In Between Evolution

In Between Evolution is the ninth full-length album by Canadian rock band The Tragically Hip. It was recorded at Studio X in Seattle and was released June 29, 2004. The album debuted at number one in Canada,[4] selling 22,500 copies in its first week.[5] However, the album got kicked off Canada's number one spot to Avril Lavigne's breakout album.[5] The album was certified Platinum in Canada in September 2004.[6]

In Between Evolution
Studio album by
ReleasedJune 29, 2004
Recorded2004
StudioStudio X, Seattle, Washington
GenreRock
Length45:28
LabelUniversal
ProducerAdam Kasper
The Tragically Hip chronology
In Violet Light
(2002)
In Between Evolution
(2004)
Hipeponymous
(2005)
Singles from In Between Evolution
  1. "Vaccination Scar"
    Released: 2004
  2. "It Can't Be Nashville Every Night"
    Released: 2004
  3. "Gus: The Polar Bear from Central Park"
    Released: 2005
Professional ratings
Review scores
SourceRating
AllMusic[1]
PopMatters[2]
Rolling Stone[3]

One of the major themes of this album is the response to the 2003 invasion of Iraq. "Heaven Is a Better Place Today" doubles as a tribute to Dan Snyder, a player for the Atlanta Thrashers hockey team who died in an automobile accident nine months before the album's release, and for young men being sent to war.

The Hip performed a rough version of the song "It Can't be Nashville Every Night" on a season two episode of Canadian situation comedy TV program Corner Gas, as a local band renting out main character Brent Leroy's garage for band practice.

Track listing

All songs were written by The Tragically Hip.

No.TitleLength
1."Heaven Is a Better Place Today"2:55
2."Summer's Killing Us"3:26
3."Gus: The Polar Bear from Central Park"4:09
4."Vaccination Scar"2:57
5."It Can't Be Nashville Every Night"2:53
6."If New Orleans Is Beat"3:15
7."You're Everywhere"3:34
8."As Makeshift as We Are"3:15
9."Mean Streak"4:10
10."The Heart of the Melt"2:35
11."One Night in Copenhagen"2:20
12."Are We Family"4:34
13."Goodnight Josephine"3:25

Cover art

The album cover art was designed by Cameron Tomsett,[7] a Canadian artist from Kingston.

gollark: I don't know how to actually implement the thing it says about identifying things uniquely by "a sequence of numbers which says where to turn at each intersection", since it seems like you'd need a way to convert them into a unique/canonical form for that to actually work.
gollark: I looked at that, yes.
gollark: I just picked it several years ago because it looked cool.
gollark: Maybe I should clarify, I mean that the rooms are the cells (quadrilaterals) in this, not the vertices.
gollark: You can nest them infinitely, it would be weird for that to not work.

References

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