Jeong Seon

	Jeong Seon
Hangul	정선
Hanja	鄭敾
Revised Romanization	Jeong Seon
McCune–Reischauer	Chǒng Sǒn
Pen name
Hangul	겸재 or 난곡
Hanja	謙齋 or 蘭谷
Revised Romanization	Gyeomjae or Nan-gok
McCune–Reischauer	Kyǒmjae or Nan'gok
Courtesy name
Hangul	원백
Hanja	元伯
Revised Romanization	Wonbaek
McCune–Reischauer	Wǒnbaek

Jeong Seon
Jeong Seon
	정선
	Detail from Taking a rest after reading books by Jeong Seon, believed to be a self-portrait of the painter.
Born	16 February 1676; (modern-day) Cheongun-dong, 89-11, Cheongunhyoja-dong, Jongno-gu, Hanseong-bu, Kingdom of Joseon
Died	20 April 1759 (aged 83); (modern-day) Cheongun-dong, 89-11, Cheongunhyoja-dong, Jongno-gu, Hanseong-bu, Kingdom of Joseon
Nationality	Korean
Known for	Painting, drawing
Notable work	Inwangjesaekdo; Geumgang jeondo
Movement	landscape painting

Jeong Seon (Korean: 정선) (1676–1759) was a Korean landscape painter, also known by his pen name Kyomjae ("humble study"). His works include ink and oriental water paintings, such as Inwangjesaekdo (1751), Geumgang jeondo (1734), and Ingokjeongsa (1742), as well as numerous "true-view" landscape paintings on the subject of Korea and the history of its culture. He is counted among the most famous Korean painters.[1] The landscape paintings that he produced reflect most of the geographical features of Korea.[2] His style is realistic rather than abstract.[3]

Biography

Jeong was born in the Jongno District of Seoul, in the Cheongun-dong neighborhood, in 1676.[4][5][6] Unlike most painters of the time, he was not born into a wealthy family, but a poor yangban family.[7] The eldest son of Jeong shi-ik (1638–1689), Jeong was born on the third day of the first lunar month in 1676 (equivalent to February 16 in the Gregorian calendar). He was a descendant of illustrious and gentry families.[8] His family originally came from Kwangju. Jeong's cha was Wonbaek and his ho was Nangok. His best known pen name is Kyomjae, which he chose himself.[9]

The poverty he experienced in his youth made him pursue his career as a painter.[7] He was proficient at Zhou-I and astronomy,[8] which he learned while serving as a Geomgyosu (兼敎授; professor extraordinaire). He worked at the Bureau of Painting creating landscapes for patrons and clients.[7] In March 1716, at age 41, he started his tenure at a Geomgyosu of Gwansanggam (觀象監, Office for Observance of Natural Phenomena).[8]

Gyeomjae-Yangcheon-Seonyubong

He was discovered by an aristocratic neighbour who recommended him to the court. He soon gained an official position. Jeong is said to have painted daily, with a prolific output until old age. He died on the 24th day of the third lunar month in 1759[9] (equivalent to April 20 in the Gregorian calendar).

Significance

소악루(小岳樓)

정선 관동명승첩 중 망양정

Jeong was one of the most famous Korean painters.[1] He inspired other Korean artists to follow suit, leaving a lasting impact on Korean art of the Joseon era. He was the most eminent painter in the late Joseon Dynasty (1700–1850). Jeong explored the scenic beauty of the capital city of Hanyang (Seoul), the Han River, the East Sea, and the Diamond Mountain. He is the first painter of true-view Korean landscapes. Differing from earlier techniques and traditional Chinese styles, he created a new style of painting depicting the virtues of Korea.[10]

By the end of the decade, Jeong had developed his own, more realistic style, likely under the influence of the Sirhak movement. This set him apart from the then-prevailing Chinese literati tradition of idealised and abstract landscape art.[11] His grandson, Jeong Hwang (䜁ό, 1737–?), displayed the true-view landscape style in addition to genre painting.[12]

Style

Gyeomjae-Yangcheon-Isujeong

Jeong Seon-Jaha.dong

Jeong was one of the few known Korean painters to depart from traditional Chinese styles. It is reported that he frequently left his studio and painted the world around him, as he could see it. His paintings are classified as Southern School, but he developed his own style by realistically portraying natural scenes such as mountains and streams with bold strokes of his brush.[3]

A major characteristic of his work is intermixed dark and light areas, created by layers of ink wash and lines. His mountains are punctuated by forests, which in turn are lightened by mists and waterfalls. Vegetation is made from dots, a technique that bears the influence of Chinese painter Mi Fei (1052–1107). Jeong's style would influence generations of Korean artists, and become one of the iconic images of Korean nationalism.[11]

Gallery

#	Title	Year	Technique and size	Location	Illustration
1.	Inwangjesaekdo 인왕재색도	1751	ink-and-oil painting 79.2 cm × 138.2 cm	Leeum, Samsung Museum of Art
2.	Geumgang jeondo 금강전도	1734	Ink and oriental water color on paper 130.7 cm × 94.1 cm	Ho-Am Art Museum
3.	"A secluded house near a valley in Mt. Inwangsan" 인곡유거도 (仁谷幽居圖)	1732	ink and slight color on paper 27.5 x 27.3 cm	Gansong Art Museum
4.	Soyojeong 소요정 (逍遙亭)	18th century	Ink and oriental water color on silk 130.7 cm × 94.1 cm	Private collection
5.	Cheongpunggye 청풍계 (淸風溪)	18th century	Ink and oriental water color on silk 96.5 x 36.1 cm	Museum of Korea University
6.	Bakyeon Fall 박연폭포 (朴淵瀑布)	18th century	Ink and oriental water color on paper 119.4×51.9㎝	Private collection
7.	Gwangjin 광진 (廣津)	18th century	Ink and oriental water color on silk 20 x 31.5 cm	Gansong Art Museum
8.	Jaha-dong 자하동 (紫霞洞), a village in Jongno-gu	18th century	Ink and oriental water color on paper 33.7 x 29.5 cm	Gansong Art Museum
9.	Gaehwasa temple 개화사	18th century	Ink and oriental water color on paper 31 x 24.8 cm	Gansong Art Museum
10.	Dongjakjin 동작진(銅雀津)	18th century	Ink and oriental water color on paper 27.5 x 18.5 cm	Private collection
11.	Gwiraejeong 귀래정 (歸來亭)	18th century	Ink and oriental water color on paper 23 x 25 cm	Private collection
12.	Isujeong 이수정 (二水亭)	18th century	Ink and oriental water color on silk 23 x 25 cm	Private collection
13.	Gwiraejeong 인곡유거도(仁谷幽居圖)	1742	Ink and oriental water color on paper 27.3*27.5 cm	Gansong Art Museum
14.	Dosan Seowon 도산서원도	18th century		Private collection
15.	Jukseoru 죽서루	1738	Ink and oriental water color on paper 32.3 x 57.8 cm	Gansong Art Museum
16.	Changeumun 창의문(彰義門)	18th century	Ink and oriental water color on paper 29.5 x 33.2 cm	National Museum of Korea
17.	Ingokjeongsa 인곡정사(仁谷精舍)	1742	Ink and oriental water color on paper 22.5 x 32.5 cm	Private collection
18.	Mangyangjeong 망양정	18th century	Ink and oriental water color on paper 32.3 x 57.8 cm	Gansong Art Museum
19.	Chuil hanmyo 추일한묘 (秋日閑猫, 가을날 한가로운 고양이)	18th century
20.	Yuksangmyodo 육상묘도	1739	Ink and oriental water color on silk 146.5 x 63㎝	Private collection

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References

Kleiner, Fred (1 January 2012). Gardner's Art through the Ages: Backpack Edition, Book F. Cengage Learning. p. 42. ISBN 0-8400-3059-2.
"Gyeomjae Jeong seon Memorial Museum, Korea". asemus. Retrieved 22 December 2014.
Ah-young, Chung (15 September 2009). "Jeong Seon's Paintings Brought to Life". The Korea Times. Archived from the original on 22 December 2014. Retrieved 22 December 2014.
The exact address of his birthplace (saengga, 생가, 生家), and later residence from 1728 (Cheongun-dong, 89-11) is currently located inside Kyungbock High School (Cheongun-dong, 89-9).
안휘준 (June 2005). "Jeong Seon's Paintings of "The Eight Views of the Xiao and Xiang Rivers"". Art History Forum. 20: 7–48. Retrieved 10 November 2014.
"겸재정선의 생애". Museum of Jeong seon. Archived from the original on 15 December 2014. Retrieved 15 December 2014.
Hwi-Joon, Ahn (June 2012). "A New Understanding of Jeong Seon (1676~1759) and his True-View Landscape Painting". The Korean Historical Review. 214: 1–30. Retrieved 10 November 2014.
Kwanshik, Kang (December 2006). "A Study on the Gyeomgyosu(兼敎授, Professor extraordinary) Duty in Astronomy of Gyeomje Jeongseon(謙齋鄭敾, 1676–1759) and the Interpretation of <Geumganjeondo(金剛全圖, General View of Kumgang Mountain> from the Viewpoint of the Science of Astronomy-Divination(天文易學)". THE MISULSAHAKBO: Reviews on the Art History. 27. Retrieved 24 November 2014.
Kumja Paik Kim (1992). "Chŏng Sŏn (1676–1759): His Life and Career": 329. JSTOR 3249894. Cite journal requires |journal= (help) Jstor subscription
Kim, Jin-kyoung (April 2013). "Convergency and originality on interpretation of Jinkyoung landscape painting". Yang-Ming Studies (34): 257–290. Retrieved 17 November 2014.
Pratt, Keith; Rutt, Richard (16 December 2013). Korea: A Historical and Cultural Dictionary. Routledge. p. 58. ISBN 978-1-136-79393-6.
"Korean Genre Painting" (PDF). The International Journal of Korean Art and Archaeology. National Museum of Korea. 3: 36. 2009. ISSN 2005-1115. Archived from the original (PDF) on 2014-12-13.

External links

Metropolitan Museum of Art review of Jeong Seon's (Chong Son) style and legacy
Jeong Seon's Place in Korean Art History
Arts of Korea, an exhibition catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Jeong Seon

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[Kleiner2012-1] Kleiner, Fred (1 January 2012). Gardner's Art through the Ages: Backpack Edition, Book F. Cengage Learning. p. 42. ISBN 0-8400-3059-2.

[2] "Gyeomjae Jeong seon Memorial Museum, Korea". asemus. Retrieved 22 December 2014.

[stroke-3] Ah-young, Chung (15 September 2009). "Jeong Seon's Paintings Brought to Life". The Korea Times. Archived from the original on 22 December 2014. Retrieved 22 December 2014.

[4] The exact address of his birthplace (saengga, 생가, 生家), and later residence from 1728 (Cheongun-dong, 89-11) is currently located inside Kyungbock High School (Cheongun-dong, 89-9).

[dbp-5] 안휘준 (June 2005). "Jeong Seon's Paintings of "The Eight Views of the Xiao and Xiang Rivers"". Art History Forum. 20: 7–48. Retrieved 10 November 2014.

[6] "겸재정선의 생애". Museum of Jeong seon. Archived from the original on 15 December 2014. Retrieved 15 December 2014.

[dbp2-7] Hwi-Joon, Ahn (June 2012). "A New Understanding of Jeong Seon (1676~1759) and his True-View Landscape Painting". The Korean Historical Review. 214: 1–30. Retrieved 10 November 2014.

[Study-8] Kwanshik, Kang (December 2006). "A Study on the Gyeomgyosu(兼敎授, Professor extraordinary) Duty in Astronomy of Gyeomje Jeongseon(謙齋鄭敾, 1676–1759) and the Interpretation of <Geumganjeondo(金剛全圖, General View of Kumgang Mountain> from the Viewpoint of the Science of Astronomy-Divination(天文易學)". THE MISULSAHAKBO: Reviews on the Art History. 27. Retrieved 24 November 2014.

[pdf1-9] Kumja Paik Kim (1992). "Chŏng Sŏn (1676–1759): His Life and Career": 329. JSTOR 3249894. Cite journal requires |journal= (help) Jstor subscription

[originality-10] Kim, Jin-kyoung (April 2013). "Convergency and originality on interpretation of Jinkyoung landscape painting". Yang-Ming Studies (34): 257–290. Retrieved 17 November 2014.

[Pratt2013-11] Pratt, Keith; Rutt, Richard (16 December 2013). Korea: A Historical and Cultural Dictionary. Routledge. p. 58. ISBN 978-1-136-79393-6.

[12] "Korean Genre Painting" (PDF). The International Journal of Korean Art and Archaeology. National Museum of Korea. 3: 36. 2009. ISSN 2005-1115. Archived from the original (PDF) on 2014-12-13.