Hardboiled

Hardboiled (or hard-boiled) fiction is a literary genre that shares some of its characters and settings with crime fiction (especially detective fiction and noir fiction). The genre's typical protagonist is a detective who battles the violence of organized crime that flourished during Prohibition (1920–1933) and its aftermath, while dealing with a legal system that has become as corrupt as the organized crime itself.[1] Rendered cynical by this cycle of violence, the detectives of hardboiled fiction are often antiheroes. Notable hardboiled detectives include Philip Marlowe, Mike Hammer, Sam Spade, Lew Archer, and The Continental Op.

The cover of seminal hardboiled magazine Black Mask, September 1929, featuring part 1 of its serialization of The Maltese Falcon, by Dashiell Hammett. Illustration of private eye Sam Spade by Henry C. Murphy, Jr.

Genre pioneers

The style was pioneered by Carroll John Daly in the mid-1920s,[2] popularized by Dashiell Hammett over the course of the decade, and refined by James M. Cain and by Raymond Chandler beginning in the late 1930s.[3] Its heyday was in 1930s–50s America.[4]

Pulp fiction

From its earliest days, hardboiled fiction was published in and closely associated with so-called pulp magazines. Pulp historian Robert Sampson argues that Gordon Young's "Don Everhard" stories (which appeared in Adventure magazine from 1917 onwards), about an "extremely tough, unsentimental, and lethal" gun-toting urban gambler, anticipated the hardboiled detective stories.[5] In its earliest uses in the late 1920s, "hardboiled" did not refer to a type of crime fiction; it meant the tough (cynical) attitude towards emotions triggered by violence.

The hardboiled crime story became a staple of several pulp magazines in the 1930s; most famously Black Mask under the editorship of Joseph T. Shaw,[3][6] but also in other pulps such as Dime Detective and Detective Fiction Weekly.[7][8] Consequently, "pulp fiction" is often used as a synonym for hardboiled crime fiction or gangster fiction;[9] some would distinguish within it the private-eye story from the crime novel itself.[10] In the United States, the original hardboiled style has been emulated by innumerable writers, including James Ellroy, Paul Cain, Sue Grafton, Chester Himes, Paul Levine, John D. MacDonald, Ross Macdonald, Walter Mosley, Sara Paretsky, Robert B. Parker, and Mickey Spillane. Later, many hardboiled novels were published by houses specializing in paperback originals, most notably Gold Medal, and in later decades republished by houses such as Black Lizard.

Relation to noir fiction

Hardboiled writing is also associated with "noir fiction". Eddie Duggan discusses the similarities and differences between the two related forms in his 1999 article on pulp writer Cornell Woolrich.[11] In his full-length study of David Goodis, Jay Gertzman notes: "The best definition of hard boiled I know is that of critic Eddie Duggan. In noir, the primary focus is interior: psychic imbalance leading to self-hatred, aggression, sociopathy, or a compulsion to control those with whom one shares experiences. By contrast, hard boiled 'paints a backdrop of institutionalized social corruption'".[12]

gollark: We are an intelligent species. Mostly. We can try and actively manage population and such.
gollark: > You breed maybe once or twiceActually, I may just not have children, it seems inconvenient and annoying.
gollark: My inability to visually imagine things is really helpful on the internet, honestly!
gollark: This very long conversation maaaaay have not really gotten anywhere and created/exposed some large divisions in the server, but oh well.
gollark: > and thus define human breeding as an inherent functionAnyway, you seem to just be defining it as one, and I'm not sure what you're trying to say by that beyond that having children... is a thing we can do, and one which evolution selects for to some degree. That doesn't make it *the right thing to do* all the time.

See also

References
  1. Porter, Dennis (2003). "Chapter 6: The Private Eye". In Priestman, Martin (ed.). The Cambridge Companion to Crime Fiction. Cambridge: Cambridge University Press. pp. 96–97. ISBN 978-0-521-00871-6.
  2. Ousby, I (1995). "Black Mask". The Cambridge Guide to Literature in English. p. 89.
  3. Collins, Max Allan (1994). "The Hard-Boiled Detective". In de Andrea, William L (ed.). Encyclopedia Mysteriosa. MacMillan. pp. 153–4. ISBN 978-0-02-861678-0.
  4. Abbott, Megan (2002). The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir. pp. 2–3..
  5. Sampson, Robert & Deandrea, William L. (Editor) (1994). "Pulps". Encyclopedia Mysteriosa. MacMillan. pp. 287–9. ISBN 978-0-02-861678-0.CS1 maint: uses authors parameter (link) "Extremely tough, unsentimental and lethal, Everhard foreshadowed the hard-boiled characters of the following decade".
  6. Budrys, Algis (October 1965). "Galaxy Bookshelf". Galaxy Science Fiction. pp. 142–150.
  7. Sampson, Robert & Deandrea, William L. (Editor) (1994). "Pulps". Encyclopedia Mysteriosa. MacMillan. pp. 287–9. ISBN 978-0-02-861678-0.CS1 maint: uses authors parameter (link)
  8. "Mystery Time Line: Hard-Boiled Mysteries". MysteryNet. Archived from the original on 2006-10-21. A brief survey of the genre's early days, focusing on Black Mask.
  9. Hoggart, Richard (1957). The Uses of Literacy. p. 258.
  10. Abbott, Megan. "Toward a Hardboiled Genealogy" (PDF). pp. 10–11. Hardboiled/noir "family tree", by crime fiction author and scholar Megan Abbott.
  11. Duggan, Eddie (1999). "Writing in the darkness: The world of Cornell Woolrich". CrimeTime. 2 (6): 113–126.
  12. Gertzman, J. A. (2018). Pulp According to David Goodis. Lutz, FL: Down & Out Books. p. 53.

Further reading
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