Ha Seong-nan

Ha Seong-nan[1] (Hangul: 하성란; born 28 June 1967) is a South Korean writer.[2]

Ha Seong-nan
Born (1967-06-28) June 28, 1967
LanguageKorean
NationalitySouth Korean
CitizenshipSouth Korean
Korean name
Hangul
Hanja
Revised RomanizationHa Seongran
McCune–ReischauerHa Sŏngran

Life

Ha was born in Seoul. She is the oldest of three children and this position resulted in her often taking on the role of a son.[3] Ha wrote through elementary and middle school, with limited success, but began writing short stories in high-school and winning school prizes for them. After graduating from high school Ha worked in a wood-importing firm and entered the Department of Creative Writing at the Seoul Institute of Arts in 1990. After graduation she worked for Moonji Publishing.[3]

During all this time Ha had been writing and she debuted in 1996 with her short story "Grass." She won the prestigious Dong-in Literary Award with her short story "Flowers of Mold,"[4] as well as the Hyeondae Literary Award for her story "Alpha's Time." She has also received the Yisu Literary Award the Hankook Ilbo Literary Award, and the Dongin Literary Award.[5]

In 2007, Ha had her second child, a son, and she currently lives in Mapo, Seoul.[3]

Work

The Literature Translation Institute of Korea sums Ha's work up:

Ha Seong-ran (1967~ ) is known for what the critics have termed “microscopic depiction.” Her early works, in particular, provide superb examples of her ability to use words to paint a meticulously detailed and finely nuanced picture of ordinary people and events without being verbose or sentimental. Beyond mere descriptive prowess, however, Ha’s works exhibit the author’s thorough understanding of her subject matter as well as the care with which she examines seemingly mundane and trivial events. Often, she does not rely on direct description of outward appearances or personality traits to visualize a character, but instead weaves a complex picture of memory, expressions, landscapes and surrounding objects that bring a character to life. “Flowers of Mold” features a man who searches through garbage for truth. Each bag of garbage bears a particular signature of the household that produced it, the man believes, but even after examining hundreds of garbage bags, he fails to establish a meaningful relationship with another human being.[6]
In recent years, Ha has shown greater interest in social issues. The First Wife of Blue Beard is a collection of short stories each revolving around a tragic, but familiar incident that could easily appear on the pages of a local newspaper. In the title story modeled after Perrault’s Le Barbe Bleue, a woman who marries a Korean living in New Zealand learns about her husband’s homosexuality; “Flies” portrays a small town policeman’s descent into madness. In Ha’s fiction, such incidents as murder, fire, and robbery are treated without sensationalism: she uses those life-shattering moments in life to underscore fragility of happiness as well as the sense of emptiness that lies at the core of existence.[6]

Bibliography

Novels

  • 식사의 즐거움 (1998). The Joy of Meals.
  • 삿뽀로 여인숙 (2000). Sapporo Inn.
  • 내 영화의 주인공 (2001). The Hero of My Movie.
  • A (2010).

Short story collections

  • 루빈의 술잔 (1997). The Glass of Rubin.
  • 옆집 여자 [Yŏpchip yŏja] (1999). The Woman Next Door. Translated by Janet Hong under the title Flowers of Mold (Open Letter, 2019).
  • 푸른 수염의 첫 번째 아내 (2002). Translated by Janet Hong as Bluebeard's First Wife (Open Letter, 2020).
  • 웨하스 (2006). Wafer.
  • 여름의 맛 (2013). Summer Taste.

Other

  • 소망 그 아름다운 힘 (2006). The Beautiful Power of Hope (photos/essays, co-written with photographer Choi Min-sik)
  • 아직 설레는 일은 많다 (2013). I Still Have a Lot of Excitement.

Translated short stories in magazines/journals/anthologies

  • "Waxen Wings".[7] In Waxen Wings: The Acta Korean Anthology of Short Fiction from Korea (1999).
  • "Traversing Afternoon". In Bi-lingual Edition Modern Korean Literature, Vol. 32 (2013).
  • "Joy to the World". In Ricepaper.
  • "The Star-Shaped Stain". In The Malahat Review (2014).
  • "Pinky Finger". In The New Quarterly (2017).
  • "Early Beans". In Korean Literature Now (2017).
  • "Bluebeard's First Wife". In Asymptote (2018).

Awards

gollark: It's kind of dodecahedral to go around complaining about people not understanding you (and implying it's some failure on their part) and then refusing to try explaining it in better ways.
gollark: > oh the obvious reality is that people dont know what they dont know, and even i didnt conclude that, tho i see it now. doesnt keep me from being impatient and getting madMaybe you should try explaining better if you think you have some great insight people do not understand.
gollark: My family has a pet one, but it actually just mostly sits in a rock thing in its terrarium.
gollark: Geckos are really quite cool reptiles.
gollark: Yep!

References

  1. "Ha Seong-nan". Digital Library of Korean Literature.
  2. "Ha Seong-nan" LTI Korea Datasheet available at LTI Korea Library or online at: http://klti.or.kr/ke_04_03_011.do# Archived 2013-09-21 at the Wayback Machine
  3. Ha Seong-nan (1996). "About the Author". Traversing Afternoon. Seoul: Asia Publishers. pp. 105–108. ISBN 978-8994006-96-3.
  4. http://muse.jhu.edu/journals/azalea/summary/v001/1.ha.html
  5. "Naver Search". naver.com. Naver. Retrieved 5 December 2013.
  6. Source-attribution|"Ha Seong-nan" LTI Korea Datasheet available at LTI Korea Library or online at: http://klti.or.kr/ke_04_03_011.do# Archived 2013-09-21 at the Wayback Machine
  7. http://www.ktlit.com/korean-literature/review-of-the-groundbreaking-new-short-fiction-collection-waxen-wings-the-acta-korean-anthology-of-short-fiction-from-korea
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