Mandapa

Mandapa (also spelled mantapa or mandapam) in Indian architecture, especially Hindu temple architecture, is a pillared hall or pavilion for public rituals.[1]

For temporary Pavilions erected in Ganesh Chaturthi and Durga Puja, see pandal.
Open mandapa at Amritapura

Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound.

Temple architecture
Mandapa in Odisha with a shape like a bell Ghanta

In the Hindu temple the mandapa is a porch-like structure through the (gopuram) (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound.[2] The prayer hall was generally built in front of the temple's sanctum sanctorum (garbhagriha). A large temple would have many mandapa.[3]

If a temple has more than one mandapa, each one is allocated for a different function and given a name to reflect its use. For example, a mandapa dedicated to divine marriage is referred to as a kalyana mandapa.[4] Often the hall was pillared and the pillars adorned with intricate carvings.[5] In contemporary terms, it also represents a structure within which a Hindu wedding is performed. The bride and groom encircle a holy fire lit by the officiating priest in the center of the mandapa.

Name variations
Mandapa of the central shrine of Banteay Srei temple, Cambodia.

When a temple has more than one mandapa, they are given different names.[3][6]

  • Ardhamandapa (Artha Mandapam or Ardh Mandapam) – intermediary space between the temple exterior and the garba griha (sanctum sanctorum) or the other mandapa of the temple
  • Asthana Mandapam – assembly hall
  • Kalyana Mandapam – dedicated to ritual marriage celebration of the Lord with Goddess
  • Maha Mandapam – (Maha=big) When there are several mandapa in the temple, it is the biggest and the tallest. It is used for conducting religious discourses. Sometimes, the maha mandapa is also built along a transversal axis with a transept (bumped-out portions along this transversal axis). At the exterior, the transept ends by a large window which brings light and freshness into the temple.
  • Nandi Mandapam (or Nandi mandir) – In the Shiva temples, pavilion with a statue of the sacred bull Nandi, looking at the statue or the lingam of Shiva.
  • Ranga Mandapa or rangamandapa - a larger mandapa, which can be used for dance or drama, with music
  • Meghanath Mandapa
  • Namaskara Mandapa
  • Open Mandapa

Other languages
A Thai Buddhist Mandapa or Mondop, Wat Phra Kaew, Bangkok

In Burmese, the term mandat (မဏ္ဍပ်), which has etymological origins in Pali maṇḍapa, is an open platform or pavilion from which people spray water to passers-by during the Buddhist festival Thingyan.

In Indonesian, the mandapa is known as a pendopo (ꦥꦼꦤ꧀ꦝꦥ). Unusually, Indonesian pendopos are built mostly for Muslim communities. Many mosques follow the pendopo design, with a layered roof to resemble Mount Meru.

In Khmer, Mandapa is pronounced to be Mondup (មណ្ឌប), means pavilion. Khmer people often refer it as a small shrine with high crown-shaped like tower, decorated with exquisite ornaments in various styles.[7] In Khmer temples during Angkor era, A Mandapa is generally attached to the central tower of a temple and lied longitudinally to one of each main direction.

In Tamil, this platform is the Aayiram Kaal Mandapam – a distinctly thousand pillared hall close to the vimana of the Koil which forms a distinct part of the site plan of classical Dravidian architecture.

In Thai, it is called a mondop (มณฑป). It features often in Thai temple art and architecture, either in the form of a Hor Trai (a temple library) or as an altar shrine such as the one in Wat Chiang Man in Chiang Mai.

Notes
  1. Thapar, Binda (2004). Introduction to Indian Architecture. Singapore: Periplus Editions. p. 143. ISBN 0-7946-0011-5.
  2. Ching, Francis D.K. (1995). A Visual Dictionary of Architecture. New York: John Wiley and Sons. p. 253. ISBN 0-471-28451-3.
  3. "Architecture of the Indian Subcontinent - Glossary". Retrieved 2007-01-08.
  4. Thapar, Binda (2004). Introduction to Indian Architecture. Singapore: Periplus Editions. p. 43. ISBN 0-7946-0011-5.
  5. "Glossary of Indian Art". art-and-archaeology.com. Archived from the original on 2007-04-05. Retrieved 2007-01-08.
  6. http://personal.carthage.edu/jlochtefeld/picturepages/Khajuraho/architecture.html
  7. Khmer dictionary, word មណ្ឌប (Mondup), p.767, published in 2007, adapted from Khmer dictionary that was published by Buddhist institute of Cambodia in 1967.
gollark: Apparently what CPUs need is a dataflow graph so they know exactly how much stuff can be parallelized.
gollark: Machine code does often seem to map quite poorly to the actual CPU.
gollark: Hmm, yes, maybe I should be blaming the library designers who abstract over sockets weirdly.
gollark: Given that I mostly use higher-level languages, I generally expect more, well, typed-ness, than "everything is just an integer and there are many different things which operate on these integers in often mutually exclusive ways".
gollark: Maybe, or one data type/API for every protocol.

See also
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.