Rafał Milach

Rafał Milach (born 1978) is a Polish visual artist and photographer. His work is about the transformation taking place in the former Eastern Bloc,[1] for which he undertakes long-term projects.[2] He is a nominee member of Magnum Photos.

Milach's books include 7 Rooms (2011), In the Car with R (2012), Black Sea of Concrete (2013), The Winners (2014) and The First March of Gentlemen (2017). He is a co-founder of the Sputnik Photos collective.[3]

He won a 2008 World Press Photo award.[4] 7 Rooms won the Pictures of the Year International Best Photography Book Award in 2011.[5] In 2017 his exhibition Refusal was a finalist for the Deutsche Börse Photography Prize.[6]

Milach lectures in photography[7][8] at the Institute of Creative Photography (ITF), Silesian University in Opava, Czech Republic.

Life and work

Milach was born in 1978 in Gliwice, Poland.[9] He graduated from the Academy of Fine Arts in Katowice in 2003 and the Institute of Creative Photography (ITF), Silesian University in Opava, Czech Republic.[9]

With ten other Central Eastern European photographers, he co-founded Sputnik Photos, a collective documenting transition in post-Soviet states.[8][10]

For his first book, 7 Rooms (2011), Milach accompanied and photographed seven young people for several years living in the Russian cities of Moscow, Yekaterinburg and Krasnoyarsk.[11]

In the Car with R (2012) was made on a 10 day road trip, driving 1450 kilometres around Iceland's circular Route 1. Milach made photographs and his local guide, the writer Huldar Breiðfjörð, made diary entries.[12]

Black Sea of Concrete (2013) is about the Ukrainian Black Sea coast, about its people, of whom he made portraits, and the abundant Soviet-era geometric blocks strewn along the coastline.[8][13]

Milach spent two years in Belarus from 2011 exploring its dire economic and political situation.[3] Belarus is "a country caught between the ultra-traditional values of an older Soviet era and the viral influence of western popular culture."[8] Milach was interested in the clean, tidy glamorous facade maintained by the state. His book The Winners (2014), portraits of winners of various "Best of Belarus" state and local contests promoted by the government, is a typology of state propaganda.[7][14][15][16] It depicts mostly people, but also anonymous interiors that had won awards. The obscure official prizes are intended to foster national pride but to an outside audience might appear tragicomic.[8] Milach travelled around the country working in the role of "an old-fashioned propaganda photographer".[8] He was guided by the authorities as to who, where and how to photograph, a process which only improved his revealing the ideology of the state.[3][8] Milach has said "the winners are everywhere, but the winnings are not for the winners – they are for the system", "the state is not interested in individuals, only in mass control."[8]

The First March of Gentlemen (2017) was made on a 2016 residency at Kolekcja Września to make work about life in Września.[17] The town is synonymous with the Września children strike, the protests of Polish children and their parents against Germanization that occurred between 1901 and 1904. In 2016, there were many demonstrations by Citizens of Poland, a civic movement engaged in pro-democracy and anti-fascist actions, opposed to the political changes brought about by the government led by the Law and Justice (PiS) party. Milach's book of collages mixes illustrations of the children strike with characters that lived in Września during the communist era in the 1950s and 1960s taken by local amateur photographer Ryszard Szczepaniak.[17] This "delineates a fictitious narrative that can be read as a metaphor, commenting on the social and political tensions of the present day."[17]

In 2018 Milach became a nominee member of Magnum Photos.[18][19]

Personal life

He is married to Ania Nałęcka-Milach.[17]

Publications
Books by Milach (or by Sputnik Photos with contributions by him) flanked by irrelevant Pelicans; left to right: At the Border, U, Stand BY, 7 Rooms, Black Sea of Concrete, In the Car with R, IS (not), Fruit Garden

Publications by Milach
  • 7 Rooms. With texts by Svetlana Alexievich.
    • First edition. Heidelberg, Germany: Kehrer, 2011. ISBN 978-3-86828-265-8.
    • Second edition. Heidelberg, Germany: Kehrer, 2013.
  • Black Sea of Concrete. Warsaw: [Rafał Milach], 2013. Photographs and text (in English). Edition of 300 copies. ISBN 978-83-933361-1-1.
  • The Winners.
    • First edition. London: Gost, 2014. ISBN 978-0-9574272-7-3. Edition of 553 copies (500 copies of the regular edition, 53 copies of the special edition).
    • Second edition. London: Gost, 2014. ISBN 978-0-9574272-7-3. Edition of 200 copies.
  • The First March of Gentlemen. Collages and photographs by Milach, archival images by Ryszard Szczepaniak, text by Maciej Pisuk, Milach, and Karol Szymkowiak.
    • First edition. Kolekcja Wrzesińska, 2017.
    • Second edition. London: Gost, 2018. ISBN 978-1-910401-17-0. Edition of 650 copies.

Zines by Milach
  • Pressident. Galeria Szara, 2017. ISBN 978-83-938735-2-4. 5 posters. Edition of 350 copies.

Publications paired with others
  • In the Car with R: 29 Notes on Photography, Iceland and More. Gliwice: Museum in Gliwice, 2011. ISBN 978-83-89856-40-1.[n 1] "Project manager: Maga Sokalska / Czytelnia Sztuki". Photographs by Milach, text (an English translation of Með R í bílnum) by Huldar Breiðfjörð. Edition of 450 copies.
  • W samochodzie z R.: 29 uwag o fotografii, Islandii i nie tylko. Gliwice: Muzeum w Gliwicach, 2011. ISBN 978-83-89856-40-1.[n 1] Photographs by Milach, text (a Polish translation of Með R í bílnum) by Huldar Breiðfjörð. Edition of 250 copies.

Publications with contributions by Milach
  • At the Border. [Warsaw]: Sputnik Photos, 2008. ISBN 978-83-927485-0-2. Photographs by Andrej Balco, Jan Brykczyński, Manca Juvan, Justyna Mielnikiewicz, Rafał Milach, Domen Pal, Agnieszka Rayss and Filip Singer; texts in English. The untitled preface says that the book "describes the illegal labour markets in the new member states of the European Union (Poland, Slovakia and Slovenia)." Milach contributes an essay, "Linh in Poland", about a Vietnamese man working at Jarmark Europa.
  • U. [Warsaw]: Sputnik Photos, 2010. ISBN 978-83-927485-1-9. Photographs by Jan Brykczyński, Andrej Balco, Andrei Liankevich, Agnieszka Rayss, Rafał Milach (from the series Black Sea of Concrete), Filip Singer, Ivan Kurinnoy, Janis Pipars and Justyna Mielnikiewicz. With short texts in English by Serhiy Zhadan, Irena Karpa, and the photographers. "Photos taken in Ukraine in 2008–2010"; "the non-profit organization Altemus commissioned a team of young East European photographers from Sputnik Photos collective and Ukrainian writers, to travel the country and capture its ethos". Milach is credited as "book photo editor". Edition of 300 copies.
  • IS (not). [Warsaw]: Sputnik Photos, 2010. Edited by Andrzej Kramarz. ISBN 978-83-927485-8-8. Edition of 1000 copies. "A group project about Iceland by 5 polish photographers and 5 Icelandic writers."[20] Photography by Jan Brykczyński, Michał Łuczak, Rafał Milach (from the series In the Car with R), Adam Pańczuk and Agnieszka Rayss; text in English by Kristín Heiða Kristinsdóttir, Sindri Freysson, Hermann Stefánsson, Sigurbjörg Þrastardóttir and Huldar Breiðfjörð.
  • Stand By = Ӡа Беларусь. Warsaw: Sputnik Photos, 2012. ISBN 978-83-927485-5-7. Photographs of Belarus by Jan Brykczyński, Andrei Liankevich, Manca Juvan, Rafał Milach (from the series The Winners), Justyna Mielnikiewicz, Adam Pańczuk and Agnieszka Rayss. With text by Victor Martinovich in English and Belarusian. Edition of 1000 copies.
  • Distant Place. Warsaw: Copernicus Science Centre, 2012. ISBN 978-83-927485-5-7. 5 books in soft cover, newspaper.
  • Contact sheets. The Selected Photos. Vol II. Postcart, 2014. ISBN 978-8886795869. Edited by Giammaria DE Gasperis. With a foreword by Elisabeth Biondi.
  • Psopplaainnd. Mapping the Blind Spots. Warsaw: Sputnik Photos; Madrid: Nophoto, 2014. ISBN 978-83-63610-99-9.
  • Lost Territories Wordbook. Lost Territories Archive 1. Warsaw: Sputnik Photos, 2016. Photographs by various. Nearly one hundred short texts from twenty-one authors.
  • Fruit Garden. Lost Territories Archive 3. Warsaw: Sputnik Photos, 2017. ISBN 978-83-941826-7-0. Photographs by Andrej Balco, Jan Brykczyński, Andrei Liankevich, Michał Łuczak, Rafał Milach, Adam Pańczuk and Agnieszka Rayss; texts in English by Stefan Lorenzutti and Maciej Pisuk; edited by Rafał Milach. Edition of 500 copies.

Awards

Exhibitions

Notes
  1. The English- and Polish-language editions of In the Car with R share one ISBN.
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References
  1. "Rafal Milach". World Press Photo. Retrieved 2018-04-30.
  2. "Taking Position: An Interview with Rafal Milach". Retrieved 2018-04-30.
  3. Marie Healy, Claire (9 June 2014). "How to become a propaganda photographer in Belarus". Dazed. Retrieved 2018-04-30.
  4. "2008 Rafal Milach AES1-AI". World Press Photo. Retrieved 2018-04-30.
  5. "Winner: Best Photography Book Award". Pictures of the Year International. Retrieved 2018-04-30.
  6. "Deutsche Börse Photography Prize 2018: shortlist announced". Creative Review. 29 November 2017. Retrieved 2018-04-30.
  7. Sheehan, Sean. "The Winners - Photographs by Rafal Milach". LensCulture. Retrieved 2018-04-30.
  8. O'Hagan, Sean (11 May 2014). "The best of Belarus: meet Miss Railway and the nation's winning welder". The Guardian. Retrieved 2018-04-30.
  9. "Rafał Milach". Culture.pl. Retrieved 2018-05-01.
  10. Fedorova, Anastasiia (22 December 2014). "Outside in: how foreign photographers see the post-Soviet world". The Guardian. ISSN 0261-3077. Retrieved 2018-04-30 – via www.theguardian.com.
  11. LensCulture, Rafal Milach. "7 Rooms". LensCulture. Retrieved 2018-04-30.
  12. LensCulture, Rafal Milach. "In the Car with R - Photographs by Rafal Milach". LensCulture. Retrieved 2018-04-30.
  13. Andruszczenko, Greg. "Black Sea of Concrete". Retrieved 2018-04-30.
  14. "Photographer Creates Surreal Propaganda For Europe's Last Communist Dictatorship". HuffPost UK. 16 June 2014. Retrieved 2018-04-30.
  15. "The Best Milkmaid, and Other Winners of Belarus' Strangest Contests". Slate. 29 May 2014. ISSN 1091-2339. Retrieved 2018-04-30 – via Slate.
  16. "These Are the Model Citizens of Europe's Last Dictatorship". WIRED. Retrieved 2018-04-30.
  17. Radwanska Zhang, Izabela. "Rafal Milach celebrates people power in The First March of Gentlemen". www.bjp-online.com. Retrieved 2018-05-01.
  18. "Magnum Photos' international new wave of Nominees – British Journal of Photography". British Journal of Photography. Retrieved 2018-06-29.
  19. "Updates from the 2018 Magnum Photos Annual General Meeting". Magnum Photos. 26 June 2018. Retrieved 2018-06-29.
  20. "Book / Is(not) / Regular Edition". www.sputnikphotos.com. Retrieved 2018-05-01.
  21. "Deutsche Börse Photography Foundation Prize 2018". The Photographers' Gallery. 27 November 2017. Retrieved 2018-04-30.
  22. Foundation, Deutsche Börse Photography (1 December 2017). "Deutsche Börse photography prize shortlist 2018 – in pictures". The Guardian. ISSN 0261-3077. Retrieved 2018-04-30 – via www.theguardian.com.
  23. "Shortlist announced for 2018 Deutsche Börse Photography Foundation Prize – British Journal of Photography". www.bjp-online.com. Retrieved 2018-04-30.
  24. "Milach's 7 Rooms Open in Denmark". Culture.pl. Retrieved 2018-04-30.
  25. "Atlas Sztuki / Rafał Milach". www.atlassztuki.pl. Retrieved 2018-05-01.
  26. "Refusal by Rafał Milach – Image Gallery". Culture.pl. Retrieved 2018-05-01.
  27. "Rafal Milach: The Winners - Amber". Amber. Retrieved 2018-04-30.
  28. "How photographers use lies to expose the truth". CNN Style. 22 March 2018. Retrieved 2018-04-30.
  29. Huncwot.com. "Rafał Milach 7 Rooms - Zachęta Narodowa Galeria Sztuki". zacheta.art.pl. Retrieved 2018-05-07.
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