List of chord progressions
The following is a list of commonly used chord progressions in music.
Code | |
---|---|
Major | Major |
Minor | Minor |
Atonal | Atonal |
Bitonal | Bitonal |
Ind. | Indeterminate |
PD | Phrygian dominant |
Mix. | Mixolydian |
Name | Image | Sound | # of chords | Quality |
---|---|---|---|---|
50s progression | ![]() I-vi-IV-V | ![]() | 4 | Major |
I–IV–♭VII–IV | ![]() I–IV–♭VII–IV. | ![]() | 3 | Mix. |
ii–V–I with tritone substitution (♭II7 instead of V7) | ![]() ii-♭II ![]() | ![]() | 3 | Major |
♭III+ as dominant substitute | ![]() ii-♭III+-I | ![]() | 3 | Mix. |
viio7/V-V-I
(common in ragtime) |
![]() viio7/V-V-I | ![]() | 3 | Major |
Andalusian cadence | ![]() iv-III-♭II-I | ![]() | 4 | PD |
Backdoor progression (front door is V7) | ![]() ii-♭VII ![]() | ![]() | 3 | Major |
Bird changes | ![]() I viiø-III7 vi-II7 v-I7, IV7 iv-♭VII7 iii-VI7 ♭iii-♭VI7, ii V7 I-VI7 ii-V | ![]() | ? | Major |
Chromatic descending 5-6 sequence | ![]() I-V-♭VII-IV | ![]() | 4 | Mix. |
Circle progression | ![]() vi-ii-V-I | ![]() | 4 | Major |
Coltrane changes | ![]() Coltrane changes in C: I-V/♭VI ♭VI-V/III III-V I. | ![]() | 6 | Major |
Eight-bar blues | ![]() I-V-IV-IV-I-V-I-V | ![]() | 3 | Major |
Folia | ![]() i V i ♭VII ♭III ♭VII i V i V i ♭VII ♭III ♭VII i-V i | ![]() | 4 | Minor |
ii–V–I progression | ![]() ii-V I | ![]() | 3 | Major |
Irregular resolution
(Type I: Two common tones, two note moves by half step motion) |
![]() V7-III7 | ![]() | 2 | Major |
Montgomery-Ward bridge | ![]() I-IV ii-V | ![]() | 4 | Major |
Omnibus progression | ![]() Omnibus progression. | ![]() | ? | Major |
Pachelbel's Canon | ![]() I-V-vi-iii-IV-I-IV-V | ![]() | 5 | Major |
Passamezzo antico | ![]() i VII i V III VII i-V i | ![]() | 4 | Minor |
Passamezzo moderno | I IV I V I IV I-V I | ![]() | 3 | Major |
I–V–vi–IV progression | ![]() I-V vi-IV | ![]() | 4 | Major |
Ragtime progression | ![]() V/V/V/V V/V/V V/V V | ![]() | 5 | Major |
Rhythm changes | ![]() V/V/V/V-V/V/V-V/V-V I | ![]() | ? | Major |
Romanesca | ![]() III VII i V III VII i-V i | ![]() | 3 | Major |
Sixteen-bar blues | ![]() I-I-I-I-I-I-I-I-IV-IV-I-I-V-IV-I-I | ![]() | 3 | Major |
Stomp progression | ![]() IV7-#ivdim7 I7/5-I7 IV7-#ivdim7 I7/5-I7 IV7-#ivdim7 I7/5-V7/V/V V7/V-V7 I7 | ![]() | 6 | Major |
Twelve-bar blues | ![]() I-I-I-I-IV-IV-I-I-V-IV-I-I | ![]() | 3 | Major |
Turnaround (music) | ![]() I-vi-ii-V | ![]() | 4 | Major |
♭VII–V7 cadence | ![]() ♭VII-V ![]() | ![]() ![]() | 2-3 | Mix. |
V–IV–I turnaround | ![]() V-IV I | ![]() | 3 | Major |
I ♭VII ♭VI ♭VII | ![]() I ♭VII ♭VI ♭VII | ![]() | 3 | Minor |
Further reading
- R., Ken (2012). DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW.
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See also
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