outlines Conceptual Art's business potential:

"In the end, and quite ironically, so-called difficult artists like [Agnes] Martin and [David] Hammons have turned out to be much better economic models than their more celebrated counterparts could ever be. Their arcane interests, unique skills and often restrained production methods epitomize such concepts as personal branding, value adding, and just-in-time production philosophies, state of the art business innovations that they and other artists have never gotten credit for. Until now. The avant garde lives! Not because its more meaningful or radical than any other activity, but because it fills a legitimate market niche."[1]

Syms' self-identified title sustains one of her main ideas: self-determination through a sustainable institution, which stems from her interest in independent music and black-owned businesses.[2][3] Her artwork has been exhibited and screened at venues including Human Resources, Bridget Donahue Gallery, the New Museum, Kunsthalle Bern, The Studio Museum in Harlem, Index Stockholm, MOCA Los Angeles, and MCA Chicago.[4][5] Syms teaches at the California Institute of the Arts.[6]

Life

Martine Syms was born in Los Angeles in 1988. She was raised with three siblings in the Altadena suburb of Los Angeles.[7] She was homeschooled by her parents from age 7 through 12[8], and knew from an early that she wanted to be an artist. Syms' mother was interested in art and writing, and her father was an amateur photographer. She attended a pre-college program called CSSSA (California State Summer School for the Arts) at CalArts.

In 2007, Syms received a BFA (Bachelor of Fine Arts) in Film, Video, and New Media at the School of the Art Institute of Chicago.[9] From 2007–2011 Syms co-directed Golden Age, an artist-run space in Chicago. Her work often explores contemporary black identity, queer theory, and the power of language through video, performance, writing and other media.[10] Syms is the founder of Dominica Publishing, an artists' press dedicated to exploring blackness in contemporary art and visual culture.[11]

In addition to Syms' art practice, she has also worked as a graphic designer, and in advertising agencies.

In 2011, Syms published "Implications and Distinctions,"[12] an exploration of the performance of blackness in contemporary cinema, as part of the Future Plan and Program project created by Steffani Jemison.[13]

In 2013, Syms published “The Mundane Afrofuturist Manifesto” through Rhizome.[14] In her manifesto Syms calls for black diasporic artistic producers to create culture that focuses on a more realistic future on earth. Syms writes:

"The imaginative challenge that awaits any Mundane Afrofuturist author who accepts that this is it: Earth is all we have. What will we do with it? The chastening but hopefully enlivening effect of imagining a world without fantasy bolt-holes: no portals to the Egyptian kingdoms, no deep dives to Drexciya, no flying Africans to whisk us off to the Promised Land...The understanding that our "twoness" is inherently contemporary, even futuristic. DuBois asks how it feels to be a problem. Ol’ Dirty Bastard says "If I got a problem, a problem's got a problem 'til it’s gone."[15]

In 2014, Syms released Most Days, which consisted of a table read of Syms' screenplay about what an average day looks like for a young black woman in 2050 Los Angeles. The score for the album was composed by Neal Reinalda.[16]

In 2015, Syms was included in the New Museum Triennial Surround Audience.[17] Her 2015 video Notes on Gesture, exhibited at Bridget Donahue Gallery in New York City and the Machine Project in Los Angeles, and explores the role of seemingly insignificant bodily gestures in the creation of identity.[18]

In 2016, Syms presented the performance "Misdirected Kiss" at the Storm King Art Center in New York's Hudson Valley and the Broad Museum in Los Angeles. The work takes its title from the 1904 film "The Misdirected Kiss". At times resembling a TED talk, the work picks apart issues of language and representation.[19][20] In 2016, Syms' work was also displayed in a solo exhibition at the Institute of Contemporary Art in London titled "Martine Syms: Fact & Trouble." Included in this exhibition, was the Syms' video series Lessons.

In 2017, Syms showcased her work in a solo at the Museum of Modern Art in New York. The show was titled "Projects 106: Martine Syms" which centered around a feature-length film, Incense, Sweaters & Ice.[21] Syms is the recipient of the 2017 Louis Comfort Tiffany Foundation grant.[22] She obtained a MFA (Master of Fine Arts) from Bard College, Annandale-on-Hudson, NY in 2017.

Syms joined the faculty of the California Institute of the Arts in September 2018.[6] In 2018, Syms was awarded a 2018 Graham Foundation Fellowship for Advanced Studies in the Fine Arts.[23] She also received a Future Fields Commission in time-based media from the Philadelphia Museum of Art and the Fondazione Sandretto Re Rebaudengo.[24]

Lectures and exhibitions
Lectures
Solo exhibitions
Group exhibitions
gollark: Yes.
gollark: "Creation of Earth (Sun)" is also boring.
gollark: Well, I listened to the first 10 seconds, and it's really boring.
gollark: I will open it now.
gollark: What genre is this "album"?

References
  1. "Conceptualismo y Economía" (PDF). www.ubu.com. Retrieved August 13, 2020.
  2. "The Unreliable Narrator".
  3. "'YOU MAKE PUBLICS AROUND THE IDEAS': MARTINE SYMS ON PUBLISHING, SELF-HELP, ZINE CULTURE, AND MORE".
  4. "Information". martinesyms.com. March 6, 2016.
  5. http://artforum.com/picks/id=55228
  6. "Artists Martine Syms and Cauleen Smith to Join CalArts School of Art Faculty". 24700. Retrieved February 28, 2019.
  7. Anyangwe, Eliza (May 9, 2016). "Martine Syms at the ICA: 'people act like art is a white thing'". The Guardian. ISSN 0261-3077. Retrieved August 11, 2020.
  8. "Martine Syms: 'Don't be afraid to be narcissistic'". British GQ. Retrieved August 11, 2020.
  9. "Martine Syms". www.interviewmagazine.com. Retrieved March 6, 2016.
  10. "Martine Syms, The Queen's English » Armory Center for the Arts". www.armoryarts.org. Retrieved March 5, 2016.
  11. "Rhizome - Black by Distribution: A Conversation with Martine Syms". rhizome.org.
  12. Syms, Martine (January 1, 2011). Implications & distinctions: format, content and context in contemporary race film : a text. United States?: Future Plan and Program. ISBN 9780983381518. OCLC 769680360.
  13. "IMPLICATIONS AND DISTINCTIONS | Future Plan and Program". futureplanandprogram.com. Retrieved March 11, 2017.
  14. "Martine Syms and the 'Mundane Afrofuturist Manifesto'". www.kcet.org. March 6, 2016.
  15. Syms, Martine (December 17, 2013). "Rhizome". Rhizome.org. Retrieved February 17, 2016.
  16. "Black to the Future". Bitchmagazine.org. Retrieved February 17, 2016.
  17. "Review: New Museum Triennial Casts a Wary Eye on the Future". The New York Times. Retrieved February 17, 2016.
  18. Toro, Lauren Boyle, Solomon Chase, Marco Roso, Nick Scholl, David. "Notes on Gesture | Martine Syms". DIS Magazine. Archived from the original on March 4, 2016. Retrieved March 5, 2016.
  19. Miranda, Carolina A. "White suitor, black maid: Martine Syms takes on black women representations in 'Misdirected Kiss'". Los Angeles TImes. Los Angeles Times. Retrieved March 10, 2016.
  20. Walser, Adrienne (February 18, 2016). "Martine Syms Misdirected Kiss at the Broad Museum". Contemporary Art Review Los Angeles. Retrieved March 10, 2016.
  21. "Projects 106: Martine Syms | MoMA". The Museum of Modern Art. Retrieved August 11, 2020.
  22. Russeth, Andrew (February 15, 2018). "Here Are the 2017 Tiffany Foundation Grant Recipients". ARTnews. Retrieved March 3, 2018.
  23. "Graham Foundation Announces Inaugural Fellows". www.artforum.com. Retrieved March 17, 2018.
  24. "Martine Syms is New Recipient of Future Fields Commission". Martine Syms is New Recipient of Future Fields Commission. Retrieved August 11, 2020.
  25. "Martine Syms, Los Angeles". walkerart.org. Retrieved August 11, 2020.
  26. "Martine Syms, The Queen's English » Armory Center for the Arts". www.armoryarts.org. Retrieved March 5, 2016.
  27. "LOCUST PROJECTS". www.locustprojects.org. Retrieved August 11, 2020.
  28. "White Flag Projects". whiteflagprojects.org. Retrieved March 5, 2016.
  29. "Martine Syms: Vertical Elevated Oblique | Martine Syms | Bridget Donahue". www.bridgetdonahue.nyc. Retrieved August 11, 2020.
  30. "Human Resources Chinatown Los Angeles - Event Details - 2.6.2016 - 2.27.2016 Martine Syms "Black Box"". humanresourcesla.com. Archived from the original on March 20, 2016. Retrieved March 5, 2016.
  31. "Martine Syms: Fact & Trouble". archive.ica.art. Retrieved August 11, 2020.
  32. "Projects 106: Martine Syms". www.moma.org/. Retrieved March 12, 2018.
  33. "Martine Syms: Big Surprise | Exhibitions | Bridget Donahue". www.bridgetdonahue.nyc. Retrieved August 11, 2020.
  34. "west - The Green Gallery". www.thegreengallery.biz. Retrieved March 5, 2016.
  35. "MCA – We Are Here: Art & Design Out of Context". mcachicago.org. Retrieved March 5, 2016.
  36. "Bodega". bodega-us.org. Retrieved August 11, 2020.
  37. "First Among Equals - ICA Philadelphia". Institute of Contemporary Art. Philadelphia, PA. August 30, 2013. Retrieved August 11, 2020.
  38. "Speaking of People | The Studio Museum in Harlem". www.studiomuseum.org. Retrieved March 5, 2016.
  39. "2015 Triennial: Surround Audience". www.newmuseum.org. Retrieved March 5, 2016.
  40. "Made in L.A. 2016: a, the, though, only | Hammer Museum". hammer.ucla.edu. Retrieved August 11, 2020.

Further reading
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