Jörg Widmann

Jörg Widmann (born 19 June 1973)[1] is a German composer, conductor and clarinetist. He lives and works in Berlin and Munich.[2] His music is in part inspired by Classical and Romantic composers. Widmann was in 2018 the third most performed contemporary composer.

Jörg Widmann
Jörg Widmann in 2006
Born (1973-06-19) 19 June 1973
Munich, Bavaria, Germany
Education
Occupation
  • Clarinetist
  • Composer
  • Conductor
  • Academic teacher
Organization
Awards
Websitewww.joergwidmann.com

Education and career

Widmann was born in Munich and first took clarinet lessons in 1980.[1] Four years later he became a composition student of Kay Westermann (born 1958),[1] subsequently also studying with Hans Werner Henze, Wilfried Hiller, Heiner Goebbels and Wolfgang Rihm.[3] As a clarinetist, he studied at the Hochschule für Musik und Theater München with Gerhard Starke and at the Juilliard School in New York City with Charles Neidich.[1] After graduating with a Master's from Munich in 1997, he furthered his studies at the Hochschule für Musik Karlsruhe.[3] From 2001 to 2015 he taught clarinet as a Professor at the University of Music Freiburg.[1] From 2009 to 2016 Widmann was a demi-Professor of Composition, succeeding Mathias Spahlinger, at the Institute for New Music at the University of Music Freiburg.[1][4][5] Since 2017 Widmann has been Principal Conductor and Artistic Partner (2011–2017: Principal Guest Conductor and Artistic Partner) of the Irish Chamber Orchestra.[6][7] Since 2017 Widmann holds the Edward-Said-Chair as Professor of Composition at the Barenboim–Said Akademie Berlin.[8]

Musical works and performances

Widmann has achieved success both as a clarinetist and as a composer. As a soloist, he has performed with major orchestras in Germany and abroad, including the Vienna Philharmonic Orchestra and Munich Philharmonic Orchestra, under conductors such as Valery Gergiev, Christoph von Dohnányi, Sylvain Cambreling and Kent Nagano. Several clarinet concerti have been dedicated to Widmann and premiered by him: in 1999 through "musica viva", he played Music for Clarinet and Orchestra by Wolfgang Rihm,[1] in 2006 with the WDR Symphony Orchestra, Cantus by Aribert Reimann,[1] and in 2015 "über" by Mark Andre at the Donaueschingen Festival.[9]

Widmann's compositions draw on different musical genres. He has composed, for example, a Trilogy for orchestra examining the projection of vocal forms of instrumental ensembles. The Trilogy consists of Lied (premiered in 2003 and recorded on CD by the Bamberg Symphony with Jonathan Nott), Chor (premiered in 2004 by the Deutsches Symphonie-Orchester Berlin with Kent Nagano) and Messe, premiered in June 2005 by the Munich Philharmonic under Christian Thielemann.[10] In 2007 Pierre Boulez and the Vienna Philharmonic premiered his orchestral work Armonica.[11]

His early string quartets are of particular note among his chamber music works: the First String Quartet was written in 1997, and followed by Chorale Quartet and Hunting Quartet, premiered in 2003 by the Arditti Quartet. 2005 saw the first performances of the Fourth String Quartet and Experiment on a Fugue (Fifth String Quartet with soprano), with Juliane Banse and the Artemis Quartet. These five one-movement quartets form a cycle.[12][13][14]

Widmann was Composer in Residence at the Salzburg Festival in 2004,[15] and at the Lucerne Festival in 2009,[16] where he premiered on 5 September 2009 Heinz Holliger's Rechant for solo clarinet.[17] His oboe concerto, commissioned by the Festival, was performed by Holliger on 13 August 2009.[18] Widmann's music Free Pieces for Ensemble: Number X is used in Sophie Fiennes's documentary Over Your Cities Grass Will Grow (2010), about the German post-war artist Anselm Kiefer.[19] His études IV-VI for violin (2004–2010) were premiered by his sister[1] Carolin Widmann at the Wittener Tage für neue Kammermusik on 23 April 2010.[20] From 2009 to 2011 he was the Daniel R. Lewis Young Composer Fellow at the Cleveland Orchestra.[21][22] He performed his Fantasie for clarinet (1993) to celebrate the 80th birthday of Walter Fink at the Rheingau Musik Festival on 16 August 2010 and in 2014 he was the festival’s Composer & Artist in Residence.[23][24] Widmann was the Tonhalle Orchester Zürich's Creative Chair in the 2015–16 season.[25][26]

On 9 September 2015, the Boston Symphony Orchestra and the Leipzig Gewandhaus Orchestra announced they were commissioning a work from Widmann as part of a planned collaboration by the two organizations beginning in the fall of 2017.[27] The Leipzig Gewandhaus Orchestra announced Widmann's appointment as its first-ever Gewandhauskomponist (Gewandhaus composer) for the 2017–18 season.[28]

Widmann's oratorio ARCHE had its world premiere on 13 January 2017 on the occasion of the opening festivities of the Elbphilharmonie in Hamburg. It was performed by the Hamburg Philharmonic State Orchestra conducted by Kent Nagano.[29][30][31] The Pierre Boulez Saal was opened on 4 March 2017 with a concert performed by Daniel Barenboim, Anna Prohaska and Widmann.[32]

On 27 January 2018 Clarinet Quintet was played, as part of a European tour, in the Muziekgebouw aan het IJ in Amsterdam. It was performed by Widmann and the Hagen Quartet.[33] Partita, five reminiscences for large orchestra, commissioned by the Leipzig Gewandhaus Orchestra and the Boston Symphony Orchestra, was premiered in Leipzig on 8 March 2018 with Andris Nelsons conducting.[34]

Anne-Sophie Mutter is the dedicatee of String Quartet No. 6 (Study on Beethoven), composed in 2019.[35][22] With this piece, Widmann began a new series of works in this genre. Widmann was the holder of the 2019–2020 Richard and Barbara Debs Composer's Chair at Carnegie Hall.[36][37][22]

During the Coronavirus pandemic of 2020, Widmann contributed to the online Festival of New Music with his composition empty space.[38][39][40] The Festival in the empty Pierre Boulez Saal was curated by Daniel Barenboim and Emanuel Pahud.[38][41]

Music

In most of his compositions, Widmann is in musical dialogue with Classical-Romantic composers, like Schumann, Mozart, Beethoven and Schubert.[42] He uses extended techniques.[43] Widmann composed pieces without any pitches and also pure tonal pieces.[44]

According to Bachtrack, Widmann was in 2018 the third most performed contemporary composer, behind Arvo Pärt and John Williams.[45]

Awards

Memberships

Works

Widmann's works are published by Schott Music.[63]

  • Absences, Schuloper (1990)[64]
  • Kreisleriana, concert piece for violin and chamber orchestra (1993)[65]
  • Fantasie for clarinet solo (1993)[66][67]
  • First String Quartet (1997)[68][22]
  • Five Fragments for clarinet and piano (1997)[69][70]
  • Nachtstück (Nightpiece) for piano, clarinet and cello (1998)[71]
  • Fever Fantasy for piano, string quartet and clarinet (with bass clarinet) (1999)[70]
  • Implosion for orchestra (2001)[72][22]
  • Light Study I for orchestra (2001)[72]
  • ad absurdum for trumpet and small orchestra (2002)[73]
  • Free Pieces for ensemble (2002)[74]
  • Toccata for piano (2002)[75]
  • Second String Quartet (Chorale Quartet) (2003)[76]
  • Hall Study for piano (2003)[77]
  • Das Gesicht im Spiegel (The Face in the Mirror), opera in 16 scenes, libretto by Roland Schimmelpfennig (2003)
  • Third String Quartet (Hunting Quartet) (2003)[78][79][80]
  • Lied for orchestra (2003)[72]
  • Chor for orchestra (2004)[81]
  • Skeleton for percussion (2004)[82][80]
  • Light Studies (I-VI) for violin, viola, accordion, clarinet, piano and orchestra (2004)[73]
  • Fourth String Quartet (2005)[83]
  • Experiment on a Fugue (Fifth String Quartet with soprano) (2005)[70][84]
  • Messe for full orchestra (2005)[85][22]
  • Air for horn solo (2005)[21]
  • Labyrinth for 48 chordophones (2005)[81]
  • Elegy for clarinet and orchestra (2006)[73]
  • Echo-Fragments for clarinet and orchestral groups (2006)[79]
  • Second Labyrinth for orchestral groups (2006)[86]
  • Armonica for glass harmonica and orchestra (2007)[66]
  • Violin Concerto (2007)[87]
  • Con brio for orchestra (2008)[88][66][22]
  • Antiphon for orchestral group (2008)[86]
  • Oboe Concerto (2009)[89]
  • Flûte en suite for flute and orchestral groups (2011)[89]
  • Babylon, opera in 7 scenes, libretto by Peter Sloterdijk (2012)
  • Third Labyrinth for soprano and orchestral groups (2013–2014)
  • Trauermarsch (Funeral March) for piano and orchestra (2014)[90][22][91]
  • Viola Concerto (2015)[92][22]
  • Once upon a time..., five pieces in fairy-tale style for clarinet, viola and piano (2015)[93]
  • ARCHE, oratorio for soloists, choirs, organ and orchestra (2016)[22]
  • Sonatina facile for piano (2016)[94][95][96][97]
  • Clarinet Quintet (2017)
  • Partita, five reminiscences for large orchestra (2017–2018)[22]
  • Violin Concerto No. 2 (2018)[98][22][99]
  • Labyrinth IV for soprano and ensemble (2019)[100]
  • Study on Beethoven (String Quartet No. 6) (2019)[35][101][22]
  • String Quartet No. 7, 8, 9, 10 (Cavatina)[102] (Study on Beethoven II, III, IV, V) (2019/2020)
  • empty space for five players (2020)[103][104]

Discography
  • Lied, Jonathan Nott, Bamberg Symphony (Tudor Records 2005)[105] OCLC 611603551
  • String Quartets, Leipzig String Quartet (MDG 2008)[106] OCLC 264061853 DNB-IDN 99046881X
  • Violin Concerto, Antiphon, Insel der Sirenen, Christian Tetzlaff, Daniel Harding, Swedish Radio Symphony Orchestra (Ondine 2013)[107] OCLC 873708853
  • String Quartet No. 3 (Hunting Quartet) (with Haydn and Schubert Quartets), Ragazze Quartet (Channel Classics 2013)[108]
  • Armonica, Antiphon, Souvenir bavarois, Paavo Järvi, Frankfurt Radio Symphony Orchestra (Pan Classics 2014)[107] OCLC 900760311
  • Con brio (with Beethoven: Symphony No. 7 & 8), Mariss Jansons, Bavarian Radio Symphony Orchestra (BR-Klassik 2015)[109] OCLC 1017093816
  • String Quartets, Minguet Quartet (Wergo 2015)[109] OCLC 912578107 DNB-IDN 1071417029
  • Viola Concerto, Duos, Hunting Quartet, Antoine Tamestit, Signum Quartet, Daniel Harding, Bavarian Radio Symphony Orchestra (Harmonia Mundi 2018)[110][111] OCLC 1029675535
  • Arche, Marlis Petersen, Thomas E. Bauer, Iveta Apkalna, Kent Nagano, Philharmonisches Staatsorchester Hamburg (ECM 2018) OCLC 1082269254 DNB-IDN 1169313981
  • Diabelli Variation (with Beethoven, et al.: The Diabelli Project), Rudolf Buchbinder, (Deutsche Grammophon 2020)[112] DNB-IDN 1206130784

Recordings as clarinetist

Recordings as conductor
gollark: No, another one.
gollark: We do have a 100-axis one somewhere.
gollark: Or some space-filling-curve/Z-order hax from a higher dimensional version.
gollark: Everyone knows that you need at least 6 dimensions to do that *properly*.
gollark: Frankly, `SELECT websearch_to_tsquery('english', '"supernovae stars" -crab')` you.

References

Citations
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Bibliography

Writings
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