Les Guignols

Les Guignols (French pronunciation: ​[le ɡiɲɔl], The Puppets), formerly Les Guignols de l'info (French pronunciation: ​[le ɡiɲɔl də lɛ̃fo], The News Puppets), was a daily satirical latex puppet show broadcast on the French television channel Canal+. It was created in 1988, inspired by Le Bébête Show (1982-95) and for the puppets form by the British Spitting Image (1984–96). Using the same structure as a news programme, the show satirized the political world, media, celebrities, French society, and international events.

Les Guignols
Also known asLes Arènes de l'info (1988-90)
Les Guignols de l'info (1990-2015)
Les Guignols (2015-18)
La Semaine des Guignols (1992-2018)
GenreAdult puppeteering
Political satire
Animation
Comedy
Voices ofYves Lecoq
Daniel Herzog
Sandrine Alexi
Thierry Garcia
Marc-Antoine Le Bret
Mathieu Schalk
Country of originFrance
Original language(s)French
Production
Running time8 minutes
Production company(s)Canal+
Release
Original networkCanal+
Nulle part ailleurs
Original releaseAugust 29, 1988 –
June 22, 2018
External links
Website

Throughout the years, it usually aired at 7:50 p.m. as a segment of other Canal+ shows, such as Nulle part ailleurs or Le Grand Journal. A weekly back-to-back replay of the week's five broadcasts was aired on Sunday afternoons, as La Semaine des Guignols.

The series started in 1988 as Les Arènes de l'info (News Arenas). It originally did not follow the news of the day, being written weeks in advance, and was not very popular. With the 1990–91 season, the series took on the name Les Guignols de l'Info and began to follow the daily news. It then enjoyed a tremendous growth in popularity with its different coverage of the first Gulf War, and quickly eclipsed its rival, Le Bébête Show.

The structure of the series stayed constant throughout the years: a headline, a few quick stories, a pre-recorded video skit, an interview with a personality, then one last story. It rarely diverged from this layout, usually only doing so to drive points across further (e.g. replacing all news with a seven-minute interview of one of the Sylvestres during the 2003 Iraq War).

The Guignols have had a tremendous impact on French popular culture, in many cases introducing or popularizing phrases. For example, à l'insu de mon plein gré ("without the knowledge of my own free will"), repeated by Richard Virenque's puppet, is now attributed in jest to people who hypocritically deny having willfully committed attributed acts. The impact of political caricature in the Guignols is unclear, but some polls have shown that they have influenced voters.[1]

The show also went far in how violently it challenged and portrayed public figures. Some sketches displayed for example Raymond Barre, a former Prime Minister in a gonzo pornographic scene, President Jacques Chirac and his team in a Pulp Fiction–like destruction race to eliminate their competitors or the then-Minister of Interior Department Nicolas Sarkozy as a flip-flopping politician.

The Guignols have generally displayed a left-leaning political outlook (although being tough on whoever is in power). While they generally focused on French politics, they also often riffed off of international events, a key focal point being United States foreign policy in general, including Osama Bin Laden, the Iraq conflict and Saddam Hussein. These spoofs on international events were usually presented in an anti-Bush manner, portraying the fictional "World Company" (see below) as being the true leaders, not the president himself. They also regularly called out and mocked their own TV channel, Canal+, and its executive staff, especially during its 2002 crisis.

Famous characters
Puppets of Patrick Poivre d'Arvor and Jacques Chirac

The characters appearing in Les Guignols are based on real personalities of the political, economic and artistic worlds; generally, anybody deemed newsworthy. The show also had a few dozen anonymous puppets at its disposal.

  • PPD is a caricature of Patrick Poivre d'Arvor (who is himself nicknamed PPDA), a news anchor who was on the TF1 network until 2008. He served as the main anchor of the show since its first season. He was depicted as a rather cowardly journalist who tries to get on with the mighty and the powerful, but used irony and sarcasm to get his point across. He also sported a variety of hairstyles, in an attempt to mask his receding hairline. Despite the end of the news anchor career of the real Patrick Poivre d'Arvor, "PPD" wasn't retired until the 2015 season.
  • Sylvestre, Commandant Sylvestre, Cardinal Sylvestre, and many others, both named and unnamed, all with the same face and voice, were fictional characters based on the likeness of the American actor Sylvester Stallone, although when it was the actor himself who was represented, or Rambo, he had a distinct appearance and a different voice. The Sylvestres were parodies of "an ugly American", of greedy multinational corporations, and the military-industrial complex. They always introduced themselves with "beuuarhh" (IPA: [bœwaʁ]), a slurred version of "bonsoir" (IPA: [bɔ̃.swaʁ], good evening). During the first Gulf War, the Guignols introduced a character called Commandant Sylvestre. He would explain the war in broad oversimplified terms ("Here's the good guys, that's us, and here are the ragheads, so we'll kill everybody there..."). After the gulf war, he was reintroduced as Mr. Sylvestre, an ubiquitous executive from the military-industrial complex, the corporate world, and the CIA, all mixed into the fictional mega-corporation World Company. Sylvestre was dressed in a suit and tie, with a security badge. Other Sylvestres, dressed as Cardinals, Reverends, Imams, Rabbis, and other religious leaders, were also portrayed as the Church Company, the twin sister of the World Company, specializing in "the business of religion". During the 2017 season, he was the show's main anchor. In the very last episode, he was the CEO who fired PPD and Jacques Chirac.
  • Jacques Chirac, the president of France from 1995 to 2007, was depicted as a beer-guzzling, impulsive, incompetent liar, while coming off, at the same time, as relatable and well-loved. The show eventually introduced Super Menteur (Super-Liar), a super hero into whom Jacques Chirac changes into at times of need (see Clark Kent/Superman). Super Menteur is capable of uttering unbelievable lies without getting caught. Only one person is a better liar, Ultra menteur (Ultra-Liar), portrayed by French retired politician Charles Pasqua, who was convicted in some corruption cases. Chirac served as the show's main anchor in its last season, in 2018.
  • George W. Bush was depicted as a cretin along with his father. He shows a tendency to war and fights terrorism in his bedroom, defending himself with hand grenades (beer cans). His laptop password is "connard" (one of the French words for "dumbass"). He often appears along with one of the Sylvestres, who gets portrayed as the guy who's really in charge.
  • Joey Starr and Doc Gynéco: The rapper Joey Starr, convicted of violence, is portrayed as a brutal individual. He is often coupled with rapper Doc Gynéco to discuss the consumption of cannabis.
  • Bernard Tapie, a French businessman, is represented as a bully, speaking in a frank, blunt and vulgar way.
  • Jean Marie Le Pen, former head of the Front National far-right political party. He was sometimes represented with a pitbull's head. After the handover to one of his daughters, Marine Le Pen, his puppet appeared rarely, sometimes as the éminence grise of Marine Le Pen, his daughter and successor, other times as a bluntly-speaking bigot she had to reel in and control in order to appear acceptable to public discourse.
  • Philippe Lucas, a former trainer of the French Olympic world and European champion swimmer Laure Manaudou, was portrayed as a heavily muscled, homophobic guy who criticized most French athletes, suspecting them of physical and mental weakness. He always concluded his criticism by the catchphrase "Et pis c'est tout !", an incorrect contraction of Et puis c'est tout (And that's it).
  • Bernard Laporte, a former authoritarian rugby scrum half, coach (both club teams and national team), former secretary of state, often appeared to praise the violence in rugby, which his puppet described as the valeurs de l'ovalie (the values of rugby), with many hyperboles (open fractures, neck cracking, enucleations, coma, crowbar fighting ambush...

In recent political history, the Guignols have also regularly portrayed:

  • Lionel Jospin, former prime minister, as competent and honest, but boring. He was later depicted as disappointed by France (he passes, from time to time, to scream "pays de merde !", roughly "this country sucks"), since the first round of the 2002 presidential election, in which he failed to get to the second round.
  • Roselyne Bachelot-Narquin, a former minister of health, youth affairs, and sports, was depicted as an incompetent airhead, clueless about all questions related to her ministry.
  • Nicolas Sarkozy, former President, was depicted as overly ambitious, populist, and short-tempered. He collected Rolex watches, and kept diverting attention to his wife, Carla Bruni. Like the real politician, he was insecure about his short height, and always wore shoes with heels to compensate. After Sarkozy came back to the French politics scene in 2014, he was portrayed as someone who claimed he had "really changed" regarding his short temper, but the facade often fell off to reveal someone worse than before.
  • Valéry Giscard d'Estaing, former president, was seen as dogmatic and repetitive, usually seen wearing his green habit vert (ceremonial dress), as he is a member of the Académie Française. One running gag is that Giscard d'Estaing was dead, but too stubborn to admit it, or even acknowledge it.
  • Ségolène Royal, the socialist party candidate for the 2007 presidential election, as constantly following opinion polls, pretending to be a woman of the people.
  • François Bayrou, the centrist 2012 candidate for the presidency who has delusions of grandeur. His huge-eared puppet was constantly portrayed as childish and whiny.
  • François Hollande, elected president in 2012, was depicted as an overweight politician who lacked charisma.
  • Nadine Morano was seen as a very scurrilous and rough politician, who unconditionally supported Nicolas Sarkozy, often alongside David Douillet, a former world champion in judo and minister of sports, who was himself depicted a very simple-minded man.
  • Angela Merkel, the German chancellor, who was portrayed, since the end of 2011, of controlling the entire European Union.

Visual identity
  • Opening title of the Arènes de l'info from 29 August 1988 to 26 August 1990
  • Opening title of the Guignols de l'Info from 31 August 1992 to 26 June 2015
  • Opening title of La Semaine des Guignols from 1995 to 2018
  • Opening title of the Guignols from 14 December 2015 to 30 June 2017
  • Opening title of the Guignols from 4 September 2017 to 22 June 2018

Criticism

The Guignols have been criticised for being leftist and populist, and for presenting a cynical and over-simplified version of reality and politics. The show's authors have admitted leftist leanings. Erik Svane has accused the show of being anti-American.

After the departure of two of the original authors in the late 1990s, the show has been criticized as lacking wit and freshness and having become too overtly populist and partisan. Some critics claim that the show is in decline.[2] The show's treatment of Nicolas Sarkozy has been criticized as biased.[3] Bruno Gaccio, prior to the French presidential election of 2007, was said to have admitted that he meant the Guignols to openly campaign against Sarkozy, but later stated that he had been misquoted.

Cancellation

Following the dismissal of the main four writers in July 2015,[4] the channel's new executives decided to move the show to the encrypted, non-free time slots. This decision was brought into effect the following December (the show returning months late after the executive shakeup), although the show was made available to the general public as a Dailymotion stream after being broadcast on air ("La Semaine des Guignols", the weekly roundup of the show, continued to be broadcast free-to-air on Sundays[5]). This change, as well as many other creative changes, brought about a decline of the programme, until the final episode was broadcast on June 22, 2018.[6]

Elsewhere
  • The XYZ Show is the Kenyan equivalent of the French original.
  • Puppets is the Russian political satire equivalent of Les Guignols.
  • Les Guignols d'Afrique is the Cameroonian equivalent of the French original.
  • Las noticias del guiñol is a show in Spanish Canal+ inspired by Les Guignols. It focuses on Spanish politics and football.
  • Contra Informação is a long-running Portuguese equivalent broadcast on RTP1. It was cancelled in 2010.
  • ContraPoder is an updated version of Contra Informação. It was premiered in March 2013 in the cable channels SIC Notícias and SIC Radical.
  • Ellougik Essiyasi, the Tunisian counterpart.
  • Los Toppins, the chilean equivalent, which featured prominently Augusto Pinochet after his dictatorship.
  • ZANews is the South African equivalent of the French original.

Programs of the Guignols family exchange latex moulds, and puppets representing foreign celebrities can be used as "normal people" in countries where those personalities are not well-known.

gollark: Forum Games? Pretty quiet.
gollark: Trading? Abandoned.
gollark: * salt inferno
gollark: The salt inferno sounds cooler.
gollark: My keyboard's suggestion row now shows "I" and "Pagination" when I start a sentence.

See also

References
  1. Bloomberg, Segolene Is Snow White, Nicolas a Dwarf as French Satire Blooms
  2. Nouvelle page 1 Archived 2008-01-06 at the Wayback Machine
  3. Les Guignols de l'Info, les bien nommés, actualité Confidentiels : Le Point
  4. "Les quatre auteurs des " Guignols " limogés". Le Monde. 25 July 2015. Retrieved 23 June 2018.
  5. "Les Guignols» et Antoine de Caunes passent en crypté sur Canal +". Le Figaro. 22 July 2015. Retrieved 23 June 2018.
  6. "Ecran noir pour " Les Guignols "". Le Monde. 23 June 2018. Retrieved 23 June 2018.
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