Karolos Koun

Karolos Koun (Greek: Κάρολος Κουν; September 13, 1908, Bursa – February 14, 1987, Athens) was a prominent Greek theater director, widely known for his lively staging of ancient Greek plays.

Karolos Koun (right) along with Ioanna Papantoniou (PFF's archives)

Biography

Koun was born in Bursa, present day Turkey, as an Ottoman Empire citizen to a Greek mother and a Polish Jewish father. He was educated in Ottoman Turkey until the end of high school. He graduated from Robert College in Istanbul and then went to Sorbonne for his university education. As his family's economic situation worsened, he couldn't continue his education.

He had been praised all over Europe for his bawdy, colorful stagings of the 5th century BC political comedies of Aristophanes. In 1942, he founded the experimental Art Theater and its drama school.[1]

Koun gave premieres in Athens of works by avant-garde European playwrights such as Bertolt Brecht and Luigi Pirandello. In 1962, Koun's production of The Birds by Aristophanes won first prize at an international festival at Paris.

He worked with famed actress Melina Mercouri. She played Blanche Dubois in A Streetcar Named Desire which was staged by Koun's Art Theater.[2] Other playwrights that Koun introduced to Greek audiences include Jean Genet, Federico García Lorca and Eugène Ionesco.

He stayed politically active all his life which had a direct impact on his not having financial security in his life. His theater was responsible for training the golden generation of Greek movie actors.

Karolos Koun died on February 14, 1987, after suffering a heart attack, aged 79.[3]


gollark: Running at high temperatures does cause throttling and maybe possibly reduces lifespan, though.
gollark: The thermal shutoff temperature for most computing stuff is around 105 degrees C.
gollark: You could also offer a web-based control thing for changing the amount of heating, thus making it IoT and trendy.
gollark: If you could mine cryptocurrency on CPUs at all, and old servers weren't so hilariously loud, it might be economically viable to resell them as space heaters.
gollark: Presumably just complexities in moving the heat anywhere useful.

References

  1. Chambers, Colin. "The Continuum Companion to Twentieth Century Theatre". London; New York: Continuum, 2002, p. 329, ISBN 978-0-8264-4959-7.
  2. "Biography". Melinda Mercouri Foundation, accessed October 20, 2011.
  3. New York Times obituary


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.