Karyl Norman

George Francis Peduzzi (June 13, 1897 ā€“ July 23, 1947), known professionally as Karyl Norman, was an American female impersonator who was popular in vaudeville, nightclubs and on Broadway in the 1920s.

Karyl Norman, c.ā€‰1923

Biography

He was born in Baltimore, Maryland on June 13, 1897 to Mary and Norman Augusta Peduzzi.[1] He left home at the age of 16, joined Neil O'Brien's Minstrels,[2] and began performing vaudeville on the US West Coast.[3] In 1917, he traveled to Australia as a theatrical performer.[4] He took the name Karyl because it was sexless, and Norman after his father.[3]

Karyl Norman in the New York Clipper, June 22, 1921.[5]

He billed himself as "The Creole Fashion Plate", and was known for his gowns, mostly made by his mother with whom he traveled.[6][7] He made his New York City debut as a female impersonator in May 1919 and was an immediate success. He specialised in Southern songs, and was known for his quick changes of clothes and gender.[6] One critic wrote: "Not only does this impersonator wear his feminine toggery in tiptop shape, but has a voice that fools 'em at the start. Then to a lower register he descends - a lusty masculine voice....".[3] He wrote many of his own songs, including "Nobody Lied (When They Said That I Cried Over You)", "Beside a Babbling Brook", and "Iā€™m Through (Shedding Tears Over You)".[6]

As well as performing in vaudeville, Norman appeared in many stage plays and musical comedies. He also toured in Britain, Europe,[8] Australia, New Zealand, and South Africa.[2][9] In New York, he appeared in the Palace Theatre on Broadway in 1923, starred in the Greenwich Village Follies of 1924, and Lady Do in 1927,[10] and headlined at the Palace Theatre in 1930 in an act called "Glorifying the American Boy-Girl".[6] With Gene Malin, Ray Bourbon and others he instigated the "Pansy Craze" for drag acts in New York in 1930. The actress Fifi D'Orsay described Norman as "...a great performer... a wonderful guy, beloved and respected by everybody, although he was a gay boy... it was harder for them than it is today. He did an act with two pianos and those gorgeous clothes. He had such class and he was so divine.".[3]

In the 1930s, his popularity diminished but he continued to perform in clubs, particularly at Finocchio's in San Francisco.[2] He was reportedly arrested on a morals charge in Detroit, but was released after the intervention of Eleanor Roosevelt.[3] In 1942 he put on his All American Male Revue, starring Niles Marsh, at the Castle Farms Night Club in Lima, Ohio.[11]

He retired after his mother's death.[7] He died in Hollywood, Florida, in 1947 at the age of 50.[3]

gollark: And a quota for "10 tons of nails", so they made a single 10-ton nail.
gollark: There were things with Soviet truck depots driving trucks in circles pointlessly because they had a quota of "40000 miles driven".
gollark: If your factory is told to make 100K units of winter clothing of any kind they will probably just go for the simplest/easiest one, even if it isn't very useful to have 100K winter coats (extra small) (plain white). Now, you could say "but in capitalism they'll just make the cheapest one", but companies are directly subservient to what consumers actually want and can't get away with that.
gollark: That is why we have the "legal system"./
gollark: With a government.

See also

References

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