Glenn Frankel

Glenn Frankel is an author, academic and winner of the 1989 Pulitzer Prize for International Reporting.[1] He spent 27 years with The Washington Post, where he was bureau chief in Richmond (Va.), Southern Africa, Jerusalem and London, and editor of The Washington Post Magazine.[2] He served as a visiting journalism professor at Stanford University and as Director of the School of Journalism at the University of Texas at Austin.[3] Author of four books, his latest works explore the making of an iconic American movie in the context of the historical era it reflects. In 2018 Frankel was named a Motion Picture Academy Film Scholar.[4]

Background

Frankel was born in the Bronx, N.Y., on Oct. 2, 1949, grew up in Rochester, N.Y., and graduated from Columbia University in 1971. He began his journalism career in 1973 as a staff writer for the Richmond Mercury (Virginia). After the Mercury ceased publication in 1975, he joined the Bergen Record in Hackensack, N.J. In 1979, he joined the Metro staff of The Washington Post. After spending the 1982-3 academic year as a Professional Journalism Fellow at Stanford University he became the Post's Southern Africa bureau chief, based in Harare, Zimbabwe, where he covered famine, war, and the struggle against South Africa's apartheid regime.[5] In 1986 he moved to Jerusalem, where he won the Pulitzer Prize for "sensitive and balanced coverage" of the first Palestinian uprising.[6] From 1989 to 1992 he served as the Post's London bureau chief, covering the political demise of Margaret Thatcher, the aftermath of the fall of the Berlin Wall and the first Gulf War. He returned to The Washington Post newsroom in 1993 where he served as Deputy National News Editor and editor of Post's Sunday magazine, after which he returned to London for a second term as bureau chief. After leaving the Post in 2006, he spent four years as the Lorry Lokey Visiting Professor in journalism at Stanford, serving as faculty advisor to the Stanford Daily and The Real News, Stanford's only African-American news publication.[7] From 2010 to 2014 he served as G.B. Dealey Regents Professor in Journalism at UT Austin and director of the School of Journalism.[8] Besides writing for the Washington Post, Frankel's work has appeared in Vanity Fair, The Wall Street Journal, Politico, Mother Jones, New Statesman, Moment magazine, and several anthologies.[9]

Books

Frankel's first book, Beyond the Promised Land: Jews and Arabs on the Hard Road to a New Israel (Simon & Schuster, 1994),won the 1995 National Jewish Book Award in the Israel category.[10] His second, Rivonia's Children: Three Families and the Cost of Conscience in White South Africa (Farrar, Straus, and Giroux, 1999) was a finalist in 2000 for the Alan Paton Award, South Africa's highest literary prize for non-fiction. He was awarded an Alicia Patterson Journalism Fellowship for book research.[11]

The Searchers: The Making of an American Legend (Bloomsbury, 2013) was a New York Times and Los Angeles Times bestseller and a finalist for the 2013 L.A Times Book Prize.[12][13] It was named one of Library Journal's Top Ten Books of 2013 and won the Richard Wall Memorial Award for exemplary research from the Theatre Library Association.[14][15]

High Noon: The Hollywood Blacklist and the Making of an American Classic (Bloomsbury, 2017) was an L.A Times bestseller.(citation) "Frankel reviews the now familiar history of the blacklist with grace and accuracy," wrote an L.A. Times Review.[16] "His descriptions of witness testimony are particularly vivid...Fascinating."[17]

Frankel was named a 2018 Motion Picture Academy Film Scholar and awarded a $25,000 grant to aid his research for his book project on New York in the 1960s and the making of Midnight Cowboy, scheduled for publication in 2021 by Farrar, Straus and Giroux.[18]

gollark: It's not, children will get bored simulating Turing machines.
gollark: But they're not literal children. Those cost lots.
gollark: Why have children? Caring for children takes up valuable time and money you could use on esolangs development.
gollark: Us is we.
gollark: *is older than LyricLy*

References
  1. "The 1989 Pulitzer Prize Winner in International Reporting". The Pulitzer Prizes. 2019. Retrieved 2019-08-18.
  2. "Biography". Glenn Frankel. Retrieved 2019-08-18.
  3. "School of Journalism director Glenn Frankel to leave UT after 2013-2014 academic year - The Daily Texan". dailytexanonline.com. Retrieved 2017-02-11.
  4. "The Academy Announces 2018 Film Scholars Grant Recipients". Oscars.org. June 20, 2018. Retrieved 2019-08-18.
  5. "Class of 1983". John S. Knight Journalism Fellowships at Stanford. Retrieved 2019-08-18.
  6. "1989 Pulitzer Prizes". The Pulitzer Prizes. Retrieved 2019-08-08.
  7. "Glenn Frankel named director of journalism school at U. of Texas - academicjobs.net". www.academicjobs.net. Retrieved 2019-08-18.
  8. Pulitzer Prize Winner Named UT School of Journalism Director
  9. "Glenn's Articles". glennfrankel. Retrieved 2019-08-18.
  10. "Past Winners". Jewish Book Council. Retrieved 2019-08-18.
  11. "Fellows | Alicia Patterson Foundation". aliciapatterson.org. Retrieved 2019-08-18.
  12. "BIO". glennfrankel. Retrieved 2019-08-18.
  13. Hoffert, Barbara. "Finalists Announced for Los Angeles Times Book Prizes". Library Journal. Retrieved 2019-08-18.
  14. "BIO". glennfrankel. Retrieved 2019-08-18.
  15. Association, Theatre Library (2014-09-13). "TLA Announces 2013 Book Award Winners". Theatre Library Association. Retrieved 2019-08-18.
  16. "Refugees and free speech: How Hollywood classics 'Casablanca' and 'High Noon' were shaped by politics". Los Angeles Times. 2017-02-24. Retrieved 2019-08-18.
  17. "Refugees and free speech: How Hollywood classics 'Casablanca' and 'High Noon' were shaped by politics". Los Angeles Times. 2017-02-24. Retrieved 2019-08-18.
  18. "THE ACADEMY ANNOUNCES 2018 FILM SCHOLARS GRANT RECIPIENTS". Oscars.org | Academy of Motion Picture Arts and Sciences. 2018-06-20. Retrieved 2019-08-18.
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