Greil Marcus

Greil Marcus (born June 19, 1945) is an American author, music journalist and cultural critic. He is notable for producing scholarly and literary essays that place rock music in a broader framework of culture and politics.

Greil Marcus
Marcus at Festival SOS 4.8, in Murcia, 2014
Born (1945-06-19) June 19, 1945
San Francisco, California
NationalityAmerican
CitizenshipAmerican
OccupationAuthor, rock critic, journalist
Known forRock critic for Rolling Stone, Creem, the Village Voice, and Pitchfork
Spouse(s)Jenny Marcus (1966–)[1]

Biography

Marcus was born Greil Gerstley, in San Francisco, the only son of Greil Gerstley and Eleanor Gerstley, née Hyman.[2] His father, a naval officer, died in December 1944, in the Philippine typhoon that sank the USS Hull, on which he was serving as second-in-command.[3] Admiral William Halsey had ordered the U.S. Third Fleet to sail into Typhoon Cobra "to see what they were made of,"[4] and, despite the crew's urging, Gerstley refused to disobey the order, arguing that there had never been a mutiny in the history of the U.S. Navy. The incident inspired the novel The Caine Mutiny.[3] Eleanor Gerstley was three months pregnant when her husband died. She married Gerald Marcus in 1948, and her son was adopted and took his stepfather's surname.[3] Greil Marcus has several half-siblings.[5]

Marcus earned an undergraduate degree in American studies from the University of California, Berkeley, where he also undertook graduate studies in political science.[6] He often cited as a major influence a Berkeley political science professor, Michael Rogin, of whom he said: "That course had more to do with putting me on the path I've followed ever since, for good or ill, than anything else."[7]

He has been a rock critic and columnist for Rolling Stone (where he was the first reviews editor) and other publications, including Creem, the Village Voice, Artforum, and Pitchfork. From 1983 to 1989, he was on the board of directors of the National Book Critics Circle.[6] Since 1966 he has been married to Jenny Marcus, with whom he has two daughters.[1] His book Mystery Train (published in 1975 and in its sixth revised and updated edition in 2015) is notable for placing rock and roll in the context of American cultural archetypes, from Moby-Dick to The Great Gatsby to Stagger Lee. Marcus's "recognition of the unities in the American imagination that already exist" inspired countless rock journalists.[8] On August 30, 2011, Time magazine published a list of its selection of the 100 best nonfiction books since 1923, when the magazine was first published; Mystery Train was on the list, one of only five books dealing with culture and the only one on the subject of American music. Writing for the New York Times, Dwight Garner said, "Mystery Train is among the few works of criticism that can move me to something close to tears. It reverberated in my young mind like the E major chord that ends the Beatles’ “A Day in the Life.”[9]

His next book, Lipstick Traces: A Secret History of the 20th Century (1989), stretched his trademark riffing across a century of Western civilization. Positing punk rock as a transhistorical cultural phenomenon, Marcus examined philosophical connections between subjects as diverse as medieval heretics, Dada, the Situationists, and the Sex Pistols.

Marcus published Dead Elvis, a collection of writings about Elvis Presley, in 1991, and Ranters and Crowd Pleasers (reissued as In the Fascist Bathroom: Punk in Pop Music), an examination of post-punk political pop, in 1993.

Using bootleg recordings of Bob Dylan as a starting point, he dissected the American subconscious in Invisible Republic: Bob Dylan's Basement Tapes, published in 1997.[10]

He writes the column "Elephant Dancing" for Interview and "Real Life Rock Top Ten"[11] for The Believer. He occasionally teaches graduate courses in American Studies at the University of California, Berkeley,[6] and teaches a lecture class, "The Old Weird America: Music as Democratic Speech – From the Commonplace Song to Bob Dylan", at the New School.[12] During the fall of 2008, he held the Winton Chair in the College of Liberal Arts at the University of Minnesota, where he taught and lectured on the history of American pop culture.[13]

His book When That Rough God Goes Riding: Listening to Van Morrison was published in March 2010.[14] It focuses on "Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career".[15][16] The title is derived from Morrison's 1997 song "Rough God Goes Riding".

He subsequently published Bob Dylan by Greil Marcus: Writings 1968–2010 (2010) and The Doors: A Lifetime of Listening to Five Mean Years (2011).

The Los Angeles Review of Books in 2012 published a 20,000-word interview with Marcus about his life.[17] A collection of his interviews, edited by Joe Bonomo, was published by the University Press of Mississippi in 2012.

Bibliography
This list is incomplete; you can help by expanding it.
  • Rock and Roll Will Stand (1969), editor
  • Double Feature: Movies & Politics (1972), co-author with Michael Goodwin
  • Mystery Train: Images of America in Rock 'n' Roll Music (1975, sixth edition 2015)
  • Stranded: Rock and Roll for a Desert Island (1979), editor and contributor
  • Lipstick Traces: A Secret History of the 20th Century (1989)
  • Dead Elvis: A Chronicle of a Cultural Obsession (1991)
  • In the Fascist Bathroom: Punk in Pop Music, 1977–1992 (1993, originally published as Ranters & Crowd Pleasers)
  • The Dustbin of History (1995)
  • Invisible Republic: Bob Dylan's Basement Tapes (1997; also published as The Old, Weird America: Bob Dylan's Basement Tapes, 2001)
  • Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives (2001)
  • The Manchurian Candidate: BFI Film Classics, 68 (2002)
  • The Rose & the Briar: Death, Love and Liberty in the American Ballad (2004), co-editor with Sean Wilentz
  • Like a Rolling Stone: Bob Dylan at the Crossroads (2005)
  • The Shape of Things to Come: Prophecy in the American Voice (2006)
  • A New Literary History of America (2009), co-editor with Werner Sollors
  • Best Music Writing 2009, 10th anniversary edition (2009), guest editor with Daphne Carr (series editor)
  • Songs Left Out Of Nan Goldin's Ballad of Sexual Dependency (lecture and essay) (2009)
  • When That Rough God Goes Riding: Listening to Van Morrison (2010)
  • Bob Dylan by Greil Marcus: Writings 1968–2010 (2011)
  • The Old, Weird America: The World of Bob Dylan's Basement Tapes (2011)
  • The Doors: A Lifetime of Listening to Five Mean Years (2011)
  • Conversations with Greil Marcus (2012), edited by Joe Bonomo
  • The History of Rock 'n' Roll in Ten Songs (2014)
  • Three Songs, Three Singers, Three Nations (2015)
  • Real Life Rock: The Complete Top Ten Columns, 1986–2014 (2015)
gollark: At power 0.5, so it only damages grass and unlucky people.
gollark: Stick a turtle/manipulator/whatever in the middle of the field, and have it constantly fire lasers in random directions on the, er, XZ plane?
gollark: We don't need a lawnmower mod. Lasers are perfectly capable of mowing.
gollark: I think it prioritizes the helmet.
gollark: Luca_S: you can wear two; bauble + helmet slot.

References
  1. Beckett, Andy (May 23, 1993). "A Surfer on the Zeitgeist: This isn't exactly life on the edge: Greil Marcus is married, nearly 50, and lives in a nice big house in northern California. But he is still making something new out of writing about rock". The Independent. London.
  2. Bonomo, Joe, ed. (2012). Conversations with Greil Marcus. University Press of Mississippi. p. xvii. ISBN 978-1-61703-622-4.
  3. Conversations with Greil Marcus. October 1, 2012. p. xi.
  4. "Tied to History" by Greil Marcus, The Threepenny Review, Spring 2008
  5. "Myths and Depths: Greil Marcus Talks to Simon Reynolds (Part 1)". Los Angeles Review of Books. June 19, 1945. Retrieved August 11, 2014.
  6. "Una's Lectures – Greil Marcus". Townsend Center for the Humanities, University of California, Berkeley. Retrieved December 3, 2009.
  7. Charles Burress, "Michael Rogin, 64, well-known writer, critic, UC professor" (obituary), San Francisco Chronicle, Nov. 30, 2001.
  8. "The 50 greatest music books ever". The Observer. London. June 18, 2006. Retrieved December 3, 2009.
  9. Garner, Dwight (2015). "Just a Book? No, More Like a Trusty Companion". New York Times. Sept. 4, 2015.
  10. Marcus's longstanding critical relation to Bob Dylan is so well-known that it has become the subject of fiction; see "The Critic" by Timothy Parrish in Ploughshares (Solo 5.7 2017).
  11. "Contributors: Greil Marcus". The Believer. Retrieved March 27, 2009.
  12. "Riggio Forum: Samuel R. Delany". The New School University. Retrieved December 3, 2009.
  13. "Blackface: Then and Now – A Talk by Greil Marcus". Archived from the original on December 12, 2012. Retrieved November 20, 2012.
  14. "Greil Marcus/When That Rough God Goes Riding". The Booksmith. Retrieved March 26, 2010.
  15. Thompson, Brent (April 28, 2010). "Marcus on Morrison". Birmingham Weekly. Archived from the original on June 7, 2010. Retrieved April 29, 2010.
  16. "Public Affairs Books: When That Rough God Goes Riding". publicaffairsbooks.com. Archived from the original on July 16, 2011. Retrieved December 3, 2009.
  17. "Simon Reynolds Interviews Greil Marcus". Los Angeles Review of Books. April 27, 2012.
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