Juzo Itami

Juzo Itami (伊丹 十三, Itami Jūzō), born Yoshihiro Ikeuchi (池内 義弘, Ikeuchi Yoshihiro, May 15, 1933 – December 20, 1997), was a Japanese actor, screenwriter and film director. He directed eleven films, all of which he wrote himself.

Juzo Itami
伊丹 十三
Born
Yoshihiro Ikeuchi (池内 義弘)

(1933-05-15)May 15, 1933
Kyoto, Japan
DiedDecember 20, 1997(1997-12-20) (aged 64)
Tokyo, Japan
OccupationFilm director, screenwriter, actor
Years active1960–1997
Spouse(s)Kazuko Kawakita (1960–66)
Nobuko Miyamoto (1969–1997)

Early life

Itami was born Yoshihiro Ikeuchi in Kyoto.[1] The name Itami was passed on from his father, Mansaku Itami—who was a renowned satirist and film director before World War II. He was the brother-in-law of Kenzaburō Ōe and uncle of Hikari Ōe. He played the father Ishihara in the comic TV program Cometa-san.

At the end of the war, when he was in Kyoto, Itami was chosen as an prodigy and educated at Tokubetsu Kagaku Gakkyū (特別科学学級; "the special scientific education class") as a future scientist who was expected to defeat the Allied powers. Among his fellow students were the sons of Hideki Yukawa and Sin-Itiro Tomonaga. This class was abolished in March 1947.

He moved from Kyoto to Ehime Prefecture when he was a high school student. He attended the prestigious Matsuyama Higashi High School, where he was known for being able to read works by Arthur Rimbaud in French. But, due to his poor academic record, he had to remain in the same class for two years. It was here that he became acquainted with Kenzaburō Ōe, who later married his sister. When it turned out that he could not graduate from Matsuyama Higashi High School, he transferred to Matsuyama Minami High School, from which he graduated.

After failing the entrance exam for the College of Engineering at Osaka University, Itami worked at times as a commercial designer, a television reporter, a magazine editor, and an essayist.

Acting career

Itami and Miyamoto in 1992

Itami studied acting at an acting school called Butai Geijutsu Gakuin in Tokyo. In January 1960 he joined Daiei Film and was given the stage name Itami Ichizō (伊丹 一三) by Masaichi Nagata. In May 1960, Itami married Kazuko Kawakita, the daughter of film producer Nagamasa Kawakita. He first acted on screen in Ginza no Dora-Neko (1960). In 1961 he left Daiei and started to appear in foreign-language films such as 55 Days at Peking. In 1965 he appeared in the big-budget Anglo-American film Lord Jim. In 1965 he published a book of essays which became a hit, Yoroppa Taikutsu Nikki ("Diary of boredom in Europe"). In 1966 he and Kazuko agreed to divorce.

In 1967, when working with Nagisa Oshima on a film Sing a Song of Sex (Nihon Shunka Kō) he met Nobuko Miyamoto. He and Miyamoto married in 1969. Around this time, he changed his stage name to "伊丹 十三" (Itami Jūzō) with the kanji "十" (ten) rather than "一" (one), and worked as a character actor in film and television.

In 1968 he played Saburo Ishihara, the father of Takeshi and Koji during season II, in the series for children Cometo-San. He is well known for these series, even today, in most Spanish speaking countries along singer Yumiko Kokonoe who played Cometo-San.

In the 1970s, he joined the TV Man Union television production company and produced and presented documentaries for television, which influenced his later career as a film director. He also worked as a reporter for a TV programme called Afternoon Show.

In 1983, Itami played the father in Yoshimitsu Morita's The Family Game, and The Makioka Sisters for which roles he won the Yokohama Film Festival and Hochi Film Award for Best Supporting Actor.

Director

Director Juzo Itami

Itami's debut as director was the movie Osōshiki (The Funeral) in 1984, at the age of 50. This film proved popular in Japan and won many awards, including Japanese Academy Awards for Best Picture, Best Director, and Best Screenplay. However, it was his second movie, the "noodle western" Tampopo, that earned him international exposure and acclaim.[2]

On May 22, 1992, six days after the release of his anti-yakuza satire Minbō no Onna, Itami was attacked, beaten, and slashed on the face by five members of the Goto-gumi, a Shizuoka-based yakuza clan, who were angry at Itami's film's portrayal of yakuza members.[3] This attack led to a government crackdown on the yakuza.

His subsequent stay in a hospital inspired his next film Daibyonin, a grim satire on the Japanese health system. During a showing of this film in Japan, a cinema screen was slashed by a right-wing protester.[4]

Death

Itami died on December 20, 1997[5] in Tokyo, after falling from the roof of the building where his office was located. On his desk was found a suicide note stating he had been falsely accused of an affair and took his life to clear his name; two days later, a tabloid magazine published a report of such an affair.[6] None of his family believed that he would so take his life or that he would be mortally embarrassed by a real or alleged affair. One theory is that Itami's suicide was forced by members of the Goto-gumi yakuza faction. A former member of the Goto-gumi faction told journalist Jake Adelstein in 2008, “We set it up to stage his murder as a suicide. We dragged him up to the rooftop and put a gun in his face. We gave him a choice: jump and you might live or stay and we’ll blow your face off. He jumped. He didn’t live.”[7]

Tributes

His brother-in-law and childhood friend Kenzaburo Oe wrote The Changeling (2000), which modeled their relationship.[8]

Matsuyama has a Juzo Itami Museum.[9]

Filmography

Actor

Year Title Role Notes
1960Ginza no dora-neko
1961A False StudentSoratani (Ichizo Itami)
1961Her BrotherSon of Factory OwnerUncredited
1961The Big WaveToru
1961Ten Dark WomenHanamaki
1963Onna no tsurihashiSaburô Ôki(Episode 2)
196355 Days at PekingCol. Shiba
1964ShûenTakuji Yoshii
1965Lord JimWaris
1966Otokonokao wa rirekisho
1967Sing a Song of SexÔtake
1967Choueki juhachi-nen: kari shutsugoku
1968Shôwa genroku Tokyo 196X-nen
1968Ah kaiten tokubetsu kogetikai
1968Ah, yokarenMiyamoto
1969KinpeibaiHsi Men Ching
1969Eiko e no 5,000 kiro
1969Heat Wave IslandIino
1970Hiko shonen: Wakamono no torideIshizaka
1971Yasashii Nippon jin
1973Kunitori MonogatariAshikaga YoshiakiTV Series
1973Shinsho TaikōkiAraki MurashigeTV Series
1974Lady Snowblood: Love Song of VengeanceRansui Tokunaga
1974ImôtoKazuo Wada
1974Waga michi
1975Wagahai wa neko de aruMeitei
1979Collections privées(segment "Kusa-Meikyu")
1979No More Easy LifeTakamizawa - Landlord
1979Grass LabyrinthPrincipal / Priest / Old manShort
1980Yūgure madeSasa
1981Slow na boogie ni shitekureLawyer
1981Shikake-nin BaianSahei Oumiya
1981Akuryo-ToRyuhei Ochi
1982Kidonappu burûsu
1983The Makioka SistersTatsuo Makioka, Tsuruko's husband
1983The Family GameMr. Numata, the father
1983Meiso chizuItakura
1983Izakaya ChōjiKawara
1984Make-upKumakura
1984Setouchi shonen yakyu danHatano
1985The Excitement of the Do-Re-Mi-Fa GirlProfessor Hirayama[10]
1985Haru no HatōItō HirobumiTV Series
1989Sweet HomeYamamura(final film role)

As director

Year Title Notes
1962Rubber Band PistolShort
1984The Funeral
1985Tampopo
1987A Taxing Woman
1988A Taxing Woman's Return
1990A-Ge-Man: Tales of a Golden Geisha
1992Minbo
1993Daibyonin
1995Shizuka na Seikatsu"A Quiet Life"
1996Supermarket Woman
1997Marutai no Onna"Woman in Witness Protection"

Awards

  • 1985 Japan Academy Prize for Director of the Year—The Funeral
  • 1988 Japan Academy Prize for Director of the Year—A Taxing Woman
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gollark: Plus, it restricts the available codepoint range mildly.
gollark: In some cases UTF-16 is better, such as when encoding Chinese text without English bits or anything, but a general purpose compression algorithm compresses both to basically the same size anyway.
gollark: And for representing most text it's much less efficient than ÜTF-8.
gollark: It *seems* fixed-width, so people will go around programming as if it is, but actually it isn't and stuff can take multiple, er, code units, thus bugginess.

References

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