Howard Fishman

Howard Fishman is an American culture writer, singer, guitarist, bandleader, playwright, and composer from Brooklyn, New York. Since 2016, Fishman has been a contributing writer for The New Yorker.[1] He has also written for Artforum, Vanity Fair, San Francisco Chronicle, and No Depression.

Howard Fishman
Birth nameHoward Fishman
BornHartford, CT
OriginBrooklyn, New York, United States
GenresJazz, blues, rock, folk-pop, New Orleans jazz, country, funk gospel
Occupation(s)Musician, singer-songwriter, Composer, Playwright, Actor, Director, Writer
InstrumentsVocals, guitar, piano, banjo
Years active1998 – present
LabelsMonkey Farm Records
Associated actsHoward Fishman Quartet, Biting Fish Brass Band, Basement Tapes Project
Websitehowardfishman.com

Brooklyn Magazine describes his music and discography as "steeped in country, soul, gospel, rock, blues...jazz, Gypsy swing, and American folk."[2] His plays have been presented at The Brooklyn Academy Of Music, The Rattlestick Playwrights Theater, and at Henry Street Setllement.

Music Biography

WAMC's Joe Donahue describes Fishman as having begun "his musical career on the streets of New Orleans and the subways of New York before landing his first major engagement at the Oak Room at the Algonquin Hotel[3] in 1999."[4][5] He has since headlined in major venues both in the United States and abroad, including The Steppenwolf Theatre, The Blue Note, NJPAC, The Pasadena Playhouse, Joe's Pub, The Bottom Line, and Le Petit Journal in Paris. He made his Lincoln Center debut in February, 2007, when he was presented as part of this season's American Songbook series. Fishman has also been a guest on various NPR programs, making feature-length appearances on "Fresh Air" with Terry Gross,[6] "World Cafe" with David Dye, "The Leonard Lopate Show"[7] and "Soundcheck" with John Schaefer,[8] among others.[2]

Performing Projects

The Howard Fishman Quartet

Fishman's first project was The Howard Fishman Quartet, a band that first appeared on the NYC scene in 1999, who went from performing on Brooklyn subway platforms to a nine-month residency at the Algonquin Oak Room. The original group featured Russell Farhang on violin, Peter Ecklund on cornet, and Jason Sypher on bass. Fishman led the band on guitar, vocals, and (occasionally) banjo, playing genres that range from early jazz to pop, blues, parlor songs and rural numbers.[9] After the release of their first CD, The Howard Fishman Quartet, Jason Sypher was replaced by Jon Flaugher on bass. A second CD, The Howard Fishman Quartet, Vol. 2, featuring additional material from the sessions that produced the first CD, was released in 2005.

The quartet toured Paris in May 2000, and returned to become a fixture on the New York music scene, garnering favorable reviews from The New York Times, The New Yorker, Le Monde, The International Herald Tribune, and The Village Voice. The band was awarded the BackStage Award for "Outstanding Musical Group".[10]

Second Quartet

Trumpeter Erik Jekabson joined the Howard Fishman Quartet in the summer of 2000 (replacing cornetist Peter Ecklund). After two of the four original members left and Fishman began writing more original material, the new HFQ began to pursue a different musical path. The band had regular residencies at downtown hotspots like Joe's Pub at the Public Theater and hipster venues in Brooklyn like Pete's Candy Store and Galapagos, where they joined the burgeoning Williamsburg music scene. The shows became more experimental, and Fishman's original material took center stage.

The second album, I Like You A Lot, was included on Andrew Dansby's list of top albums of 2001 in Rolling Stone[11] and landed Fishman his first national exposure as a featured guest on NPR's Fresh Air with Terry Gross.[12]

The Basement Tapes Project

Fishman's Basement Tapes Project had its debut at Joe’s Pub at The Public Theater in New York City in 2006. Over the course of three evenings, Fishman and members of his band presented most of the over 70 bootlegged songs (all of them since then officially released), known as Bob Dylan and The Band's Basement Tapes.[13] The first night, "The Old, Weird America," inspired by Greil Marcus's book of the same name, featured the traditional songs and covers recorded during the original sessions.

Night two, "Erase That, Garth", featured the then-unreleased originals from those sessions, including such Dylan cult favorites like "I'm Not There (1956)," "All You Have to Do Is Dream" and "Sign On The Cross". The final concert, "This Wheel Shall Explode!" included all the material from the original Columbia Records release "The Basement Tapes".

A CD/DVD featuring highlights from these shows, Howard Fishman Performs Bob Dylan & The Band's 'Basement Tapes' Live At Joe's Pub was released in 2007. The project has subsequently been programmed at performing arts centers across America, including Lincoln Center (where it was featured as part of the "American Songbook" series), at The Steppenwolf Theatre in Chicago, and Duke University.[14]

The Biting Fish Brass Band

Fishman's Biting Fish Brass Band, formed in 2008, features Fishman fronting a New Orleans-style brass band and performing an eclectic repertoire that includes street-beat style, traditional gospel, covers, as well as Fishman's originals.

A former New Orleans resident,[2] Fishman brings his deep affection for Louisiana music to bear, with references to classic R&B stylists Smiley Lewis and Professor Longhair, jazz legends Danny Barker and Jelly Roll Morton, and explores some of the region's rural Cajun repertoire. Regular members of the Biting Fish include Skatalites trombonist Andrae Murchison, trumpet player Etienne Charles, sousaphonist Kenneth Bentley, Jr., and percussionists Jordan Perlson, Moses Patrou, and Jeremy "Bean" Clemons. The group has toured Northern Europe several times, and is a favorite in Finland and Estonia.[2] In 2013, they headlined the August Blues Festival at Haapsalu Castle in Estonia.[15]

Trilogy of albums

In January 2009, Fishman entered the recording studio to record three CDs of all-new material—each with a different theme and group of musicians. All three CDs were released in 2010 and "showcased his versatility."[16]

The first CD, Better Get Right, features the Biting Fish Brass Band on a set of material devoted to Fishman's musical roots in New Orleans. No Further Instructions is a concept album about traveling through Romania and Eastern Europe and features Fishman backed by a string quartet. The World Will Be Different is concerned mainly with a turbulent, passionate love affair.

Howard Fishman Quartet Vol. III

In 2011, Fishman released a third installment of his series of quartet recordings, reuniting with his original violinist Russell Farhang, original cornet player Peter Ecklund, and bassist Andrew Hall for an album of songs with the subtitle Moon Country, featuring the music of Hoagy Carmichael.

Theater Projects

We are destroyed

We are destroyed is an original theater work created by Howard Fishman that incorporates original music, songs, text, and dialogue to explore an archetypal chapter in the American Story, the Donner Party tragedy. It has been described by Fishman as "a tone poem, a jazz opera, a musical inquiry".[17]

Excerpts from We are destroyed were first performed as part of the New Works Now! Festival at The Public Theater. Expanded versions and excerpts have subsequently been presented at Joe's Pub in New York City, The Steppenwolf Theater in Chicago, The Pasadena Playhouse in California, as part of the Lincoln Center Directors Lab West and, most recently, at The Abrons Arts Center in NYC in its first semi-staged production, directed by Ed Schmidt. A number of songs from the score of We are destroyed have been recorded by Fishman on his various albums, including "In Another Life," "Do What I Want," and "A New Life" on Do What I Want. The complete score has not yet been recorded, and the project awaits its first fully staged production.

A Star Has Burnt My Eye

Fishman's play A Star Has Burnt My Eye, featuring the songs of Connie Converse, was given workshop showing at Joe's Pub, Henry Street Settlement, Rattlestick Playwrights Theater, at the Vox Festival at Dartmouth College, and at The Brick Theater in Brooklyn, in a workshop production that featured Fishman, along with the performers Jean Rohe, Charlotte Mundy and Liam Robinson.[2] The play sold out its world premiere run at Brooklyn Academy of Music in November, 2016, in a production staged by Paul Lazar and featuring performers Fishman, Mundy, Rohe, and Nicholas Webber, and went on to tour in a revised version featuring Fishman, Mundy, Osei Essed (of The Woes) and Dina Maccabee (of Real Vocal String Quartet), in a production performed at Skidmore College, Castelton University, and Vermont Arts Exchange.[16][18]

As Producer

Connie's Piano Songs

In 2014, Fishman produced an album entitled Connie's Piano Songs, consisting of recordings of the "Art Songs" of Elizabeth Connie Converse, sung by soprano Charlotte Mundy accompanied by pianist Christopher Goddard for the Monkey Farm Records label.

Discography
  • The Howard Fishman Quartet (1999)
  • I Like You A Lot (2001)
  • Do What I Want (2002)
  • Look At All This! (2005)
  • The Howard Fishman Quartet Vol. II (1999/2005)
  • Performs Bob Dylan & The Band's "Basement Tapes" Live At Joe's Pub (2007)
  • Better Get Right (2010)
  • No Further Instructions (2010)
  • The World Will Be Different (2010)
  • The Howard Fishman Quartet Vol. III: Moon Country (2011)
  • Connie's Piano Songs (2014) (Producer only)
  • Uncollected Stories (2015)
gollark: Helpful!
gollark: They're simply bad.
gollark: There's plenty of carbon dioxide in the atmosphere, and plenty of light, and I forgot what else plants use as input but there's probably lots of it, yet plants do not even approach using all of it?
gollark: Plants grow rather slowly, because they're bad.
gollark: To... have tomatoes, presumably?

References
  1. "Contributors - Howard Fishman". The New Yorker. Retrieved 17 January 2019.
  2. Pantuso, Phillip (28 September 2015). "Strange Ways: The Long Journey of Howard Fishman". Brooklyn Magazine. Retrieved 17 January 2019.
  3. Sander, Roy (21 February 2001). "BISTRO BITS: Howard Who?". www.backstage.com. Retrieved 17 January 2019.
  4. Holden, Stephen (16 April 1999). "CABARET REVIEW; Recasting the Upbeat Spirits Of Swing and Dixieland". The New York Times. ISSN 0362-4331. Retrieved 17 January 2019.
  5. Donahue, Joe (27 February 2013). ""No Further Instructions" at the Arthur Zankel Music Center". WAMC Public Radio. Retrieved 27 February 2013.
  6. Gross, Terry (26 July 2001). "Guitarist and Singer Howard Fishman of the Howard Fishman Quartet". NPR. Retrieved 17 January 2019.
  7. Lopate, Leonard (1 May 2003). "The Howard Fishman Quartet". wnyc.org. Retrieved 17 January 2019.
  8. Schaefer, John (26 July 2005). "Bandleader for the 21st century". wnyc.org. Retrieved 17 January 2019.
  9. Holden, Stephen (16 February 2001). "Goin' His Own Sweet Way, From Bluegrass to Swing". The New York Times. ISSN 0362-4331. Retrieved 17 January 2019.
  10. Eaker, Sherry (21 February 2001). "Centerstage". www.backstage.com. Retrieved 17 January 2019.
  11. Dansby, Andrew (December 26, 2001). "Our Critics' Top Albums of 2001". Rolling Stone. Retrieved February 17, 2016.
  12. "Guitarist and Singer Howard Fishman of the Howard Fishman Quartet". NPR. October 28, 2002. Retrieved February 17, 2016.
  13. "Soundcheck-Howard Fishman". WNYC. 30 January 2007. Archived from the original on 13 August 2007. Retrieved 17 January 2019.
  14. Wilcock, Don (29 September 2015). "For Howard Fishman, Dylan Is Just the Beginning". The Record. Retrieved 17 January 2019.
  15. "The Biting Fish take Estonia!". Howard Fishman. Retrieved 17 January 2019.
  16. Fusilli, Jim (1 November 2016). "Discovering a Disappeared Artist in a Musical Drama". Wall Street Journal. ISSN 0099-9660. Retrieved 17 January 2019.
  17. Rice, Traven (23 April 2009). "At the Abron's Art Center we are destroyed". The Lo-Down. Retrieved 17 January 2019.
  18. Vincentelli, Elisabeth (12 November 2016). "Review: A Lost Folk Musician's Haunted Dreamland in "A Star Has Burnt My Eye"". The New York Times. ISSN 0362-4331. Retrieved 17 January 2019.
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