Martin Kollar

Martin Kollar (in Slovak Martin Kollár), born 23 November 1971 in Žilina (then in Czechoslovakia, now Slovakia), is a Slovak photographer and cinematographer.

Career

Kollar studied cinematography in the Film and Television faculty of the Academy of Performing Arts in Bratislava.[1] In 2003 he joined Agence VU,[2] (which he appears to have left in late 2013[n 1]). His numerous photographs of everyday life in Slovakia are published in newspapers and magazines worldwide, such as Le Monde 2, Libération, GEO and Courrier International.[3]

Slovakia 001, a survey of Slovakia in colour photographs, was prompted by a contest held by the Slovak Institute for Public Affairs. Kollar avoided looking for the exceptional and instead concentrated on oddities seen in everyday life.[4][5] The photographs were exhibited and also published as a book.[6]

Television Anchors is a series showing television news reporters in incongruous situations. It was prompted by the sudden cancellation of an assignment to photograph New Orleans after Hurricane Katrina: although Canal Street had escaped most of the damage, it was the standard television backdrop thanks to its ease of access. Allowing more into the frame around the reporter than normally permitted by a television news broadcast presents a very different picture.[7]

In the series Nothing Special, begun around 2000, Kollar explored the environment of countries that had been in the Warsaw bloc. He travelled about 13,500 km, "looking for moments that portrayed the chaotic and often humorous moments"; examining "clashing cultures, tradition versus modernity, and sometimes situations that are simply perplexing". The photographs were all unstaged.[8]

In order to participate in the project This Place, launched by Frédéric Brenner, Kollar was expected to spend six months photographing in Israel. He based himself in Tel Aviv, and visited many sites made available thanks to much preparation and persuasion by his assistant, Talia Rosin.[9] He concentrated on Israel's future rather than its past or even present, and thus on sites of preparation or prevention. security- and surveillance-related sites and activities in Israel. The book has no captions, and the photographs go unexplained.[10] "Every image in this Slovakian photographer's depiction of Israel is a photograph of unintelligible secrets," commented Alec Soth.[11] "At the end of [Field Trip] I'm more confused than I was at the beginning, making the book a wonderful example of photography's inability to be able to explain very much at all", wrote Mark Power.[12] A New York Times review of an exhibition of This Place praised Kollar's "color pictures that hop from subject to subject but are on edge or surreal", saying that there was no need for captions as the images "engross and unsettle on their own".[13]

For the 15th in its series of European Eyes on Japan: Japan Today, in which photographers cover Japan prefecture by prefecture, the EU–Japan Fest Japan Committee invited Kollar and Olivier Metzger to photograph Chiba. Kollar stayed in Japan for a month in spring 2013. The resulting work was exhibited in Arles as part of Marseille-Provence 2013 and published in book form.[14][15]

Sean O'Hagan writes that "It is [a] state of impermanence that Martin Kollar sets out to explore in his latest book, Provisional Arrangement, which attempts to map out a psychogeography of uncertainty and stasis.[16][n 2] Brad Feuerhelm calls the book, with its "cinematically constructed images", "a work of soft genius".[17]

Awards

Exhibitions

Solo exhibitions
  • Martin Kollár: Europe, Galéria Profil, Bratislava, October 2000.[20]
  • Slovakia 2001: A Pictorial Report on the State of the Country, Johann Pálffy Palace, Bratislava, 2001.[21]
  • 2001: Správa o stave krajiny, Dom Fotografie, Poprad, February 2002.[22]
  • Martin Kollar: Raport o stanie kraju 001, Mała Galeria ZPAF-CSW, Warsaw, November 2002. An exhibition of Slovakia 001.[6]
  • Nothing Special, Freelens Galerie, Hamburg, August–October 2005.[23]
  • Nothing Special, Batagianni Gallery, Athens, 13th International Month of Photography, October 2006.[24]
  • TV Anchors, Maison européenne de la photographie, Paris, 2007[25]
  • Nothing Special, Le Château d'eau, Toulouse, June–September 2008[25][26]
  • Tranzit, Tranzit Gallery, Bratislava, November 2012 – [25][27]
  • Field Trip, Espace Images, Vevey, March–April 2014.[28]
  • Field Trip, Zephyr – Raum für Fotografie, Reiss Engelhorn Museum, Mannheim, March–June 2015.[29]
  • Field Trip, Robert Capa Contemporary Photography Center, Budapest, September–October 2015.[30]
  • Martin Kollar: Field Trip / Exkurzia. Slovak National Gallery, Bratislava, October 2015 – January 2016.[10][31]
  • Field Trip, Athens Photo Festival 2016, Benaki Museum, June–July 2016.[32]
  • Provisional Arrangement, Musée de l'Élysée, Lausanne, September–December 2016.[33]

Other exhibitions
  • Report from the Country, Centre for Contemporary Art, Ujazdów Castle, Warsaw, 2002[25]
  • Ihmisiä itärajoilla = People in the Eastern Border Country, Imatra Art Museum, Imatra (Imatran valokuvataiteen biennaali 2003, the first Imatra Biennale of Photographic Art), June–August 2003. Together with András Fekete, Dagmar Hochová, Boris Missirkov, Georgi Bogdanov, Jaakko Heikkilä, Kati Koivikko, Lucia Nimcová, Marja Pirilä, Pekka Turunen, Sanni Seppo, Veli Granö; Krisztina Erdei; Dana Kyndrová; Jindřich Štreit.[34]
  • Slovak Photography 1925–2000, Městská Knihovna (municipal library), Prague, March 2003.[35]
  • Parallele Avantgarden - Gibt es eine "europäische Fotografie"? Artspace, Vienna, April–May 2003. With Irena Blühová, Ladislav Foltyn, Tomaž Gregorič, Karlo Kocjančič, Marek Kvetán, Alex Mlynárčik, OHO, Tobias Putrih, Shirana Shahbazi, Janko Skerlep.[36]
  • Stadt in Sicht. New Art from Bratislava, Vienna Künstlerhaus, Vienna, May–July 2003. With 19 other artists.[37]
  • Check Slovakia!, Neuer Berliner Kunstverein, Berlin, May–June 2004. With Erik Binder, Cyril Blažo, Tomáš Agat Błoński, Pavlína Fichta Čierna, Bohdan Hostiňák, Ilona Németh, Milan Tittel, and Emőke Vargová.[38]
  • Exhibition of finalists for the Oskár Čepan prize. Mirbach Palace gallery, Bratislava, May–August 2004. With Mário Chromý, Svätopluk Mikyta and Boris Sirka.[39]
  • Fotografie aus Tschechien und Osteuropa, Palais für Aktuelle Kunst/Kunstverein Glückstadt, Glückstadt, August–September 2004. With Jindřich Štreit.[40]
  • Slowakei durch die Linse von Dokumentarfotografen, Fluss, Wolkersdorf, October–November 2004. With Andrej Bán, Pavol Breier, Alan Hyža, Martin Marenčin, Lucia Nimcová, Jozef Ondzik, Jaro Sýkora.[41]
  • Bitte lächeln, Aufnahme!, Martin-Gropius-Bau, Berlin, December 2004 – February 2005. Together with Mart Viljus, Andrejs Grants, Rimaldas Vikšraitis, Agostino Baldacchino, Maciej Skawiński, Kollar, Borut Peterlin, František Dostál, Imre Benkő, Ioannis Yerou.[25][42]
  • Leica Oskar Barnack Preis 2004, Leica Galerie Solms, Solms, January 2005. With Peter Granser and Alex Majoli.[43]
  • Leica Oskar Barnack Award 2004, Leica Ginza Salon, Ginza, Tokyo, September–October 2005. With Peter Granser and Alex Majoli.[44]
  • Un/Mill à 2.8: Rip Hopkins, Martin Kollar et Tiane Doan Na Champassak, Maison européenne de la photographie, Paris, November 2006. Work by Kollar, Rip Hopkins, and Tiane Doan Na Champassak.[45]
  • Slovakia: Through the lens of documentary photographers, Photography Gallery Prospekto, Vilnius. December 2006 – January 2007. With Andrej Bán, Pavol Breier, Alan Hyža, Martin Marenčin, Jozef Ondzik, Jaro Sýkora.[46]
  • Unseen: An exhibition of International Photography, Museum of Contemporary Art Shanghai, 2008. Together with Ashley Gilbertson, Camille Vivier, Charles Freger, Jacob Aue Sobol, Julia Fullerton-Batten, Mikhael Subotzky, Rafał Milach, Lieko Shiga and Simon Roberts.[25][47]
  • Prague Biennale, Prague, 2009[25]
  • Backlight 08 - Tickle attack, Centre d'Art 'Nei Liicht', Dudelange, June–July 2009. With Bettina Flitner, Anne Guest, Marco Lanza & Saverio Lanza, Paula Muhr, Matt Siber, Mai Yamashita & Naoto Kobayashi.[48]
  • European Eyes on Japan / Japan Today vol. 15, Marseille-Provence 2013, Voies Off Gallery, Arles, September–October 2013. Photographs by Kollar and Olivier Metzger of Chiba prefecture.[14][15]
  • Prix Elysée 2014, Musée de l'Elysée, Lausanne, January–May 2015. Photographs by Kollar and Anoush Abrar, Mari Bastashevski, Philippe Chancel, Annabel Elgar, Agnès Geoffray, Marco Poloni, Kourtney Roy.[49][50]
  • This Place, DOX Centre for Contemporary Art, Prague, October 2014 – March 2015.[51]
  • This Place, Tel Aviv Museum of Art, May–September 2015.[52][53][54]
  • From Room to Roam. Albumarte, Rome (Fotografia – International Festival of Rome). October–December 2015. Photographs of the Ukraine, with Lucia Nimcová.[55][56]
  • This Place, Norton Museum of Art, Palm Beach, Florida, October 2015 – January 2016.[57][58][59]
  • This Place, Brooklyn Museum, February–June 2016.[13][60]

Film credits
  • Hey, You Slovaks, 2003 (cinematographer)[61]
  • Autoportrait = Autoportét – Martin Kollár, 2012 (writer, director and cinematographer)[19][n 3]
  • Ball (producer)[19]
  • Velvet Terrorists = Zamatoví teroristi, 2013 (cinematographer)[19][62]
  • Cooking History = Ako sa varia dejiny, 2009 (cinematographer)[19][63][64]
  • Across the Border: Five Views from Neighbours (cinematographer)[19]
  • 66 Seasons = 66 sezón, 2003 (cinematographer)[19][65][66]
  • Ladomirova Morytates and Legends = Ladomirovské morytáty a legendy, 1998 (cinematographer)[19]
  • In the Box (cinematographer)[19]
  • Goat = Koza, 2015 (cinematographer)[67][68][69]
  • 5 October = 5. október, 2016 (writer, director, cinematographer)[70]

Books
Some books by Kollar

Books by Kollar
  • Slovensko 001: Obrazová správa o stave krajiny = Slovakia 001: A Pictorial Report on the State of the Country. Bratislava: Institute for Public Affairs, 2001. ISBN 978-80-88935-25-4. With text in Slovak and English.
  • Nothing Special. Colour photographs of Europe (mostly Slovakia and the Czech Republic) from 2001 to 2004, each captioned with the place and year; text by Katarína Kerekešová and Peter Kerekeš.
    • Nothing special: Photographies de Martin Kollar. Arles: Actes Sud, 2007. ISBN 978-2-7427-6742-7.[n 4]
    • Nothing special: Fotografien von Martin Kollar. Heidelberg: Braus, 2008. ISBN 978-3-89904-276-4. Text in German.
  • Cahier. Montreuil-sur-Brèche: Diaphane, 2011. Collection of uncaptioned colour photographs of Clermont-Ferrand, made during a residence in July and August 2011. ISBN 978-2-919077-03-8.[n 5]
  • Field Trip. London: Mack, 2013. ISBN 978-1-907946-48-6. Collection of uncaptioned colour photographs of Israel, made as part of This Place, with a short afterword by Kollar in English.[n 6]
  • Martin Kollar: Catalogue. Bratislava: Slovak National Gallery, 2015. ISBN 978-80-8059-189-2. With text in Slovak and English by Aurel Hrabušický.[n 7]
  • Provisional Arrangement. London: Mack, 2016. ISBN 978-1-910164-50-1. Colour photographs, without captions. Texts in English by Lydia Dorner, Tatyana Franck and Pascal Hufschmid, and Michel Parmigiani.[n 8] "This book is published in the context of the Prix Elysée".

Books with contributions by Kollar
  • Päivi Eronen, ed. Ihmisiä itärajoilla = People in the Eastern Border Country. Imatra: Imatran kaupunki, 2003. ISBN 978-951-977222-6. Photographs by András Fekete, Dagmar Hochová, Boris Missirkov, Georgi Bogdanov, Jaakko Heikkilä, Kati Koivikko, Kollár, Lucia Nimcová, Marja Pirilä, Pekka Turunen, Sanni Seppo, Veli Granö; Krisztina Erdei; Dana Kyndrová; Jindřich Štreit. Accompanying the exhibitions at Imatran valokuvataiteen biennaali 2003 = Imatra Biennale of Photographic Art 2003, June–August 2003; Suomalaista valokuvataidetta = Contemporary Photography in Finland, Dom fotografie Poprad, Slovakia, October–December 2003.
  • À l'Est de l'Ouest = East of the West. 16°24′: Europe de l'Est 2005. Paris: Unistrat Coface, 2005. OCLC 470037284. Photographs by Kollar, text (in French and English) by Guy-Pierre Chomette.
  • Mart Viljus and Borut Peterlin. Bitte lächeln, Aufnahme!: Fotokunst aus den zehn neuen EU-Ländern. Heidelberg: Braus im Wachter, 2005. ISBN 978-3-89904-148-4. Accompanying an exhibition at Martin-Gropius-Bau Berlin, 2004–2005; with photographs by Mart Viljus, Andrejs Grants, Rimaldas Vikšraitis, Agostino Baldacchino, Maciej Skawiński, Kollar, Borut Peterlin, František Dostál, Imre Benkő, Ioannis Yerou.
  • Magali Jauffret. Vu' à Paris. Saint-Laurent-du-Var: Panini, 2006. ISBN 978-2-84538-712-6. Photographs by Christer Strömholm, Michael Ackerman, Aniu, Philip Blenkinsop, Bruno Boudjelal, Denis Darzacq, Pierre-Olivier Deschamps, Bertrand Desprez, Claudine Doury, Richard Dumas, JH Engström, Gilles Favier, Stanley Greene, Rip Hopkins, Martin Kollar, Anders Petersen, Ian Teh, Lars Tunbjörk, Guillaume Zuili; text in French and English.
  • Y'a de la joie. [Paris]: Union Financière de France, 2009. Four booklets, one by each of four photographers (Kollar, Claudine Doury, Denis Darzacq and Bertrand Desprez) in a slipcase. Kollar's booklet is of photographs he took along the French coast in 2009.
  • Sylt: Im Spiegel zeitgenössischer Fotografie. Ostfildern bei Stuttgart: Hatje Cantz, 2012. ISBN 978-3-7757-3364-9. Photographs of Sylt by Julia Baier, Peter Bialobrzeski, Jörg Brüggemann, Denis Brudna, Tine Casper, Christian Diehl, Christoph Engel, Hans Hansen, Volker Hinz, Britta Isenrath, Martin Kollar, Ingar Krauss, Martin Liebscher, Robert Lebeck, Julia Maria Max, Dita Pepe, Christian Popkes, Martin Pudenz, Anja Schaffner, Evzen Sobek, Grit Schwerdtfeger, Susanne Schleyer/Michael J. Stephan, Thomas Wrede; text in German.
  • Anna Shpakova and Andreǐ Zuev. The Russian Moment: 20 Leading World Photographers' Expedition to Russia, July 2013. Moscow: RIA Novosti, 2013. ISBN 978-5-90583049-5. Kollar contributes a section, "Stuntmen".
  • 日本に向けられたヨーロッパ人の眼 ジャパン トゥディ = European Eyes on Japan: Japan Today. Vol. 15, Martin Kollar, Olivier Metzger. Tokyo: EU–Japan Fest Japan Committee, 2013. Photographs by Kollar and Olivier Metzger of Chiba prefecture; text (in Japanese and English) by Mayumi Asakura. OCLC 941208655
  • Sam Stourdzé and Pascal Hufschmid, Prix Elysée 2014: Livre des nominés = Nominees' Book. Lausanne: Musée de l'Elysée, 2014. ISBN 978-2-88350-106-5. With photographs by Anoush Abrar, Mari Bastashevski, Philippe Chancel, Annabel Elgar, Agnès Geoffray, Kollar, Marco Poloni, Kourtney Roy.
  • Charlotte Cotton, ed. This Place. London: Mack, 2014. ISBN 978-1-910164-13-6. Photographs of Israel and the West Bank by Frédéric Brenner, Wendy Ewald, Kollar, Josef Koudelka, Jungjin Lee, Gilles Peress, Fazal Sheikh, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall and Nick Waplington.

Notes
  1. Kollar appears in VU's list of photographers as archived by the Wayback Machine on 11 August 2013; he is absent from it as archived on 21 December 2013. (His profile and photograph selection as of 11 August 2013 are archived here.)
  2. O'Hagan's article accompanies a page of photographs: "Road to nowhere: Martin Kollár's deadpan travel diary – in pictures", The Guardian, 26 September 2016.
  3. A ten-minute version is available here at Vimeo.
  4. Actes Sud's page about Nothing Special is here.
  5. Diaphane's page about Cahier is here.
  6. Mack's page about Field Trip is here.
  7. SNG's page about Catalogue is here.
  8. Mack's page about Provisional Arrangement is here.
gollark: It's basically a reflection of the fact that Java is bad and Kotlin less bad.
gollark: Should it not be a node tree, anyway?
gollark: Can you recommend a different way to keep the weird vector-of-node thing?
gollark: <@337621533369303042> I guess you want that then if you *must* be C++y and evil.
gollark: I don't actually want to do this, but I mean check which subtype a node is.

References
  1. "Authors 2010: Martin Kollar: Nothing Special Archived 2015-12-19 at the Wayback Machine", Getxophoto. Accessed 20 January 2017.
  2. "Fotokomora Martin Kollár", Jihlava International Documentary Film Festival. Accessed 20 January 2017
  3. "Enfants du pays", Petit-futé Slovaquie 2012–2013, p. 73.
  4. Eugen Gindl, "Exploring the exoticism of the everyday", Fotofo. Accessed 25 January 2017.
  5. Zuzana Habšudová, "Slovak woman in photographs", The Slovak Spectator, 16 February 2004. Accessed 4 February 2017.
  6. Marek Grygiel, "Martin Kollar: Raport o stanie kraju 001", Fototapeta. Accessed 25 January 2017.
  7. Jordan G. Teicher, "Truth and fiction in television news", Slate, 29 April 2013. Accessed 4 February 2017.
  8. David Rosenberg, "The wacky world of eastern Europe in the early 2000s", Slate, 30 March 2014. Accessed 4 February 2017.
  9. "Martin Kollar in conversation with Charlotte Cotton", Tel Aviv Museum, Fall 2014. Accessed 8 February 2017.
  10. Jana Liptáková, "Kollár’s time capsule of Israel is now on display at the SNG", The Slovak Spectator, 14 December 2015. Accessed 25 January 2017.
  11. Cheryl Newman and Livia Bonadio, eds, "Alec Soth: My top 10 photo Books of 2013", Telegraph, 5 December 2013. Accessed 24 January 2017.
  12. Mark Power, "Mark Power's Top Ten Photobooks of 2013", Mark Power's blog, 10 January 2014. Accessed 24 January 2017.
  13. Roberta Smith, "Capturing human moments amid chaos in Israel and the West Bank", New York Times, 18 February 2016. Accessed 8 February 2017.
  14. "Photograph exhibition European Eyes on Japan / Japan Today vol.15", EU–Japan Fest Japan Committee. Accessed 24 January 2017.
  15. "'Rester partir, le voyage impossible: Une exposition de la programmation coproduite par Marseille-Provence 2013", Voies Off. Accessed 24 January 2017.
  16. Sean O'Hagan, "Provisional Arrangement by Martin Kollar review: Snapshots of stasis and uncertainty", The Observer, 2 October 2016. Accessed 24 January 2017.
  17. Brad Feuerhelm, "Martin Kollar: The post-Soviet cinematic detail", American Suburb X, 18 December 2016. Accessed 24 January 2017.
  18. "Winner 2014: Martin Kollar", Leica Oskar Barnack Award. Accessed 20 January 2017.
  19. "Martin Kollar: Provisional Arrangement", Prix Élysée. Accessed 20 January 2017.
  20. Richard Friedmann, "Martin Kollár - Europe", Fotofo. Accessed 25 January 2017.
  21. Zuzana Habšudová, "Martin Kollár: The extraordinary behind the ordinary", The Slovak Spectator, 19 November 2001. Accessed 25 January 2017.
  22. "Martin Kollár vstúpil v tichosti do Domu fotografie", Korzár, 4 February 2002. Accessed 27 January 2017.
  23. "Martin Kollár: Nothing Special", Freelens, 29 July 2014. Accessed 23 January 2017.
  24. Hellenic Centre for Photography, "13oς ΔΙΕΘΝΗΣ ΜΗΝΑΣ ΦΩΤΟΓΡΑΦΙΑΣ" (DOC file), in2life. Accessed 4 February 2017.
  25. "Martin Kollar", Prix Élysée. Accessed 20 January 2017.
  26. "Martin Kollar", Le Château d'eau. Accessed 21 January 2017.
  27. Táňa Hojčová, "New exhibition opening at tranzit.sk: Martin Kollár", Erste Foundation. Accessed 21 January 2017.
  28. "Martin Kollar", Images: Festival des arts visuels de Vevey. Accessed 23 January 2017.
  29. "Martin Kollar: Field Trip", Zephyr – Raum für Fotografie. Accessed 24 January 2017.
  30. Szabolcs Barakonyi, "Martin Kollar: Field Trip", Robert Capa Contemporary Photography Center. Accessed 23 January 2017.
  31. "Martin Kollar: Field Trip / Exkurzia", Art and Heritage in Central Europe. Accessed 22 January 2017.
  32. Martin Kollar, "Martin Kollar (SK): Field Trip", Athens Photo Festival. Accessed 24 January 2017.
  33. "Martin Kollar: Provisional Arrangement", Musée de l'Elysée. Accessed 23 January 2017.
  34. "People in the Eastern Border Country - The first Imatra Biennale of Photographic Art", Photography Now. Accessed 27 January 2017.
  35. Jeremy Bransten, "What's doing in; Prague", New York Times, 9 March 2003. Accessed 8 February 2017.
  36. Exhibition notice for Parallele Avantgarden, Photography Now. Accessed 27 January 2017.
  37. Saša Petrášová, "So close, yet so far away", The Slovak Spectator, 12 May 2003. Accessed 4 February 2017.
  38. "Young Slovak art travels to Berlin", The Slovak Spectator, 17 May 2004. Accessed 4 February 2017.
  39. "Events countrywide", The Slovak Spectator, 17 May 2004. Accessed 4 February 2017.
  40. Exhibition notice for Fotografie aus Tschechien und Osteuropa, Photography Now. Accessed 27 January 2017.
  41. Exhibition notice for Slowakei durch die Linse von Dokumentarfotografen, Photography Now. Accessed 27 January 2017.
  42. "Bitte lächeln, Aufnahme! Fotokunst aus den zehn neuen EU-Ländern", Die Berliner Festspiele. Accessed 21 January 2017.
  43. Exhibition notice for Leica Oskar Barnack Preis 2004, Photography Now. Accessed 27 January 2017.
  44. Exhibition notice for Leica Oskar Barnack Award 2004, Photography Now. Accessed 27 January 2017.
  45. "Un/Mill à 2.8: Rip Hopkins, Martin Kollar et Tiane Doan Na Champassak", Maison européenne de la photographie. Accessed 24 January 2017.
  46. Exhibition notice for Slovakia, Photography Now. Accessed 27 January 2017.
  47. "A keen eye for the unseen", China.org.cn. Originally appeared in Shanghai Daily, 1 February 2008. Accessed 21 January 2017.
  48. "Backlight 08 - Tickle attack", Centre d'Art 'Nei Liicht'. Accessed 28 January 2017.
  49. "Prix Elysée, the nominees' exhibition", L'Œil de la photographie, 29 January 2015. Accessed 4 February 2017.
  50. "Prix Elysée, the nominees' exhibition", Musée de l'Elysée. Accessed 4 February 2017.
  51. "This Place", DOX Centre for Contemporary Art. Accessed 8 February 2017.
  52. "This Place", Tel Aviv Museum. Accessed 8 February 2017.
  53. Emily Harris, "Israel and the West Bank through fresh eyes", National Public Radio, 5 July 2015. Accessed 8 February 2017.
  54. Renee Ghert-Zand, "Foreign photographers aim to reframe Israelis and Palestinians". The Times of Israel, 14 May 2015. Accessed 8 February 2017.
  55. "AlbumArte presents | From Room to Roam – Lucia Nimcová & Martin Kollár", Albumarte. Accessed 21 January 2017.
  56. "From Room to Roam | Lucia Nimcová and Martin Kollár", Juliet. Accessed 21 January 2017.
  57. "Norton Museum: 'This Place'", French Culture. Accessed 8 February 2017.
  58. "This Place: Israel and the West Bank through photography's lens Archived 2016-09-15 at the Wayback Machine", Norton Museum of Art. Accessed 8 February 2017.
  59. "Lens aimed at Israel, West Bank when Norton unveils 'This Place'", Palm Beach Post, 8 October 2015. Accessed 8 February 2017.
  60. "This Place", Brooklyn Museum. Accessed 8 February 2017.
  61. Eddie Cockrell, "Review: 'Hey You, Slovaks'", Variety, 24 July 2003. Accessed 23 January 2017.
  62. Stephen Dalton, "Velvet Terrorists: Karlovy Vary Review", Hollywood Reporter, 8 July 2013. Accessed 21 January 2017.
  63. Joachim Kurz, review of Cooking History, kino-zeit.de. Accessed 21 January 2017.
  64. Alissa Simon, "Review: 'Cooking History'", Variety, 11 August 2009. Accessed 23 January 2017.
  65. Erik Pfeiffer, "66 Sommer und ein Bad", Filmzentrale. Accessed 21 January 2017.
  66. Eddie Cockrell, "Review: '66 Seasons'", Variety, 17 July 2003. Accessed 23 January 2017.
  67. Alissa Simon, "Film review: 'Koza'", Variety, 2015. Accessed 21 January 2017.
  68. Konstanty Kuzma, "A silent cry for help: Ivan Ostrochovský's Koza (2015)", East European Film Bulletin, 9 February 2015. Accessed 21 January 2017.
  69. Ben Nicholson, "Toronto 2015: Koza review", Cinevue, 2015. Accessed 21 January 2017.
  70. Martin Kudláč, "Martin Kollár brings his highly personal project 5 October to Rotterdam", Cineuropa, 25 January 2016. Accessed 21 January 2017.
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