Go Nagai

Kiyoshi Nagai (永井潔, Nagai Kiyoshi, born September 6, 1945), better known by the pen name Go Nagai (永井 豪, Nagai Gō), is a Japanese manga artist and a prolific author of science fiction, fantasy, horror and erotica.[1] He made his professional debut in 1967 with Meakashi Polikichi, but is best known for creating popular 1970s manga and anime series such as Cutie Honey, Devilman and Mazinger Z. He is credited with creating the super robot genre and for designing the first mecha robots piloted by a user from within a cockpit with Mazinger Z,[2] and for pioneering the magical girl genre with Cutie Honey, the post-apocalyptic manga/anime genre with Violence Jack,[3] and the ecchi genre with Harenchi Gakuen. In 2005, he became a Character Design professor at the Osaka University of Arts. He has been a member of the Tezuka Osamu Cultural Prize's nominating committee since 2009.

Go Nagai
永井豪
Go Nagai at Japan Expo 2008, Paris, France (2008-07-04).
Born
Kiyoshi Nagai (永井潔, Nagai Kiyoshi)

(1945-09-06) September 6, 1945
Wajima, Ishikawa, Japan
NationalityJapanese
OccupationManga artist
Known for
RelativesYasutaka Nagai (brother)
Awards4th Kodansha Manga Award
Shōnen: Susano Oh
25th Japan Movie Critics Awards: Diamond Grand Prize
47th Japan Cartoonists Association Award
Minister of Education, Culture, Sports, Science and Technology Award: All of his works
Japanese name
Kanji永井 豪
Hiraganaながい ごう
Katakanaナガイ ゴウ
WebsiteDynamic Pro Official Site
Go Nagai official site
Go Nagai in his studio, Tokyo, 1987; photo by Sally Larsen

Life

Early life

Go Nagai was born on September 6, 1945[4]—in the Ishikawa Prefecture city of Wajima.[5] He is the son of Yoshio and Fujiko Nagai (永井芳雄・冨士子),[6] and the fourth of five brothers.[7] His family had just returned from Shanghai. While he was still in his early childhood, he along with his mother and his four brothers moved to Tokyo after the death of his father.[5] As a child, he was influenced by the work of Gustave Doré (specifically, a Japanese edition of the Divine Comedy) and Osamu Tezuka (Nagai's brother Yasutaka gave him a copy of Lost World).[8][9][10]

He graduated from the Metropolitan Itabashi High School of Tokyo.[7] While passing his ronin year in a prep school in order to earn placement at Waseda University, he suffered a severe case of diarrhea for three weeks. Aware of his own mortality, he wanted to leave some evidence that he had lived, by doing something that he liked as a child: working on manga. He was determined to create one work of manga in what he thought were his last months.[11] As Nagai prepared for the task, he went to the hospital, where he was diagnosed with catarrh of the colon, and soon healed. But this was the turning point in his life.[11] Convinced that he would continue working on manga, he stopped attending school after three months and started living as a ronin.[11]

With the help of his brother Yasutaka, he created his first manga works.[8][12] Despite the fact that his mother opposed his manga aspirations, he submitted his works for publication, accumulating many rejections.[11] It is said that when the young Nagai submitted his tables to publishers, his mother secretly convinced publishers to reject them.[5][13][14] However, his work was noticed by Weekly Shōnen Sunday, which contacted Shotaro Ishinomori.[12] Thanks to some trial manga he created with the help of Yasutaka, Nagai was finally accepted into the studio of Ishinomori in 1965.[8]

The trial manga was about a science fiction ninja,[10] and was a prototype for a different story, Kuro no Shishi. Nagai was 19 years old when he made this work; it started at 15 or 16 pages and ended up being 88 pages long after a year, and was untitled at that time.[10] Ishinomori saw this work and praised Nagai for it, but commented that the design was too chunky and he should improve it a little. Two or three days later, Nagai was invited to become an assistant to Ishinomori and this work was forgotten until 2007, when it was published in the magazine Comic Ran Twins Sengoku Busho Retsuden (コミック乱 TWINS 戦国武将列伝) by LEED under the name Satsujinsha (殺刃者(さつじんしゃ)).[15] His professional career began in 1967, despite the opposition of his mother.[13]

First works
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After working as assistant of Shotaro Ishinomori, his very first professional manga work was Meakashi Polikichi (目明しポリ吉 also 目明かしポリ吉),[6][5] a very short gag comedy one-shot, published in November 1967 in the magazine Bokura by Kodansha.[16] Almost at the same time, this was followed by the manga adaptation of Tomio Sagisu's TV anime Chibikko Kaiju Yadamon (ちびっこ怪獣ヤダモン, Little Monster Yadamon), also published in 1967 in the same magazine.[17] A common misconception is that Kuro No Shishi (Black Lion) was his first manga work; while not entirely false, what Nagai really made two years earlier than Meakashi Polikichi, was only a draft for what would later be Kuro no Shishi, which would not be actually published until 1978.

His first works consisted entirely of short gag comedy manga. This would change with Harenchi Gakuen.

First success and controversies

In less than a year after debuting, he met with a big success. After being an unknown manga artist, he became a protagonist of televised debates and journalistic investigations.[18]

In 1968, while Shueisha was getting prepared to launch its first manga publication, Shōnen Jump, in order to compete with other magazines from rival companies (like Shōnen Magazine from Kodansha and Shōnen Sunday from Shogakukan), Nagai was invited to be one of the first manga artists publishing in the new magazine. He contemplated this, since he had to design a long-running series instead of the auto-conclusive short stories that he had been developing until that point.[5] He accepted and the series became a big success, being the first for Nagai[19] and making Shōnen Jump sell more than one million copies.[5] With Harenchi Gakuen, Nagai was the first to introduce eroticism in modern manga and became the creator of modern erotic manga,[1][19][20][21][22] opened the door to a new era in manga[21] and also became the symbol of an entire generation.[5] This work has influenced Japanese society radically, completely changing the common perceptions of manga.[23]

Until Harenchi Gakuen, Japanese manga had been relatively tame affairs, but things soon changed.[20] The manga became so popular that several live-action films and TV series based on the manga were developed. Harenchi Gakuen is considered as probably the work that has had the most influence in the world of manga at the end of the 1960s, leading the newly born Shōnen Jump magazine to sell millions of copies per week.[24]

A scandalous manga in its time, it is a very innocent series by today's standards.[24] At the time of its original publication, however, it met with severe criticism by some parts of the Japanese society. Harenchi Gakuen was criticized as vulgar because it introduced overt eroticism to children. Male students and teachers were depicted as being preoccupied with catching glimpses of girls' panties or naked bodies. Many parents, women's associations, and PTAs protested.[25]

In particular, the PTA protests over Harenchi Gakuen were notorious. Nagai was bombarded with interview requests from newspapers, magazines and TV. Whenever he flew outside of Tokyo, TV cameras were waiting for him. He was branded a "nuisance" and even an "enemy of society". He, however, had a clear sense of what things he could or could not do with the manga.[26]

At first, Nagai did not think that the opposition was against him, since he was aware of the standards that applied with movies and similar things for an audience below 18 years old. At that time, he never drew sex scenes, avoided pictures of genitals and made nudes cute rather than sexy,[20] though the manga regularly showed male genitals throughout its run, including a castration scene. His fans supported him throughout the PTA protests. They sent him letters where they expressed how they were aware that the adults cracking down on them were reading raunchier stuff than what Nagai was producing.[20]

The protests were not only against the manga, but also against the TV series. The PTA managed to prevent the distribution of the magazine in some parts of Japan.[18] As a result of the protests, when the series was about to be cancelled because of the PTA, Nagai changed the theme in Harenchi Gakuen into a more mature and serious matter, from nonsense gags with sexy touches, to a full-scale war where murder was depicted in the bloody way for which many know him. This led to the famous ending of Harenchi Gakuen, symbol of freedom and of rejection of the hypocrisy, where all students and teachers, while defending their freedom of expression, are killed by the PTA and other parental forces. This was the ironic answer that Nagai gave to the PTA. (In the end, this was not the actual ending of Harenchi Gakuen, as the title would subsequently return to publication for several years.)[18]

It was also around that time that he created Gakuen Taikutsu Otoko (ガクエン退屈男), also known as Guerrilla High, another school-themed manga, but this time war between youths and adults was the main theme. Shortly before that, in 1969, Abashiri Ikka (あばしり一家) was created. Both titles are a direct result of the PTA protests, both being a form of parody of what happened. Abashiri Ikka became a big success, and along with Harenchi Gakuen, the most popular series of Nagai's juvenile period.[27]

Dynamic Productions

Thanks to the success of Harenchi Gakuen, Dynamic Productions (ダイナミックプロダクション, also known as Dynamic Production or Dynamic Pro, ダイナミックプロ), was founded by Go Nagai with his brothers in April 1969. [28] Meant to be a group to help him with his works, as a consequence Harenchi Gakuen, where he derived almost no royalties from the TV series, films, or related merchandise, Dynamic Productions became a company established to manage Nagai's relations and contractual rights of his work. Dynamic became one of the first companies to require publishers sign contracts (even today many manga are created and published only on the basis of verbal agreements).[5] It would start as a yugen kaisha (limited company) and would change to a kabushiki kaisha (stock company) in 1970.[6]

The same year of the foundation of Dynamic Pro, Ken Ishikawa joined the company. He would become Nagai's second assistant after Mitsuru Hiruta, who had been working with Nagai since the beginnings of Harenchi Gakuen.[6] He would become one of Nagai's regular partners and his best friend. Ken Ishikawa participated as assistant in Harenchi Gakuen, Abashiri Ikka and Gakuen Taikutsu Otoko, particularly in the last one. In parallel with those activities as assistant, he co-produces with Go Nagai what would be in fact his professional debut in manga, Gakuen Bangaichi (1969-09-08 ~ 1970-09-22), and also his second manga, Sasurai Gakuto (1970-01 ~ 1970-05). He temporarily quit Dynamic Productions in 1970. This prompted Nagai to end Gakuen Taikutsu Otoko and the story of this series would be left inconclusive.

Change in genres

Even with the changes in Harenchi Gakuen and other series, Nagai remained writing mostly gag comedies, varying only in the thematic. With the success of Harenchi Gakuen and Abashiri Ikka, most editors expected this kind of story from Nagai. This would start to change in 1970, with the one-shot Oni -2889 Nen no Hanran-, which tells a science fiction story set in the year 2889 about a war between the race of Onis (who in this story are treated as a lower class) and the human beings. After this, in 1971 came the horror one-shot Susumu-chan Dai Shock about a violent collapse of the parent-child relationships. A series of horror one-shots would follow, in the series called Gensou Kyofu e Hanashi (幻想恐怖絵噺), which comprehends Africa no Chi (an original story of Yasutaka Tsutsui), Schalken Gahaku (based in the famous story Strange Event in the Life of Schalken the Painter by Joseph Sheridan Le Fanu) and Kuzureru. A little before that, Nagai would be given the chance to write a full serial of an occult horror story called Mao Dante, which would in turn mark the beginning of his most famous horror work, Devilman.

Style and works

In his series Harenchi Gakuen (ハレンチ学園, Shameless School, 1968–1972, Weekly Shōnen Jump magazine) Nagai used eroticism and extreme, graphic violence in kid's manga for the first time in Japan, thus breaking taboos and becoming quite controversial.[1] His use of violence and gross humour was widely loathed in many corners of Japan's society and became a concern for many PTAs at the time. The series temporary ended dramatically when all the characters died during a massacre. This type of content would be a trend in most of Nagai's later work and in those of other directors such as Yoshiyuki Tomino. A Harenchi Gakuen live-action TV series followed in the early 1970s, as well as several other live-action movies and an OVA version (Heisei Harenchi Gakuen, or "Modern-Day Shameless School") in the mid-1990s.

In 1970, Go Nagai started a company, Dynamic Productions, to fund his manga and anime ventures. Dynamic Productions' first titles were Getter Robo and Abashiri Ikka (あばしり一家, Abashiri Family).

After Harenchi Gakuen Nagai created the Mazinger Z (マジンガーZ) series, later expanded into Great Mazinger, Grendizer, and - many years later - Mazinkaiser, where he developed the concept of giant mecha. Mazinger was the first manga where a giant robot was piloted by the hero, thus creating one of the biggest staples of the industry. Mazinger is considered the first successful "Super Robot" anime show, and has spawned numerous imitations.

Simultaneously to Mazinger, he created one of his most popular manga, Debiruman (デビルマン, Devilman), about a demonic hero fighting against hordes of demons. Nagai also turned Devilman into an anime series which was less violent and gritty than the manga. Years later Nagai revamped this popular series by introducing the main character as a female and altering the storyline. This series is called Devilman Lady (デビルマンレディー, Devil Lady in the US). It was first released as a manga and later animated. Go Nagai considers the Devilman and Mazinger series to be his life's work due to their massive popularity all over the world. In 1972, Nagai managed the very difficult feat of both drawing and writing five weekly manga publications at the same time, an accomplishment only equalled by other manga artists Shinji Mizushima and George Akiyama.[29]

A month later after finishing Devilman, Nagai would create a sequel to it called Violence Jack (ヴァイオレンス ジャック), another long-running series that spanned multiple volumes and dealt with a giant brute of a man fighting for justice in a post-apocalyptic setting where Japan has been devastated by a massive earthquake and isolated from the rest of the world.

One of Nagai's most popular works outside of his fanbase has been Cutey Honey, considered to be one of the first "magical girl" comics and a major influence on future series in the genre (in particular Sailor Moon). Nagai had less success a few years later with Majokko Tickle, a more traditional magical-girl series for younger children, although the accompanying anime was popular on TV in some European countries.

In 1980, he received the 4th Kodansha Manga Award for shōnen for Susano OH.[30]

Nagai has worked with Shotaro Ishinomori and Ken Ishikawa. He is currently being more prolific in manga production than ever. Much of Nagai's work has been adapted into anime and tokusatsu. Nagai has made cameo appearances in some of his live-action adaptations of his work, including The Toxic Avenger Part II, the Cutie Honey 2004 live action film, and in a special DVD-only episode of Cutie Honey: The Live as Dr. Koshiro Kisaragi.

Assistants

Success abroad

In Italy, France, and the Middle East, Grendizer was very popular when it aired. In Spain, a Mazinger Z statue has been erected in Tarragona.

Legacy

Nagai is credited with pioneering the super robot genre with Mazinger Z and the magical girl genre with Cutie Honey.[3] Violence Jack also created the post-apocalyptic manga and anime genre. Its desert wasteland setting had biker gangs, anarchic violence, ruined buildings, innocent civilians, tribal chiefs, and small abandoned villages. This was similar to, and may have influenced, the desert wasteland settings of later post-apocalyptic franchises such as the Australian film series Mad Max (1979 debut) and the Japanese manga and anime series Fist of the North Star (Hokuto no Ken, 1983 debut).[31][32][3]

Anime director Hideaki Anno (Evangelion) cited Devilman and Mazinger as a source of inspiration for Evangelion during a conversation between him and Go Nagai published in Devilman Tabulae Anatomicae.

In an interview in the booklet that comes in the premium Blu-ray edition of Dororon Enma-kun Meeramera, the animation director Takahiro Kimura claims to be a Go Nagai fan since he was a child and that Dororon Enma-kun was his favourite.

Manga artist Kentaro Miura (Berserk) claims that he likes Go Nagai's dynamic style and that Nagai had a big influence on him, in an interview which was included as an extra in the fourth volume of the North American DVD release by Media Blasters in 2002.[33]

Movie director Yoshihiro Nishimura (Tokyo Gore Police) claimed that he's a fan of Go Nagai's works in an interview with Sancho Asia and said that he wants to re-adapt Devilman into a live action movie since he did not like the 2004 live action Devilman adaptation by Hiroyuki Nasu.[34] In another interview by Screen Anarchy, he also said that he wanted to adapt Violence Jack into live action.[35]

Scriptwriter Kazuki Nakashima is also familiar with his works. "In particular, I read everything by Go Nagai, from his debut works and then when I was in middle school his work Devilman really struck me. I felt like I was maturing along with the development of the writer himself."[36]

Japanese novelist, visual novel writer, and anime screenwriter Gen Urobuchi explained that Devilman made him realize that bittersweet endings are the best ones.[37]

According to an interview between an Italian gaming website, geekgamer.it and Shadow Hearts video game series creator Matsuzo Machida, the latter was inspired by the works of Go Nagai and Keisuke Fujikawa (Mazinger Z screenplay).[38]

Videogame designer, writer, and director Goichi Suda cites two works of Go Nagai, Violence Jack and Susano Oh as his favorite manga.[39]

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gollark: One way would be to just *randomly* consume your krist with some low probability instead of using it on whatever, but that would be unpopular and also these will be deterministic.
gollark: Although without fractional krist you probably can't pass it onto users very well.
gollark: They can just pass it onto users and document this.
gollark: Actually, I think billing the v-script creator would work fine.

References
  1. Lambiek Comiclopedia. "Comic Creator: Gô Nagai". Lambiek. Retrieved March 13, 2008.
  2. Mark Gilson, "A Brief History of Japanese Robophilia", Leonardo 31 (5), pp. 367–369 [368].
  3. Gabrielli, Ettore (28 September 2012). "40 anni di Devilman". Lo Spazio Bianco (in Italian). Retrieved 24 May 2020. Eppure senza le sue opere una grossa fetta dell’immaginario popolare non sarebbe la stessa, dai robottoni (che si apprestano a invadere anche i cinema grazie a Guillermo del Toro e al suo Pacific Rim) alle maghette (i Mahō shōjo) delle quali Cutie Honey è antesignana; senza dimenticare le influenze, o quanto meno l’anticipazione di certe tematiche, come l’ambientazione post-olocausto di Violence Jack (1973), che precede di diversi anni film come Mad Max (1979) o fumetti come Ken il Guerriero (1983).
  4. Patten, Fred (2004). "Hypersexual Psychoviolence! The Dynamic World of Go Nagai". Watching Anime, Reading Manga. Stone Bridge Press. p. 194. ISBN 978-1-880656-92-1.
  5. "L'autore Go Nagai" (in Italian). D/visual. March 3, 2007. Archived from the original on April 20, 2008. Retrieved March 29, 2008.
  6. "GO HISTORY" (in Japanese). The World of Go Nagai. Retrieved May 15, 2008.
  7. "Happywedding Go & Sumiko" (in Japanese). The World of Go Nagai. Retrieved March 29, 2008.
  8. "Go Nagai - Il potere e la gloria" (in Italian). Il potere e la gloria. Archived from the original on June 6, 2008. Retrieved March 29, 2008.
  9. Rafaelli, Luca. "La parola al papá di Goldrake - Colloquio con Go Nagai" (in Italian). La Repubblica - Gruppo Editoriale L'Espresso. Archived from the original on June 10, 2008. Retrieved March 29, 2008.
  10. "Manga Kakumei 40 Nen Nagai Go Tokushu". Gag, serious, SF, Fantasy Nadode Fan Miryo (in Japanese). Nikkan Sports News. Retrieved April 2, 2008.
  11. "7 & Y - Nagai Go Debut 40 Shunen Kinen Kikaku Nagai Go Senshu" (in Japanese). Seven and Y Corp. Archived from the original on January 12, 2013. Retrieved March 29, 2008.
  12. Scalambra, Giovanni (March 11, 2002). "Il grande Go Nagai" (in Italian). Divertimento.it - NEXTA Media Srl. Archived from the original on June 5, 2008. Retrieved March 29, 2008.
  13. Crispino, Susanna (May 26, 2007). "La Sirena a strisce. Il Comicon, festival internazionale del fumetto e dell'animazione" (in Italian). Whipart Onlus. Retrieved March 29, 2008.
  14. Di Pino, Angelo (May 22, 2007). "Go Nagai...intervista integrale" (in Italian). CartoonMag. Archived from the original on June 4, 2013. Retrieved March 29, 2008.
  15. "Hikken - Mazinger Z, Devilman, Cutie Honey Nado Kyosho - Nagai Go, 40 nen Bun no Sakuhingunga Ichido Ni" (in Japanese). Trendy.net - Nikkei Business Publications. December 26, 2007. Retrieved April 2, 2008.
  16. "Kodansha magazine" (in Japanese). The World of Go Nagai. Retrieved January 25, 2008.
  17. "Yadamon" (in Japanese). The World of Go Nagai. Retrieved January 25, 2008.
  18. Colpi, Federico (1996). "SERIE TV - L'autore". Il mondo di Go Nagai (in Italian). Dynamic Italia Srl. Retrieved April 11, 2008.
  19. "Harenchi Gakuen" (in Spanish). Mision Tokyo. Retrieved April 12, 2008.
  20. Connel, Ryan (March 30, 2007). "40-year veteran of ecchi manga Go Nagai says brains more fun than boobs". Mainichi Newspapers Co. Archived from the original on April 17, 2008. Retrieved April 12, 2008.
  21. "Tezuka Osamu @ World - Manga works". The Song for Apollo. Tezuka Productions. March 30, 2007. Archived from the original on March 23, 2008. Retrieved September 21, 2008.
  22. "Harenchi Gakuen : Il manga". Gonagainet. August 24, 2007. Retrieved September 21, 2008.
  23. "Nagai Go (Science Fiction and Fantasy Writers of Japan)". Science Fiction and Fantasy Writers of Japan. Retrieved April 15, 2008.
  24. "HARENCHI GAKUEN / SCUOLA SENZA PUDORE" (in Italian). d/visual. Archived from the original on June 6, 2008. Retrieved April 12, 2008.
  25. Ito, Kinko (February 2005). "A History of Manga in the Context of Japanese Culture and Society". The Journal of Popular Culture. 38 (3): 456. doi:10.1111/j.0022-3840.2005.00123.x.
  26. Alt, Matt (June 16, 2007). "Go Monkey - a short excerpt of the Monkey Punch interview by Go Nagai". Retrieved April 12, 2008.
  27. "Abashiri ikka" (in Italian). d/visual. Archived from the original on May 17, 2008. Retrieved April 15, 2008.
  28. "Dynamic Pro Company Overview" (in Japanese). Dynamic Production. 2007. Retrieved May 15, 2008.
  29. Mandana Tsushin Blog. "The Busiest Mangaka Ever: Go Nagai". ComiPress. Retrieved March 6, 2008.
  30. Joel Hahn. "Kodansha Manga Awards". Comic Book Awards Almanac. Archived from the original on August 16, 2007. Retrieved August 21, 2007.
  31. "Avis sur la série Violence Jack (1986)". SensCritique (in French). June 30, 2011. Retrieved 22 May 2020. Violence Jack a certainement du influencer beaucoup d'œuvres (le manga papier étant tout de même de 1973), comme Mad Max ou encore Hokuto no Ken. Les motards, la violence, les décors détruits, le désert, les innocents, les ignobles chefs de "tribus", les petits villages abandonnés... tous les codes y sont.
  32. Romano, Sal (9 April 2018). "Interview: Travis Strikes Again: No More Heroes' Suda 51 at PAX East 2018". Gematsu. Retrieved 22 May 2020.
  33. "Berserk - Interview with Kentaro Miura: Part 3 (of 3)". October 7, 2008 – via YouTube.
  34. "Yoshihiro Nishimura & Yumiko Hara - Cinéma Asiatique, Cinémas d'Asie et d'ailleurs : Sancho does Asia". www.sancho-asia.com.
  35. "An Interview with TOKYO GORE POLICE Director Yoshihiro Nishimura". ScreenAnarchy. October 28, 2008.
  36. "Artist Interview: Kazuki Nakashima (Gekidan Shinkansen) | Performing Arts Network Japan". performingarts.jp.
  37. "[Report] Urobuchi Gen and Kosaka Takaki at the French con Epitanime 2013: 19th of May". May 31, 2013.
  38. "Intervista a Matsuzo Machida e Miyako Kato: il duo creativo della serie Shadow Hearts". January 2, 2016.
  39. Ming, Nate. "SUDA STRIKES AGAIN! An Interview with Suda51". Crunchyroll.
  • Go Nagai (Science Fiction and Fantasy Writers of Japan)
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