Hand rubbing

Hand rubbing is a gesture that conveys in many cultures either that one has a feeling of excited expectation, or that one is simply cold.[1] In Ekman and Friesen's 1969 classification system for gestures, hand-rubbing as an indication of coldness is an emblem intentional gesture that could equally well be verbalized.[2]

Cultural differences

The gesture is widespread around the globe, although it is possibly more common in cultures of countries with colder climates than those with hotter climates. In South America, the gesture is used to imply that two women are lesbians.[3]

Hand rubbing involves rubbing the palms of one's hands together. As a gesture of expectation, the rate at which one rubs the palms together is significant. A fast pace indicates expectation of something good for oneself. But a slow pace indicates expectation of something bad for someone else. Context also affects the meaning of the gesture. In context, the meaning can vary from an indicator of internal (anticipatory) tension to meaning "Oh good!".[4][5]

In drama, rubbing hands can signify various things, such as a miser rubbing his palms together over money, Lady Macbeth washing the blood off her hands, a villain having just done a wicked deed, or a person simply anticipating a journey, a good meal, or meeting with a boyfriend/girlfriend.[6]

A psychological study of revenge by Robert Baron, a psychologist in the school of management at Rensselaer Polytechnic Institute, found that some people who had waited years to get even with others, plotting and waiting for the opportunity to "torpedo their enemy's career", would rub their hands together at the memory, in the fashion of cartoon villains.[7][8]

John Bulwer calls Lady Macbeth's hand rubbing gesture Gestus #XI: Innocentiam Ostendo (Latin for "I display innocence"). He states that "[t]o imitate the posture of washing the hands by rubbing the back of one in the hollow of the other with a kind of detersive motion is a gesture sometimes used by those who would professe their innocency and declare they have no Hand in that foule business, not so much as by their manuall assent […] for the Hands naturally imply, as it were in Hieroglyphique, mens acts and operations; and that cleansing motion denotes the cleannesse of their actions.". This gesture is also associated with Pilate and with Shakespeare's other plays Julius Caesar (where Brutus' hand-washing gesture is turned from a profession of innocency into a signal of guilt) and Richard II.[9][10][11]

gollark: No, I mean it would be hard to do in the various open source OSes.
gollark: > Maybe you've never thought about this, but if there are 100 devs working for free you'd only need to hire 50 devs to compromise all their code.That's, um, still quite a lot given the large amounts of developers involved, and code review exists, and this kind of conspiracy could *never* stay secret for very long, and if you have an obvious backdoor obvious people are fairly likely to look at it and notice.
gollark: Those are increasingly not working because of better security in stuff, which is probably good.
gollark: There is actually a wikipedia page for that.
gollark: I mean, I got a letter back from some government official, having sent an *email* the week before, which was only tangentially related to what I actually said.

References
  1. Adrian Furnham (1999). Body Language at Work. CIPD Publishing. p. 22. ISBN 9780852927717.
  2. John Hayes (2002). Interpersonal Skills at Work. Routledge. p. 82. ISBN 9780415227766.
  3. Nancy Armstrong & Melissa Wagner (2003). "Hand Rub". Field Guide to Gestures. Quirk Books. pp. 158–159. ISBN 9781931686204.
  4. V.M. Sharma (2004). "Hand-and-Arm Gestures". Body Language. Pustak Mahal. p. 37. ISBN 9788122306354.
  5. M. H. Ford (2004). "Hand Jive". Personal Power. iUniverse. p. 113. ISBN 9780595325870.
  6. Michael Theodorou (1989). Ideas That Work in Drama. Nelson Thornes. pp. 15. ISBN 9780748702251.
  7. Benedict Cary (2004-07-27). "Payback time why revenge tastes so sweet". New York Times. p. 2.
  8. Stephen Denning (2005). "Stories that Tame the Grapevine". In Georg Schreyögg; Jean Caussanel; Jochen Koch (eds.). Knowledge Management and Narratives. Erich Schmidt Verlag GmbH. p. 95. ISBN 9783503090297.
  9. Joseph R. Roach (1985). The Player's Passion. University of Delaware Press. pp. 37–38. ISBN 9780874132656.
  10. Michael Neill (2003). "'Amphitheaters in the Body': Playing with Hands on the Shakespearian Stage". In Stanley Wells (ed.). Shakespeare Survey. Cambridge University Press. pp. 35–36. ISBN 9780521523875.
  11. Katherine Rowe (2003). "Minds in Company: Shakespearian Tragic Emotions". In Richard Dutton; Jean Elizabeth Howard (eds.). A Companion to Shakespeare's Works. Blackwell Publishing. pp. 56–57. ISBN 9780631226321.

Further reading
  • Larry Engler & Carol Fijian (1996). "Rubbing Hands". Making Puppets Come Alive. Courier Dover Publications. pp. 42. ISBN 9780486293783.
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