Mannes School of Music
Mannes School of Music /ˈmænɪs/ is a music conservatory in The New School, a private research university in New York City. In the fall of 2015, Mannes moved from its previous location on Manhattan's Upper West Side to join the rest of the New School campus in Arnhold Hall at 55 W. 13th Street.[2]
| Type | Private |
|---|---|
| Established | 1916[1] |
Parent institution | The New School |
| Dean | Richard Kessler |
| Students | 950 across two divisions:[1]
|
| Location | , , United States 40.786587°N 73.97454°W |
| Campus | Urban |
| Colors | Parsons red |
| Website | newschool.edu/mannes |
History
Originally called The David Mannes Music School, it was founded in 1916 by David Mannes, concertmaster of the New York Symphony Orchestra, and his wife Clara Damrosch, sister of Walter Damrosch, then conductor of that orchestra and Frank Damrosch. The Damrosch and Mannes families were perhaps the most important music families in America at that time, with David Mannes emerging as one of the first American born violin recitalists to achieve significant status. David Mannes was the director of the Third Street Music School Settlement as well as founder of Colored Music Settlement School, all prior to founding the Mannes School. The School was originally housed on East 70th Street (later occupied by the Dalcroze School), a larger campus was created out of three brownstones on East 74th Street, in Manhattan's Upper East Side. After 1938, the school was known as the Mannes Music School, in recognition of the broader course of study that expanded the school well beyond that of a community music school, including the three-year Artist Diploma. When Clara died in 1948, their son Leopold Mannes became president, endowing the school with his fortune from co-inventing Kodachrome film. In 1953 the school began offering a bachelor of science degree and changed its name to the Mannes College of Music. In 1960 it merged with the Chatham Square Music School. In 1984 the school moved to larger quarters on West 85th Street. In 1989 Mannes joined The New School, whose five schools include Parsons School of Design, Eugene Lang College, and School of Drama. In 2005, the New School administration changed the name to Mannes College: the New School for Music. In 2015, the university renamed it Mannes School of Music, and moved it to Arnhold Hall in the West Village.[1] It is now part of the College of Performing Arts at The New School, which also includes the School of Drama and the School of Jazz and Contemporary Music. The College of Performing Arts, including Mannes Prep, has a total of 1,450 students. The students in any of the three schools of the College of Performing Arts can take courses in the three schools (Drama, Jazz, Mannes), no matter which school they are directly enrolled in, expanding the opportunities for self-directed study.
Academics
Two academic divisions constitute the conservatory:[1]
- College: the academic spine of the school, conferring undergraduate and graduate degrees and diplomas
- Preparatory: pre-college training for children and adolescents
The Techniques of Music program is the foundation for academic musical study in the two divisions at Mannes, encompassing the range of elementary to advanced music theory and aural skills and analysis classes.
Music theory was taught at Mannes from its inception, with David Mannes hiring important figures such as Ernest Bloch and Rosario Scalero to teach theory and composition. in 1931 Hans Weisse was hired, one of the leading students of Heinrich Schenker.[3] Over the following nine years, Weisse promoted not just the study of Schenkerian analysis but the incorporation of it into the musical life of the school, including performance and composition. Because of his association with the school, Schenker's publication Five Graphic Music Analyses (Fünf Urlinie-Tafeln) was published jointly by his regular publisher, Universal Edition and the David Mannes School in 1932.[4]
In 1940, Weisse died unexpectedly and was replaced by Felix Salzer. Salzer, also a student of Schenker, built upon Weisse's foundation by reorganizing the theory program into the Techniques of Music department. The philosophy behind this move was and is to integrate musicianship, theory, and performance, which was based on Schenker's concept of the role of theory in tonal music.[5] Salzer's leading student, Carl Schachter, as well as his students, continued and strengthened the department.
Today the Mannes program is rapidly evolving and expanding in both the study of performance and theory. Mannes has revised its curriculum to include the incorporation of music technology classes, improvisation ensembles, teaching artistry, arts journalism, film music composition, creative entrepreneurship[6] and more, all tied to a new commitment to contemporary music well beyond the tonal-based approach of Schenker. The Mannes of today includes an ever-increasing number of programs in partnership with its sister conservatory, School of Jazz.[7]
Notable people
College faculty
- Michael Bacon – film composition
- Ernest Bloch – composition
- Howard Brockway – piano
- William Burden - voice
- Semyon Bychkov – conducting
- Joseph Colaneri – Director of Opera Program
- Anthony Coleman – improvisation
- Alfred Cortot – piano
- Robert Cuckson – composition, theory, analysis
- Mario Davidovsky – composition
- Jeremy Denk – piano
- Elaine Douvas – oboe
- Timothy Eddy – cello
- George Enescu – interpretation
- Ruth Falcon – voice
- Vladimir Feltsman – piano
- Allen Forte – theory
- Lillian Fuchs – violin, chamber music
- Felix Galimir – violin, chamber music
- Richard Goode – piano
- Arthur Haas – harpsichord
- David Hayes – conducting (present Director of Orchestral and Conducting Studies)
- Anna Jacobs – Art of Engagement
- Charles Kaufman – history, theory, President
- Chin Kim – violin
- Yakov Kreizberg – conducting
- William Kroll – violin
- Lowell Liebermann – composition, director of the Mannes American Composers Ensemble
- Clara Mannes – chamber music
- David Mannes – conducting, violin
- Leopold Mannes – theory
- Bohuslav Martinů – composition
- Missy Mazzoli – composition
- Frank Miller – cello
- Mitch Miller – oboe, English horn
- Paul Moravec – composition
- Philip Myers – horn
- David Nadien – violinist
- Charles Neidich – clarinet
- Paul Neubauer – viola
- Orin O'Brien – double bass
- Cynthia Phelps – viola
- Erik Ralske – horn
- Nadia Reisenberg – piano
- Todd Reynolds – violin, director, The Mannes iOrchestra
- Lucie Robert – violin
- Jerome Rose – piano
- Jerome Rothenberg - visual art
- Richard Rychtarik – stagecraft
- Felix Salzer – theory
- Rosario Scalero – solfege, theory, composition
- Carl Schachter – theory
- Sol Schoenbach – bassoon
- Caroline Shaw – Co-Director, The New School Chorus
- Faye-Ellen Silverman – music history
- George Szell – composition, instrumentation, theory
- Terry Teachout – arts journalism
- Ronald Thomas – cello, chamber music
- Sally Thomas – violin
- Roman Totenberg – violin
- Rosalyn Tureck – piano
- Ronald Turini - piano
- William Vacchiano – trumpet
- Vladimir Valjarevic – piano
- Glen Velez – percussion
- Isabelle Vengerova – piano
- Stefan Wolpe – composition
- Jeffrey Zeigler – cello, chamber music
- John Zorn – Curator, The Stone Workshops at The New School
Alumni
- Edward Aldwell – pianist and theorist
- Burt Bacharach – composer and pianist
- Robert Bass – conductor
- Jeremy Beck – composer
- Johanna Beyer – composer
- Semyon Bychkov – conductor
- Michel Camilo – pianist and composer
- Myung-whun Chung – conductor and pianist
- Kvitka Cisyk – opera singer, coloratura soprano
- Valerie Coleman – flutist and composer, Imani Winds
- Heather Coltman – pianist; Provost of James Madison University
- Larry Coryell – guitarist
- Lee Curreri – film and television composer
- Danielle de Niese – lyric soprano
- Bill Evans – pianist and composer
- JoAnn Falletta – conductor
- Richard Goode – pianist
- Mary Rodgers Guettel – composer and philanthropist
- Rebekah Harkness – founder of the Harkness Ballet
- Eugene Istomin – pianist
- Marta Casals Istomin – arts administrator
- Jeannette Knoll – opera singer
- Yakov Kreizberg – conductor
- Gail Kubik – composer
- David Lawrence – film and television composer
- Yonghoon Lee – tenor
- Ursula Mamlok – composer
- Douglas McLennan – arts journalist, founder of Artsjournal.com
- Charlie Morrow – composer and sound artist
- David Nadien – violinist
- Hafez Nazeri – composer
- Patricia Neway – operatic soprano and musical theatre actress
- Anthony Newman – keyboardist
- Tim Page – music critic
- Charlemagne Palestine – composer
- Murray Perahia – pianist
- Maurice Peress – conductor
- Eve Queler – conductor
- Shulamit Ran – composer
- Kevin Riepl – composer
- Michael Riesman – conductor, composer, keyboardist, Music Director of Philip Glass Ensemble
- George Rochberg – composer
- Adam Rogers – jazz guitarist
- Jerome Rose – piano
- Donald Rosenberg – arts journalist
- Julius Rudel – conductor
- Carl Schachter – musicologist and theorist
- Nadine Sierra – soprano
- Lawrence Leighton Smith – conductor
- Lara St. John – violinist
- Jory Vinikour – harpsichordist
- Frederica von Stade – mezzo-soprano
- Craig Walsh – composer
- Ivan Yanakov – pianist
- Jennifer Zetlan – soprano
References
- "Archived copy". Archived from the original on May 28, 2010. Retrieved June 20, 2010.CS1 maint: archived copy as title (link)
- "New School to Build Performing Arts Hub Featuring a 'Glass Box' Theater". DNAinfo New York. Archived from the original on July 10, 2017. Retrieved October 26, 2017.
- Historical information is derived from annual Mannes catalogs.
- As indicated on the cover of the publication's first edition.
- See David Carson Berry, "Hans Weisse and the Dawn of American Schenkerism," Journal of Musicology 20, no. 1 (Winter 2003): 104–156.
- "How This One NYC Music School Is Changing the Future of Music Education". musicschoolcentral.com. December 1, 2014. Retrieved October 26, 2017.
- "Mannes Enters the Modern Era". Opera News. Retrieved October 26, 2017.
External links
- Official website