Ibrahim Shahda

Ibrahim Shahda ((1929-10-02)October 2, 1929, Al-Azizya – (1991-08-28)August 28, 1991, Aix-en-Provence) was a figurative French painter born in Egypt.

Ibrahim Shahda
Ibrahim Shahda standing next to a self-portrait
Born(1929-10-02)2 October 1929
Al-Azizya, Egypt
Died28 August 1991(1991-08-28) (aged 61)
Aix-en-Provence, France
NationalityFrench
EducationPierre Beppi-Martin
Known forpainting
Notable work
Self-portraits, still-lifes, Provence landscapes
AwardsAvignon Festival Painting Prize, Aix-en-Provence Painting Prize

Biography

Born in Al-Azizya, Egypt, Shahda joined the Cairo Fine Arts Academy in 1947, at age 18. He worked there under French painter Pierre Beppi-Martin. In 1955, three years after ending his studies, he won a Prize and organized his first exhibition. At the end of the same year, he decided to leave for Paris.

He applied as free student to the École des Beaux-Arts. He moved to the south of France, in Carpentras, but frequently traveled to Paris.

A first personal exhibition took place in 1958 at the Arlette Chabaud Gallery in Avignon. He won the Painting Prize from the Avignon Festival with La femme en noir, today part of the Fondation Calvet collection (Calvet Museum). He also won the Aix-en-Provence Painting Prize the same year. A second exhibition, shared with his friend Paul Surtel, was organized in Carpentras (Chapelle du Collège) in 1960.

In 1962, unhappy with his work, he chose to return to Paris. In 1963 he visited Italy, then Brittany. In 1966, he returned to Provence, but spent several summers in Brittany.

The following decade saw him visit Belgium, Netherlands, Spain and Italy, and show his work in Paris (Egypt Cultural Center), in Avignon (Ducastel Gallery), in Carpentras (Town-Hall) and in Marseilles. During each trip he visited museums and admired the great masters.

In 1975, Shahda fell seriously ill. He kept on painting, but felt threatened: "One must snatch work from passing time.". During a long remission, he worked on portraits - including those of fellow artists such as painter Michel Bonnaud or writer Pierre Autin-Grenier - and self-portraits, oil or pastel drawing.

Two exhibitions took place in Carpentras in 1981 and 1984. His health deteriorated again in 1985, but he kept on working harder than ever: still lifes, self-portraits and, despite illness and exhaustion, landscapes.

He died from cancer during the summer of 1991 in Aix-en-Provence hospital.

His widow, Anita, organized many posthumous exhibitions, in Paris, in various Provence towns, in Montpellier and in Ajaccio. She worked for years on a monograph which was published in 2014 [1] [2].

Work

The Fondation Calvet in Avignon owns two paintings by Shahda, La Femme en noir from 1958 and a Self-portrait from the late 70s.

The Auberive Abbey and Musée Comtadin-Duplessis in Carpentras also host some of his work.

His style is highly personal, but has a clear link with some great painters of the past (Frans Hals, Rembrandt, Van Dyck, Goya, Velázquez, Titian and Tintoretto, or van Gogh, Cézanne, Modigliani and Soutine), as well as two of his contemporaries, Zoran Mušič and Francis Bacon, by the strength of his portraits and the refusal of abstract art.

Exhibitions
  • 1958 : Galerie Arlette Chabaud, Avignon
  • 1960 : Chapelle du Collège, Carpentras (exhibition with Paul Surtel)
  • 1964 : Musée Lapidaire, Carpentras
  • 1966 : Galerie Ducastel, Avignon
  • 1967 : Musée Lapidaire, Carpentras
  • 1969 : Centre Culturel d'Egypte, Paris
  • 1971 : Galerie Ducastel, Avignon
  • 1971 : Galerie Lucy Krohg, Paris
  • 1972 : Hôtel de Ville, Carpentras
  • 1974 : Galerie Ducastel, Avignon
  • 1974 : National Fair Club, Marseille
  • 1975 : Galerie Ducastel, Avignon
  • 1981 : Musée Duplessis and Chapelle du Collège, Carpentras
  • 1984 : La Charité, Carpentras

Posthumous exhibitions

Publications
  • 1984 : Magazine Rencontres, #124
  • 2005 : Magazine Azart, #17 [3]
  • 2009 : Exhibition catalog at Polad-Hardouin Gallery, Ibrahim Shahda, La Rinascita [4]
  • 2009 : Magazine Vernissages, #5, Ibrahim Shahda, Chronique d'une Survie
  • 2014 : « Shahda », monograph, by Anita Shahda
Illustrations
  • Pierre Autin-Grenier, Élodie Cordou, une présence, Éditions du Chemin de fer, 2015 ; with paintings by Ibrahim Shahda[5] ISBN 978-2-916130-73-6
gollark: Notably, English words do not actually mean the same thing as the roots might imply, in cases where there even are obvious ones.
gollark: Just because your language theoretically has words composed of subwords doesn't mean you can ignore the various problems I mentioned (except possibly the grammar one). And "convert the words to semantic expressions" hides a lot of the complexity this would involve.
gollark: I'm pretty sure I've seen diagrams of pronounceable things of some kind, but they're more complex than just permutations of "high tone, low tone" and do not conveniently map to concepts.
gollark: What do you mean "all of the possible forms of a square diagram with two or more sides"? There are infinitely many of those. And how do I just pronounce a diagram without a predetermined mapping?
gollark: Also, I have no idea what an "objective → semantic buffer" is and I think you're underestimating the difficulty of implementing whatever it is.

Notes and references
  2. https://imprimerie-rimbaud.fr/actus/expos-de-rimbaud/shahda/livre_shahda_basseres/]
  3. Azart Magazine.
  4. Site de la galerie Polad-Hardouin Archived 2010-12-29 at the Wayback Machine.
  5. Fiche du livre, sur le site de l'éditeur.
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