Look to the Lilies

Look to the Lilies was a short-lived Broadway musical with a book by Leonard Spigelgass, lyrics by Sammy Cahn, and music by Jule Styne.

Look to the Lilies
Original Playbill
MusicJule Styne
LyricsSammy Cahn
BookLeonard Spigelgass
BasisNovel by William Edmund Barrett
Lilies of the Field
Productions1970 Broadway

Based on both the 1962 novel and film versions of Lilies of the Field, it tells the story of a group of German nuns, headed by a determined, dauntless Mother Superior, who manage to get an African American itinerant handyman/jack-of-all-trades named Homer Smith to build a chapel for the New Mexico community in which they live, despite not having money to pay him.

Background

Styne composed his score with Ethel Merman in mind, but director Joshua Logan cast Shirley Booth instead. Sammy Davis, Jr.'s salary demands put him out of the running, and the role of Homer went to Al Freeman, Jr., whom Logan later described as "difficult" and "antagonistic."

Production

The musical premiered on Broadway on March 29, 1970 at the Lunt-Fontanne Theatre, where it ran for 25 performances and 31 previews. The musical was the last for Booth, over 70 years old at the time of the premiere, but she garnered unanimous critical raves from the critics. Raymond Bordner wrote: "Miss Booth is simply marvelous all the way, and it is a real treat to see her again on Broadway". Richard Watts, in the New York Post, mentioned "Miss Booth's warm and gracious appeal."[1] They also praised designer Jo Mielziner's use of desert tones, projections, scrims, and lighting to create the atmosphere and mood of the desert Southwest, but found little else of merit in the show.

Song list

Act I
  • Gott is Gut
  • First Class Number One Bum
  • Himmlisher Vater
  • Follow the Lamb
  • Don't Talk About God
  • When I Was Young
  • Meet My Seester
  • One Little Brick at a Time
  • To Do a Little Good
  • There Comes a Time
  • Why Can't He See
  • I'd Sure Like to Give It a Shot
Act II
  • Them and They
  • Does It Really Matter
  • Look to the Lilies
  • I Admire You Very Much Mr. Schmidt
  • Some Kind of Man
  • Chant
  • Casamagordo, New Mexico
  • Follow the Lamb (Reprise)
  • One Little Brick at a Time (Reprise)
  • I, Yes Me, That's Who

Notes

  1. Bordner, Raymond. "Shirley Booth Back", The Day, March 31, 1970
gollark: ddg! Blake robbins
gollark: Muahahaha.
gollark: It would be reasonable for it to work that way, but it doesn't.
gollark: No, I don't think I will.
gollark: ?tag create av1 To be fair, you have to have a very high IQ to understand AV1 encodes. The settings are extremely intricate, and without a solid grasp of theoretical video codec knowledge, most of the jokes will go over a typical user's head. There's also MPEG-LA's capitalistic outlook, which is deftly woven into its characterisation - its personal philosophy draws heavily from the Sewing Machine Combination, for instance. The encoders understand this stuff; they have the intellectual capacity to truly appreciate the color depth of their encodes, to realize that they're not just high quality- they show something deep about LIFE. As a consequence people who dislike AV1 truly ARE idiots- of course they wouldn't appreciate, for instance, the genius in AV1's quintessential CDEF filter, which itself is a cryptic reference to Xiph.org's Daala. I'm smirking right now just imagining one of those addlepated simpletons scratching their heads in confusion as AOM's genius unfolds itself in their hardware decoder. What fools... how I pity them. 😂 And yes by the way, I DO have an AV1 logo tattoo. And no, you cannot see it. It's for the ladies' eyes only- And even they have to demonstrate that their encode is within 5 dB PSNR of my own (preferably lower) beforehand.

References

Not Since Carrie: Forty Years of Broadway Musical Flops by Ken Mandelbaum, published by St. Martin's Press (1991), pages 29–31 (ISBN 0-312-06428-4)

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.