Jyoti (1981 film)

Jyoti (transl.Light) is a 1981 Bollywood drama film, produced and directed by Pramod Chakravarty under the Pramod Films banner. It stars Jeetendra, Hema Malini in the lead roles and music composed by Bappi Lahiri. The film is a remake of the Telugu film Ardhangi (1955),[2][3][4][5][6][7][8] which itself was based on Maddipatla Suri's Telugu translation of the Bengali novel Swayamsiddha, written by Manilal Banerjee.[9]

Jyoti
Theatrical release poster
Directed byPramod Chakravarty
Produced byPramod Chakravarty
Screenplay bySachin Bhaumick
Story byManilal Banerjee
Based onArdhangi (1955)
StarringJeetendra
Hema Malini
Music byBappi Lahiri
CinematographyS.R.K. Murthy
Edited byNarendra Arora
Production
company
Pramod Films[1]
Release date
  • 6 May 1981 (1981-05-06)
Running time
144 minutes
CountryIndia
LanguageHindi

Plot

Niranjan Pratap Singh is the stepson of a Zamindar and the real son of Ranimaa Sunanda. He is also the sole heir to the property of the Zamindar, as his elder stepbrother, Govind is drug-induced to the point of senility. When Gauri opposes Niranjan's ruthlessness against fellow-villagers, the Zamindar, angered by her intrusion, complains to her father, Vedji. The Zamindar's anger is subdued when he actually speaks to Gauri and ends up admiring her and asking her hand in marriage for his son, Niranjan. But Sunanda will not hear of her son marrying a poor villager's daughter, and she convinces him that Gauri should marry Govind. Although her father is opposed to his daughter marrying a senile man, Gauri accepts Govind and marries him. She finds out that she and Govind have no status in the household, which is run on the whims and fancies of Sunanda, her maid, Chintamani, and Niranjan. Niranjan is misguided by a dancer, Mallika, and Amirchand, who are after his wealth. Gauri must now decide whether to have her own life, or be chained to a senile half-child half-man.

Cast

Soundtrack

The music was composed by Bappi Lahiri.[10][11] The song "Chidiya Chon Chon" is based on "Marianne" by Roaring Lion.[12] The song "Thoda Resham Lagta Hai" had fallen into obscurity for over two decades,[13] but regained national attention in 2002 due to two songs. It was sampled by American producer Dr. Dre for the Truth Hurts song "Addictive" which led to a legal dispute that was ultimately resolved. [14] The song was also remixed by Indian music director Harry Anand as "Kaliyon Ka Chaman" for the Universal Music India album UMI-10 (Vol 3).[15]

#TitleSinger(s)
1 " Angrai Leke Prem" Lata Mangeshkar
2 "Chidiya Chon Chon" Kishore Kumar
3 "Sooni Sej Saja Doon" Lata Mangeshkar
4 "Sun Ri Yashoda Maiya" Lata Mangeshkar
5 "Thoda Resham Lagta Hai" Lata Mangeshkar
gollark: If you actually get the concepts then you can probably pick up a different language fine.
gollark: The syntax isn't very important, the semantics are what matter, and Python is basically your standard modern high-level multiparadigm language so the concepts transfer fine to JS and whatever else.
gollark: Don't start with C++, it has similar problems plus masses of complexity stacked on.
gollark: Which doesn't really matter much.
gollark: Java and C# and JS aren't more C-like than Python except in syntax.

References

  1. "Jyothi (cast & Crew)". IMDb.
  2. "Jyothi (1981) Movie Review". gomolo.
  3. "Jyothi (1981)". Bollywood hungama.
  4. "Jyothi (1981)". MuVyz.
  5. "Jyothi (1981)". Nth Wall. Archived from the original on 25 December 2015. Retrieved 24 December 2015.
  6. "Jyothi (1981)". moviefone.com.
  7. "Jyothi (1981)". IBOS.
  8. "Jyothi (1981)". Now Running.
  9. Narasimham, M. L. (6 June 2014). "Ardhangi (1955)". The Hindu. Retrieved 22 September 2018.
  10. "Jyothi (1981)(Songs)". Webmusic.IN.
  11. "Jyothi (1981)(Music Review)". Websmusic. Archived from the original on 25 December 2015. Retrieved 24 December 2015.
  12. https://timesofindia.indiatimes.com/entertainment/hindi/music/news/JLo-copies-Bappi-Lahiri/articleshow/7864799.cms
  13. http://www.rediff.com/entertai/2002/nov/02bappi.htm
  14. Roberts, Tamara (2016). "Toward an Afro Asian Theory of Critique: The "Addictive" Case". Resounding Afro Asia: Interracial Music and the Politics of Collaboration. Oxford University Press. ISBN 978-0-19-937741-1.CS1 maint: ref=harv (link)
  15. Anand, Harry (2002). "UMI-10 (Vol 3)". Universal Music India.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.