Guinnevere

"Guinnevere" is a song written by David Crosby in 1968.[1] The song appears on Crosby, Stills & Nash's critically acclaimed eponymous debut album. The song is notable for its serene yet pointed melody and its unique lyrics, which compare Queen Guinevere to the object of the singer's affection, referred to as "m'lady".

"Guinnevere"
Song by Crosby, Stills & Nash
from the album Crosby, Stills & Nash
Released1969
Recorded1969
GenreFolk
Length4:39
LabelAtlantic
Songwriter(s)David Crosby
Producer(s)David Crosby
Graham Nash
Stephen Stills

Composition

In a Rolling Stone interview, Crosby remarked: "That is a very unusual song, it's in a very strange tuning (EBDGAD) with strange time signatures. It's about three women that I loved. One of whom was Christine Hinton - the girl who got killed who was my girlfriend - and one of whom was Joni Mitchell, and the other one is somebody that I can't tell. It might be my best song."[2]

According to Robert Christgau, the song was based on a three-note motif from the 1960 Miles Davis album Sketches of Spain.[3]

Lyrical themes

The song also deals with the importance of freedom. It may have been written about Queen Guinevere from the perspective of a man addressing a woman; it has been speculated that Crosby wrote about her from the perspective of Sir Lancelot of ancient Welsh lore. "Guinnevere" could also be referring to Nancy Ross, who lived with David Crosby and (according to author David McGowan) drew pentagrams on the wall. She would leave Crosby in 1966 for Gram Parsons, who came from big money in Florida, in the orange/citrus business. These facts make the "Nancy Ross" theory more believable: in the song, Crosby sings that Guinnevere "drew pentagrams," and that "peacocks wandered aimlessly underneath an orange tree."[4]

Personnel

Cover versions

Miles Davis recorded a version of the song during a January 27, 1970 session. It was first released, in edited form, on the 1979 compilation Circle in the Round, with a longer version appearing on the 1998 release of The Complete Bitches Brew Sessions. According to David Crosby's 2016 podcast interview with Marc Maron, Davis played it for Crosby at the former's home before releasing it. Crosby did not recognize any resemblance between Davis' version and his composition and Davis kicked him out of his house.[5]

Later in 1970 Herbie Mann recorded a cover version, appearing the next year on his album Memphis Two-Step.

In late 2017 Crosby tweeted that he changed his mind about Miles' recording: "Finally ....after so many years of not getting it ....I listened to Miles and his band doing Guinnevere....and got it..." https://twitter.com/thedavidcrosby/status/946244083554455552

gollark: They're vaguely related, since you can solve lots of linear equations together using matrices.
gollark: Linear algebra is... matrices and stuff, I guess.
gollark: That would be a linear equation.
gollark: I... do not think so.
gollark: It would probably be more useful to spend time learning linear algebra and such.

References
  1. Liner notes for Voyage, disk 3
  2. Greene, Andy (August 18, 2008). "Track by Track: Crosby, Stills & Nash on Their Self-Titled Debut". Rolling Stone. Retrieved August 11, 2018.
  3. Christgau, Robert (1981). Christgau's Record Guide: Rock Albums of the '70s. Da Capo Press. p. 102. ISBN 0306804093.
  4. "Archived copy". Archived from the original on 2015-04-11. Retrieved 2015-04-11.CS1 maint: archived copy as title (link)
  5. http://www.wtfpod.com/podcast/episode-751-david-crosby


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