Walt Disney anthology television series

The Walt Disney Company has produced its flagship anthology television series under several different titles since 1954.

Walt Disney anthology television series
Opening title for The Wonderful World of Disney used since 2015
Also known as
  • Walt Disney's Disneyland (1954–58)
  • Walt Disney Presents (1958–61)
  • Walt Disney's Wonderful World of Color (1961–69)
  • Disney's Wonderful World (1979–81)
  • Walt Disney (1981–83)
  • The Disney Sunday Movie (1986–88)
  • The Magical World of Disney (1988–90)
  • The Wonderful World of Disney (1969–79, 1983–87, 1991–present)
GenreAnthology series
Created byWalt Disney
Presented byWalt Disney (1954–66)
Michael Eisner (1987–2002)
Narrated byDick Wesson (1954–79)
Mark Elliot (1979–88)
Danny Dark (1988–91)
John O'Hurley (2020–present)
Theme music composerLeigh Harline
Ned Washington
Opening theme"When You Wish Upon a Star" (1954–61, 1968–2012 and 2012–present; various instrumental adaptations)
"The Wonderful World of Color" (1961–68)
"Heaven's Triumph" (2012–present)
Country of originUnited States
Original language(s)English
No. of seasons53
No. of episodes1,224 (list of episodes)
Production
Camera setupMulti-camera (hosted segments)
Running time156–180 minutes
DistributorBuena Vista Television
(1986–2007)
Disney–ABC Domestic Television
(2007–present)
Release
Original networkABC (1954–61, 1986–88, and 1997–present)
NBC (1961–81 and 1988–91)
CBS (1981–86, 1991–97)
Picture format480i (SDTV),
720p (HDTV)
Original releaseOctober 27, 1954 (1954-10-27) –
present (present)

The original version of the series premiered on ABC on Wednesday, October 27, 1954. The show was broadcast weekly on one of the Big Three television networks until 1990, a 36-year span with only a two-year hiatus in 1984–85. The series was broadcast on Sunday for 25 of those years. From 1991 until 1997, the series aired infrequently.

The program resumed a regular schedule in 1997 on the ABC fall schedule, coinciding with Disney's recent purchase of the network. From 1997 until 2008, the program aired regularly on ABC. Since then, ABC has continued the series as an occasional special presentation from 2008 onward, the most recent being a holiday music special in November 2019.[1] In May 2020, the series returned with movies from the Disney+ library.

The show has had only two hosts, founder and former President, Walt Disney, and former Chairman and C.E.O., Michael Eisner.[2]

The show is the second longest-running prime-time program on American television, behind Hallmark Hall of Fame.

Titles

History

The anthology series was an outgrowth of Walt Disney looking for funding for Disneyland with his brother Roy Disney approaching all the big-three networks with American Broadcasting-Paramount Theatres taking the deal for programming for ABC.[4]

Walt Disney's Disneyland (1954–1958)

Although Walt Disney was the first major film producer to venture into television, two established independent film producers successfully ventured into television production before Disney, Hal Roach and Jerry Fairbanks. Disney wanted to produce a television program to finance the development of the Disneyland amusement park. After being turned down by both CBS and NBC, Disney eventually signed a deal with ABC (which had merged with United Paramount Theaters in 1953) on March 29, 1954. The show contained teasers for Walt's park, as well as episodes representing life in one of the park's main sections: Adventureland, Tomorrowland, Fantasyland, and Frontierland, with the opening titles used from its inception until the show's move to NBC in 1961, showing the entrance to Disneyland itself, as well as the four aforementioned lands, one of which was then identified as the main feature of that evening's program.

Consequently, "Davy Crockett" and other pioneers of the Old West, and American history in general, appeared in "Frontier Land". Similarly, 20,000 Leagues Under the Sea might be the focus of an evening spent in "Adventure Land", although a documentary on the film could also be possibly presented as a topic for such episodes, including clips from the actual film. Topics for "Fantasy Land" would include either actual cartoons, and animated films, or documentaries on "The Making of ..." (such as behind-the-scenes presentation of Peggy Lee singing the duet of the wicked Siamese cats in Lady and the Tramp, or the barbershop quartet of lost dogs in the municipal Dog Pound); excerpts from a True-Life Adventure documentary may also be included (for example, one on the life and works of beavers and their dam-building) or those using stroboscopic stop-action photography (such as investigating what really happened when a rain-drop fell in a puddle, as part of a "Fantasy Land" episode), explaining the techniques of cartoon animation. The multiplane camera used to create the three-dimensional effects of Bambi was also as a topic for a "Fantasy Land"-set telecast. In one episode, four different artists were given the task of drawing the same tree, with each artist using his own preferred ways of drawing and imagining a tree; this led to cartoon examples of differently animated trees, as in some of the early Silly Symphonies shorts, and later full-length animated films. "Tomorrow Land" was an opportunity for the Disney studio staff to present cutting-edge science and technology, and to predict possible futures, such as futuristic automobiles and highways. This format remained basically unchanged through the 1980s, though new material was scarce in later years. Other episodes were segments from Disney films such as Seal Island and Alice in Wonderland, or cartoons of Donald Duck and other Disney standbys.

The program spawned the Davy Crockett craze of 1955 with the airing of a three-episode series (not shown over the course of consecutive weeks) about the historical American frontiersman, starring Fess Parker in the title role. Millions of dollars of merchandise relating to the title character were sold, and the theme song, "The Ballad of Davy Crockett", became a hit record that year. Three historically based hour-long programs aired during late 1954/early 1955, and were followed up by two dramatized installments the following year. The TV episodes were later edited into two theatrical films.

On July 17, 1955, the opening of Disneyland was covered on a live television special, Dateline: Disneyland,[5] which is not technically considered to be part of the series. It was hosted by Art Linkletter, with whom Walt Disney had worked out a deal prior to the opening to allow Linkletter to lease a shop on Main Street in return for the broadcast.[6] Art Linkletter was assisted by Bob Cummings and Ronald Reagan, and the program featured various other guests, including various appearances of Walt himself as he dedicated the various lands of Disneyland.[7]

Walt Disney Presents (1958–1961)

In 1958, the series was retitled Walt Disney Presents[8] and moved to a Friday-night timeslot; by 1960, ABC had switched it to Sunday nights, where it remained for 21 years. During this iteration, The Peter Tchaikovsky Story, an episode made to promote Walt's latest animated feature, Sleeping Beauty, was one of the first stereo simulcasts on TV; in this case it was 3 channel stereo. FM radio stations across the country carried the left channel at the same time as ABC broadcast the TV show in mono, which served as a center channel, and AM radio stations broadcast the right channel. In the second half of the show, a lengthy clip of Sleeping Beauty was shown, with its 6 channels (70mm version) mixed down into 3 for the broadcast. Walt apparently wanted people to see Sleeping Beauty in 70 mm, so, in the introduction, he explained the difference between 35 mm and 70 mm and held up a card with both sizes on it.[9] In addition to episodes devoted to the latest additions at Disneyland, many episodes during this period were Westerns such as "Texas John Slaughter" and "Elfego Baca", while others talked about the United States' burgeoning efforts to explore outer space and others, such as "Moochie of the Little League", were set in the then-present day. Some episodes even mixed live-action and animation, showing Mickey Mouse, Donald Duck, Goofy, and Jiminy Cricket talking with Walt himself, while one 1959 episode turned the spotlight on Chip 'n' Dale, combining their theatrical cartoons with mixed media wrap-around footage.

Walt Disney's Wonderful World of Color (1961–1969)

Although the basic format remained the same, the series moved to NBC on September 24, 1961, to take advantage of that network's ability to broadcast programming in color.[5] In addition, Walt Disney's relationship with ABC had soured as the network resisted selling its stake in the theme park before doing so in 1960.[10] In a display of foresight, Disney had filmed many of the earlier shows in color, allowing them to easily be repeated on NBC; since all but three of Disney's feature-length films were also made in color (the three black-and-white exceptions were The Shaggy Dog, The Absent-Minded Professor, and Son of Flubber, all family comedies starring Fred MacMurray), they could now also be telecast in that format.

To emphasize the new feature, the series was retitled Walt Disney's Wonderful World of Color when NBC began airing it,[11] retaining that moniker until 1969, by which time the big three networks were all broadcasting in color. The first NBC episode even dealt with the principles of color, as explained by a new character named Ludwig Von Drake (voiced by Paul Frees), a bumbling professor with a thick German accent, who was the uncle of Donald Duck. Von Drake was the first Disney character created specifically for television.

Walt Disney's Wonderful World of Color title sequence

Walt Disney died on December 15, 1966, 12 years after the anthology series premiered. While the broadcast that aired three days after his death featured a memorial tribute from Huntley-Brinkley Report anchor Chet Huntley with film and television star Dick Van Dyke,[12] the introductions that Walt already filmed prior to his death continued to air for the remainder of the season. After that, the studio decided that Walt's persona as host was such a key part of the show's appeal to viewers that the host segment was dropped.

The Wonderful World of Disney (1969–1979)

The series was retitled The Wonderful World of Disney in September 1969, as the previous title was no longer needed due to the aforementioned developments in color broadcasting. It continued to gain solid ratings, often ranking in the top 20, until the mid-1970s.

In 1976, Disney showed its hit 1961 film The Parent Trap on television for the first time, as a 2½-hour special. This marked a major step in broadcasting for the studio, which had never shown one of its more popular films on television in a time slot longer than an hour (although it had shown Now You See Him, Now You Don't and Napoleon and Samantha in a two-hour format in 1975).[13] Walt Disney Productions also began running some of its multiepisode television programs, such as 1962's Sammy The Way-Out Seal, as televised feature films on the anthology series. A slightly edited version of the 1954 Disney film 20,000 Leagues Under the Sea made its television debut as a two-hour special on NBC in October 1976.[13] Several other Disney films, some of them not especially successful (such as Superdad, which was an outright flop in its initial theatrical release) were also aired on the program in the form of two-hour broadcasts that year. However, the multiepisode format for feature films had not been discontinued; as late as 1981, films such as Pollyanna were still being shown on the Disney program in several installments running a week apart.[13]

During the early 1970s, the show began to increasingly concentrate less on animated cartoons and dramatic or comedy films, and began to place an emphasis on nature-oriented programs (such as the True-Life Adventures).[13]

The show's continued ratings success in the post-Walt era came to an end during the 1975–76 season. At this time, Walt Disney Productions was facing a decline in fortunes due to falling box-office revenues, while NBC as a whole was also slipping in the ratings. The anthology series became even more dependent on airings of live-action theatrical features, its True-Life Adventures, reruns of older episodes, and cartoon compilations. Nothing from the Disney animated features canon aired, with the exceptions of Alice in Wonderland and Dumbo, as part of a long-standing policy placed on the program by Disney. Additionally, in 1975, when CBS regained the broadcast rights to the 1939 Metro-Goldwyn-Mayer film The Wizard of Oz, it was scheduled opposite Disney, as it had been between 1960 and 1968. At that time, telecasts of that film were highly rated annual events, which largely attracted the same family audience as the Disney series. From 1968 to 1975, when NBC held the television rights to Oz (which it had acquired from CBS in 1967), it usually pre-empted Disney to show it. However, the show's stiffest weekly competition came from CBS's newsmagazine 60 Minutes.

In 1975, an amendment to the Prime Time Access Rule gave the Sunday 7:00 pm Eastern Time slot back to the networks, allowing NBC to move Disney back by a half-hour. It also allowed CBS to schedule 60 Minutes at 7:00 pm Eastern Time starting on December 7; prior to this, 60 Minutes had aired at 6:00 pm Eastern and did not begin its seasons until after the National Football League season ended. Disney fell out of the top 30, while 60 Minutes had its ratings rise significantly.

Disney's Wonderful World (1979–1981)

In September 1979, the studio agreed to then-NBC president Fred Silverman's request for changes to the program. The show shortened its title to Disney's Wonderful World, and updated the opening sequence with a computer-generated logo and disco-styled theme song, but largely kept the same format. The problems for the show continued. As a result of the ratings strength of 60 Minutes, compounded by low ratings, increasingly less original material, and frequent pre-emptions (primarily due to sporting events such as NFL game telecasts),[14] NBC cancelled Disney in 1981.[15] One factor that was beyond the control of either Disney or NBC was a 94-day strike by the Screen Actors' Guild that cut the number of shows for the 1980–1981 season,[16] but the damage was done nonetheless.

Walt Disney (1981–1983)

Following NBC's announcement that it would drop the anthology series, CBS picked up the program and began airing it on Saturdays at 8:00 pm Eastern Time, in September 1981. Despite a more elaborate credit sequence and another title change, to simply Walt Disney, the series' format remained unchanged. During the 1981–1982 season, the series had a full season's worth of material again, but little of it was new. Among the little that actually was new were a handful of pilots based on Pollyanna, Escape to Witch Mountain, and The Apple Dumpling Gang, but only the last of the three pilots was sold and became the half-hour sitcom Gun Shy the following season, one of the studio's first entries in that genre.

The 1982–1983 season had enough material to fill the time slot, but almost all of it was pre-existing material, the lone exception being the celebrity-laden opening ceremony of Epcot on October 23. It also did not help matters that NBC slotted the family-friendly sitcoms Diff'rent Strokes and Silver Spoons at 8:00 pm and 8:30 pm up against it to draw children away from CBS. After moving to Tuesday at the beginning of 1983, it went on hiatus on February 15 while the aforementioned Gun Shy took up the second half of its time slot. When it came back for summer reruns on May 3, it was still on Tuesday at 8:00 pm; its final network broadcast was on September 24, bringing an uninterrupted 29-year run on all three networks to a close.

The end of the show coincided with the launch of the studio's cable television network, the Disney Channel. While ratings were a factor, the final decision to end the show came from Walt Disney Productions' then-CEO Card Walker, who felt that having both the show and the new channel active would result in cannibalization of viewership.[17] The new channel would provide a home for the show in reruns for the next two decades, but for the time being, Disney's presence on U.S. network TV would be limited to the occasional holiday special, theme park anniversary, or cartoon compilation.

The Disney Sunday Movie (1986–1988)

After the studio – which was rechristened as the Walt Disney Company in 1986 – underwent a change in management, Disney sought to bring back some sort of programming to broadcast television. Their efforts led to the premiere of The Disney Sunday Movie, which debuted on February 2, 1986, on ABC.[18] Many names were considered to serve as presenter for the revived show, including Julie Andrews, Dick Van Dyke, Cary Grant, Tom Hanks,[17] Walter Cronkite, Roy E. Disney (who closely resembled his uncle), and even Mickey Mouse.[19] The studio finally decided to have Michael Eisner, the company's recently hired CEO, host the series. Although he was not a performer, after filming a test video with his wife Jane and a member of his executive team (which required multiple takes), studio management believed he could do the hosting job. Eisner hired Michael Kay, a director of political commercials for then-U.S. Senator Bill Bradley, to help him improve his on-camera performance.[19]

The Disney Sunday Movie initially aired as ABC's lead-off program on Sundays, running from 7:00 to 9:00 pm Eastern Time.[18] By this point, the format was similar to a movie-of-the-week. Gary Barton, a Disney senior vice president, was in charge of the program. Help Wanted: Kids was the first episode's film. Other first revival year films were, Young Again, The Richest Cat in the World, I-Man (starring Scott Bakula),[20] and My Town. Sometimes the slot would feature special instead of dramatic material like "Disney Goes to the Oscars" featuring the studio's Academy Award winners, and "The Greatest Moments in Disney Animation".[18] A handful of Disney Channel original films made their network television debuts during these iteration as well,[21] but the program did not present any film made by Disney's Touchstone subsidiary as such films were not considered appropriate for children. However, Splash, Too, a sequel to the 1984 film, aired on the series over two weeks in May 1988. The series had increased Disney park attendance and ABC's Sunday night ratings for the evening by an average 27% for the rest of the season. Disney, wanting to make it a regular viewing habit, gave ABC additional films from its library, including Old Yeller, The Apple Dumpling Gang, and Candleshoe for the normal rerun mid-year period. The Last Electric Knight series movie produced a spin-off, originally to be called Karate Kid for ABC's 1987 season.[21]

Despite improving ABC's numbers, the program's ratings were never strong as the established 60 Minutes and scripted mystery series Murder, She Wrote on CBS, both of which Disney was competing with for viewers, remained the leading primetime programs on Sunday nights. In 1987, ABC reduced The Disney Sunday Movie from two hours to one. The move did not help drive ratings, and the network decided not to renew its contract with Disney or pick up a fourth season of the second iteration of the anthology series.

The Disney Sunday Movie was also being run on the Disney Channel, also hosted by Eisner.[2]

The Magical World of Disney (1988–1990)

In the spring of 1988, NBC decided to renew its association with the company after it cut ties to the anthology series seven years earlier; the network brought the series, now named The Magical World of Disney, to serve as the lead-in of its Sunday lineup in September 1988. As the program had done during its last season as The Disney Sunday Movie, The Magical World of Disney ran for one hour, airing at 7:00 pm Eastern Time; Michael Eisner also returned as its presenter. During this period, the show attempted to reintroduce the rotating format the show started out with in 1954.[22] It also introduced new versions of Walt-era movies and TV shows such as The Absent-Minded Professor, a reboot of Davy Crockett, and the musical Polly, which was based on the book Pollyanna by Eleanor H. Porter and the Walt Disney's 1960 film adaptation of it. In the 1989–1990 season, during which the company was negotiating with Jim Henson to buy The Muppets, they aired two Muppet specials; one of them was The Muppets at Walt Disney World, which turned out to be Henson's last Muppet special. He died May 16, 1990, 10 days after the special aired, and the company only acquired The Muppets more than a decade later.

After two seasons experiencing the same lackluster ratings as it had accrued during the end of its initial NBC run and its subsequent runs on CBS and ABC, Disney elected to end the broadcast television run of The Magical World of Disney and began airing the anthology on the Disney Channel – in the same time slot it had been airing for the past decade – starting in September 1990, expanding back to a two-hour format. Since the Disney Channel operated as a premium channel at the time, films presented on the series were presented without commercial interruption. The Magical World of Disney originally aired on the cable channel as a weekly Sunday-only program for its first 5½ years; but in September 1996, as part of the first phase of a programming revamp that culminated in its formal conversion into a commercial-free basic cable channel in April 1997, the Disney Channel expanded the Magical World brand to encompass its Monday through Saturday primetime film block, maintaining its 7:00 pm Eastern time slot.

The Wonderful World of Disney (1991–present)

The Wonderful World of Disney returned in 1991 as an umbrella title for Disney specials airing on major networks (CBS airings used the historical title The Wonderful World of Disney for the first few years, while other networks broadcast the show with another title, A Disney Special).

In 1997, with Disney acquiring ABC the previous year, ABC gave the series a regular slot in the schedule.[2] Disney CEO Eisner formed Disney Telefilms by 1995 to supply original films to the series[23][24] and program together with ABC.[2] It led the network's Sunday night lineup at the 7:00 p.m. Eastern time slot,[25] resulting in the displacement of Sunday mainstay America's Funniest Home Videos, which had occupied the slot since 1992. On September 28, 1997, the all-new The Wonderful World of Disney premiered with the network television premiere of Toy Story. On October 5, 1997, Disney Telefilms' first production, Toothless, debuted on the series. In addition to the planned 16 original Disney telemovies, ABC and Disney added a few direct-to-video movies and films from other sources.[2]

In 2001, a Spanish-language version of the program premiered on Telemundo (which, incidentally, was acquired by the English version's former home, NBC, that same year 2001-2010) as El Maravilloso Mundo de Disney, with more of a focus on Disney theatrical films than the English broadcasts at the time for Spanish version's former Disney Channel (Latin America).

In September 2003, The Wonderful World of Disney moved to Saturdays at 8:00 pm Eastern, with the previous Sunday time slot being ceded to AFV (which moved back to Sundays that season) and drama series in the 8:00 pm hour. Rare exceptions to the program's format occurred during this time; for example, a Little House on the Prairie miniseries ran for several weeks in 2004 under the Wonderful World of Disney banner. For most of its second run on ABC, the program aired throughout the television season, with the exception of the 2005–06 season (when it aired during the midseason only), and in 2007 and 2008 (when it was relegated to the summer months), with a broader array of films occupying the network's Saturday primetime slot at other times, when sports programming did not air. The series ended as a regular program in 2008.

At this point, the series began to shift focus toward Disney theatrical films, relying less on original television films; however, the series aired two Disney Channel Original Movies (2002's Cadet Kelly and 2008's Camp Rock, currently the only Disney Channel television films to have aired on non-Disney Channel-branded network domestically) during its ABC run. The second ABC revival also included some family-oriented films produced by studios other than Disney under the Wonderful World banner, such as The Sound of Music from 20th Century Fox (which is presently owned by Disney) and the Harry Potter film series and Space Jam from Warner Bros., as well as television films such as Princess of Thieves from Granada Productions and the 2001 remake of Brian's Song from Columbia TriStar Television (now known as Sony Pictures Television).

In December 2015, ABC's The Wonderful World of Disney officially returned to its anthology format with a showing of Mary Poppins for the first time on ABC since 2002, hosted by Dick Van Dyke. Van Dyke took viewers on a tour through the Disney Archives, as they explored props and costumes from the production of Mary Poppins and discussed the film's history and context within the Disney legacy.[26] It was then shown on February 21, 2016, with the special Disneyland 60, which honored Disneyland's 60th anniversary;[27] on November 24, 2016, for their Magical Holiday Celebration, filmed at Walt Disney World;[28] and on December 11, 2016, for the network television premiere of Frozen.[29] On August 5, 2019, it was announced that The Wonderful World of Disney would present The Little Mermaid Live! on November 5 of that year with Auli'i Cravalho, Queen Latifah and Shaggy starring as Ariel, Ursula and Sebastian, respectively.[30] The cast also included John Stamos as Chef Louis and Graham Phillips as Prince Eric.[31] The special featured music from both the film and the Tony Award-nominated Broadway stage version and was performed in front of a live audience with giant projection surface.[32] The title was used again on November 28, 2019, for a two-hour music special, The Wonderful World of Disney: Magical Holiday Celebration, hosted by Emma Bunton and Matthew Morrison.[33]

On May 7, 2020, it was announced that The Wonderful World of Disney would bring back its banner for a series of theatrical movies from the Disney+ library, which includes Moana, Thor: The Dark World, Up, and Big Hero 6, for four weeks beginning May 20, 2020.[34] A fifth week was later added, featuring the 2010 Disney/Pixar film, Toy Story 3, marking ten years since its theatrical release.[35]

The Magical World of Toons

The Magical World of Toons was the daily prime time programming block featuring character's key series episodes coinciding with the launch of its channel, Toon Disney, on April 18, 1998.[36] It continued at least until 2003.[37]

The Magical World of Disney Junior

In 2012, Disney Junior launched a variant of the movie night anthology as Magical World of Disney Junior on its new 24/7 channel.[38] The channel also premiered its first Disney Junior Original Movie, Lucky Duck during Magical World on Friday, June 20, 2014.[39]

Reruns

Prior to the launch of the Disney Channel, several of the films and specials made for the anthology series were licensed to pay-TV networks such as HBO; in HBO's case, the kaleidoscopic-pattern titles that preceded them in the original run were retained.[40][41]

Around the same time that the 1980s incarnations aired on ABC and NBC, reruns of older episodes of the Disney anthology series, airing under the Wonderful World of Disney banner, were syndicated to broadcast television stations throughout the United States[42][43] as well as in various international markets. In Australia, the program aired on Network Seven on Saturdays at 6:30 pm, before it was dropped in 1994 due to Optus Vision (later Foxtel)'s launch of a domestic version of the Disney Channel, with Saturday Disney replacing it as the channel's main block of Disney films.

Reruns of the shows were a staple of the Disney Channel for several years under the title Walt Disney Presents (which used the same title sequence as the 1980s CBS incarnation), when it was an outlet for vintage Disney cartoons, television series, and films, basically serving the same function that the anthology series served in the days before cable. The original opening titles were restored to the episodes in 1997. Reruns of the anthology series were discontinued when the channel purged all vintage material with the removal of its Vault Disney late-night block on September 8, 2002.[44] However, a few select episodes are available on VHS or DVD (some of which are exclusive to the Disney Movie Club), with the possibility of additional future releases.

Recently, live-action Disney films from the 1950s to the 1980s have aired on Turner Classic Movies, without commercial interruption, and presented uncut and with letterboxing on the network's standard-definition feed.

All of the episodes and existing material used on the series up to 1996 are listed in the Bill Cotter book The Wonderful World of Disney Television, which was released in 1997 by Hyperion Books (which was owned by the Walt Disney Company at the time of the book's publication).[7]

Programming

Originally hosted by Walt Disney himself, the original format of the Disney anthology series consisted of a balance of theatrical animated cartoons, live-action features, and other informational material (some original, some pre-existing) from the studio's library. For many years, the show also featured edited one-hour versions of such then-recent Disney films as Alice in Wonderland, and in other cases, telecasts of complete Disney films that were split into two or more one-hour episodes.[5] Later original programs consisted of dramatizations of other historical figures and legends along the lines of the Davy Crockett mini-series. These included a miniseries based on Daniel Boone (not the Fess Parker characterization), Texas John Slaughter, Elfego Baca, Francis Marion (the "Swamp Fox") and 1977's Kit Carson and the Mountain Man (with Christopher Connelly as Kit Carson, Robert Reed as John C. Fremont, and Gregg Palmer as mountain man Jim Bridger).

Occasionally, a more educational segment would be featured (such as The Story of the Animated Drawing), including nature and animal programs similar to the True-Life Adventures that were released in theaters, as well as various dramatic installments which were either structured as single-part, two-part, and sometimes, multipart editions. Much of the original informational excerpts were to create awareness of Disneyland. In spite of essentially serving as advertisements for the park, entertainment value was emphasized, as well to make the shows palatable. Some of the program's informational content was formatted to promote upcoming feature film releases by the studio (such as 20,000 Leagues Under the Sea and Darby O'Gill and the Little People), with some programs focusing on the art and technology of animation itself.

Theme music
  • From 1954 to 1961, the series used the song "When You Wish Upon a Star" as its theme. The recording was taken directly from the soundtrack of the movie Pinocchio.
  • From 1961 to 1969, an original song was used, "The Wonderful World of Color", written by Richard M. Sherman and Robert B. Sherman. This song helped to emphasize the use of color with its lyrics.
  • From 1969 to 1979 (The Wonderful World of Disney), orchestral medleys of various Disney songs from movies and theme parks as theme songs.
  • From 1979 to 1980 (Disney's Wonderful World), a disco-styled theme was written to emphasize the new visual changes, even though the format remained the same. John Debney composed the melody and John Klawitter wrote the lyrics.
    • From 1980 to 1981, the series discarded the Debney/Klawitter theme and went back to an earlier orchestral medley theme, while keeping the 1979 credits motif and title.
  • From 1981 to 1983 (Walt Disney), a short disco arrangement of "When You Wish Upon a Star", arranged by Frank Gari, served as theme against some elaborate, then-state-of-the-art computer graphics. CBC Television in Canada also used this title sequence and theme music for their own versions of the show. The sequence was also used as the opening sequence on international Walt Disney Home Video releases until 1987.
  • From 1986 to 1988, a synthesized, pop-rock arrangement of "When You Wish Upon a Star" with some clapping was the theme. This was used again for the 1989–90 season of The Magical World of Disney and the 1991–96 run on The Disney Channel.
  • In 1988, an orchestral medley of "A Dream is a Wish Your Heart Makes" and "When You Wish Upon a Star" was used. This was switched back to the 1987 theme in 1989.
  • From 1991 to 1997, an orchestral medley of "When You Wish Upon a Star" and "Part of Your World" (the latter from Disney's then recent hit The Little Mermaid) was used for network airings of the show (known as The Wonderful World of Disney on CBS and A Disney Special on other networks) as well as The 100 Lives of Black Jack Savage, a collaboration with Stephen J. Cannell Productions. This theme was also used internationally.
  • From 1997 to 2002, an orchestral medley of "When You Wish Upon a Star" and "A Whole New World" (the latter used in the movie Aladdin) were used; also used occasionally was the Louis Armstrong hit "What a Wonderful World". This theme is still used today internationally.
  • From 2002 to 2007, a newer orchestral arrangement of "When You Wish Upon a Star" with a wordless choir was used for ABC airings in the United States.
  • From 2007 to 2008, another orchestral arrangement of "When You Wish Upon a Star" (in actuality, the theme from the current Walt Disney Pictures logo, composed by Mark Mancina) and a brand-new opening title sequence (depicting a montage of the company's work with audio from Walt Disney himself) are used for ABC airings in the United States.
  • From 2012 on, "Heaven’s Triumph", composed by Robert Etoll via Q-Factory, is used along with a brand-new opening title sequence (updated with a longer voice-over from Walt Disney and including Star Wars and Marvel properties).

International broadcasts

Argentina

The Telefe era

El mundo de Disney (The World of Disney) aired for the first time on the OTA network Telefe in 1990, hosted by Leonardo Greco.[45] He remained as the sole presenter of the show, lasting until 1995, when the series concluded. The programme started airing at 8:00pm nightly from the second half of 1990 until December 1992. By 1993, it was moved to weekday afternoons at 5:00pm. When it was coming to an end, around 1994, shifted to Sunday afternoons, and aired a long marathon of movies and cartoons. According to Greco, this programme was possible because of a distributor who acquired the material, and was allowed to be shown without following a strict format, because the company wanted to do so.[46] Telefe wanted a comeback, and appointed chef and host Maru Botana (then network talent) to present Planeta Disney (Disney Planet) on Sunday evenings, at 8:00pm, beginning November 21, 2004.[47] Starting on July 9, 2005,[48] Botana was replaced with two personalities employed by Disney, Carolina Ibarra and Dani Martins. They both shared the duties of hosting this show and the South American edition of Zapping Zone, on Disney Channel. This lasted for a year and a half, with relative success.[49]

The Canal 13 era

While Telefe had a major success carrying the animated movies and some TV series like Blossom or Dinosaurs (distributed by Buena Vista Television), Canal 13 saw the possibility of buying material from the company and airing it (sometimes competing against the Telefe's programme) on Sunday afternoons, beginning in 1994, which at that time was filled with telecasts of ancient Argentinian films from the 1950s, 1960s or 1970s, and by reruns of Tarzan and The Three Stooges. The only clear difference was that only movies starring human actors, like Chitty Chitty Bang Bang or The Island at the Top of the World, could be broadcast, and not the cartoons. This experiment lasted until early 1996.[50] By 2007, the network took off from Telefe the exclusive rights to show all the Disney franchise movies and programs, and began to air its movies on Sunday evenings at 7:00pm, without a host. This also allowed Canal 13 to detain rights for other shows not related with Disney, but with the ABC network, like Lost or Grey's Anatomy, and to produce a localised version of the high-grossing film High School Musical.[51]

Australia

After more than 30 years of the Seven Network, in 2019, it now broadcast on the Nine Network and on 9Go!.

Brazil

The ABC run of the program under The Magical World of Disney title originally aired in that country under the title Cine Disney on the Brazilian-Portuguese version of Sistema Brasileiro de Televisão (SBT) in partnership with The Walt Disney Company. The ABC run of the program under The Wonderful World of Disney title originally aired in that country under the title O Maravilhoso Mundo de Disney on the Brazilian Portuguese version of Disney Channel; the program moved to SBT as Mundo Disney in 2015, for return in partnership with The Walt Disney Company.

Hong Kong

Episodes
Main article: List of Walt Disney anthology television series episodes

Ratings

Nielsen seasonal ratings
Network Season Timeslot TV Season Season Premiere Season Finale Season
Rank		 Viewers (m)
ABC 1 Wednesday 7:00 p.m. ET 1954–1955 October 27, 1954 July 13, 1955 #6 12.00
2 1955–1956 September 14, 1955 May 30, 1956 #4 13.05
3 1956–1957 September 12, 1956 June 5, 1957 #14 12.37
4 1957–1958 September 11, 1957 May 14, 1958
5 Friday 7:00 p.m. ET 1958–1959 October 3, 1958 May 29, 1959
6 1959–1960 October 2, 1959 April 1, 1960
7 Sunday 7:00 p.m. ET 1960–1961 October 16, 1960 June 11, 1961
NBC 8 1961–1962 September 24, 1961 April 15, 1962 #23 11.02
9 1962–1963 September 23, 1962 March 24, 1963 #24 11.22
10 1963–1964 September 29, 1963 May 17, 1964 #21 11.87
11 1964–1965 September 20, 1964 April 4, 1965 #11 13.54
12 1965–1966 September 19, 1965 April 10, 1966 #17 12.49
13 1966–1967 September 11, 1966 April 2, 1967 #19 11.85
14 1967–1968 September 10, 1967 April 28, 1968 #25 11.73
15 1968–1969 September 15, 1968 March 23, 1969 #22 12.41
16 1969–1970 September 14, 1969 March 29, 1970 #9 13.81
17 1970–1971 September 13, 1970 March 14, 1971 #14 13.46
18 1971–1972 September 19, 1971 April 9, 1972 #19 13.66
19 1972–1973 September 17, 1972 April 1, 1973 #9 15.23
20 1973–1974 September 16, 1973 March 13, 1974 #13 14.76
21 1974–1975 September 15, 1974 March 23, 1975 #18 15.07
22 1975–1976 September 14, 1975 July 25, 1976
23 1976–1977 September 26, 1976 May 22, 1977
24 1977–1978 September 18, 1977 June 4, 1978 #56[52] 17.3[52]
25 1978–1979 September 17, 1978 May 13, 1979 #55[53] 16.9[53]
26 1979–1980 September 16, 1979 July 27, 1980
27 1980–1981 September 14, 1980 August 16, 1981
CBS 28 Saturday 7:00 p.m. ET 1981–1982 September 26, 1981 July 31, 1982
29 1982–1983 September 25, 1982 September 24, 1983
ABC 30 1985–1986 February 1, 1986 June 21, 1986
31 1986–1987 September 20, 1986 August 29, 1987
32 1987–1988 October 3, 1987 May 21, 1988
NBC 33 1988–1989 October 8, 1988 July 22, 1989
34 1989–1990 September 30, 1989 August 25, 1990
CBS 35 Sunday 7:00 p.m. ET 1990–1991 September 23, 1990 September 15, 1991
36 1991–1992 September 22, 1991 September 13, 1992
37 1992–1993 September 20, 1992 September 12, 1993
38 1993–1994 September 19, 1993 September 11, 1994
39 1994–1995 September 18, 1994 September 10, 1995
40 1995–1996 September 17, 1995 August 25, 1996
41 1996–1997 September 8, 1996 December 1, 1996
ABC 42 1997–1998 September 28, 1997 May 18, 1998 #30 13.50[54]
43 1998–1999 September 27, 1998 May 30, 1999 #45 11.90[55]
44 1999–2000 September 26, 1999 May 14, 2000 #29 12.82[56]
45 2000–2001 October 8, 2000 May 27, 2001 #39 12.10[57]
46 2001–2002 September 16, 2001 May 19, 2002 #38 11.20[58]
47 2002–2003 November 3, 2002 July 27, 2003 #53 10.10[59]
48 Saturday 8:00 p.m. ET 2003–2004 September 27, 2003 May 8, 2004 #99 7.39[60]
49 2004–2005 October 16, 2004 June 18, 2005 #96 6.93[61]
50 2005–2006 November 5, 2005 July 8, 2006 #137 5.30[62]
51 2006–2007 December 16, 2006 August 4, 2007 #208[63] 4.28[64]
52 2007–2008 December 22, 2007 December 20, 2008 #172[65] 4.01[66]

Awards and nominations

Emmy Awards

Won
  1. Best Individual Program of the Year (Operation Undersea, 1955)
  2. Best Television Film Editing (Lynn Harrison, Grant K. Smith, Operation Undersea, 1955)
  3. Best Action or Adventure Series (1956)
  4. Best Producer – Film Series (Walt Disney, 1956)
  5. Outstanding Program Achievement in the Field of Children's Programming (1963)
  6. Outstanding Program Achievements in Entertainment (Walt Disney, 1965)
  7. Special Classification of Outstanding Program and Individual Achievement – Programs (Ron Miller, executive producer, 1971)
  8. Outstanding Main Title Design (1998)

Nominated
  1. Best Television Film Editing (Chester W. Schaeffer, "Davy Crockett: Indian Fighter", 1955)
  2. Best Single Program of the Year ("Davy Crockett and River Pirates", 1956)
  3. Best Musical Contribution for Television (Oliver Wallace, 1957)
  4. Outstanding Program Achievement in the Field of Children's Programming (1962)
  5. Outstanding Program Achievements in the Fields of Variety and Music – Variety (1962)
  6. Outstanding Children's Program (Walt Disney, Ron Miller (Further Adventures of Gallagher, 1966)
  7. Outstanding Achievement in Children's Programming – Programs (Ron Miller, executive producer, 1969)
  8. Outstanding Achievement in Children's Programming – Programs (Ron Miller, executive producer, 1970)
  9. Special Classification of Outstanding Program and Individual Achievement – General Programming (Ron Miller, producer, 1972)
  10. Special Classification of Outstanding Program Achievement (Ron Miller, executive producer, 1977)
  11. Outstanding Children's Program (The Art of Disney Animation, 1981) [67]

Home media

Several home media releases have included episodes of the anthology series.

In the 1980s, Walt Disney Home Video released 15 volumes of the anthology series on VHS, while many episodes have been released on DVD from either the Disney Movie Club or the Disney Generations movies-on-demand (MOD) program on Amazon.com.

gollark: In any case, if you have a planned system and some new need comes up... what do you do, spend weeks updating the models and rerunning them? That is not really quick enough.
gollark: If you want to factor in each individual location's needs in some giant model, you'll run into issues like:- people lying- it would be horrifically complex
gollark: Information flow: imagine some farmer, due to some detail of their climate/environment, needs extra wood or something. But the central planning models just say "each farmer needs 100 units of wood for farming 10 units of pig"; what are they meant to do?
gollark: The incentives problems: central planners aren't really as affected by how well they do their jobs as, say, someone managing a firm, and you probably lack a way to motivate people "on the ground" as it were.
gollark: What, so you just want us to be stuck at one standard of living forever? No. Technology advances and space mining will... probably eventually happen.

See also

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