Glaucus of Corinth

In Greek and Roman mythology, Glaucus (/ˈɡlɔːkəs/; Ancient Greek: Γλαῦκος Glaukos means "greyish blue" or "bluish green" and "glimmering") was a son of Sisyphus whose main myth involved his violent death as the result of his horsemanship. He was a king of Corinth[1] and the subject of a lost tragedy by Aeschylus, Glaucus Potnieus (Glaucus at Potniae),[2] fragments of which are contained in an Oxyrhynchus Papyrus.[3]

For other uses, see Glaucus (mythology).

Biography

The mother of Glaucus was Merope, a daughter of Atlas and one of the Pleiades.[4][5][6] By marrying Sisyphus, she became the only one of the Pleiades to mate with a mortal.

At first Sisyphus had tried to arrange a marriage for Glaucus with the shape-shifting Mestra, a daughter of Erysichthon, but despite the payment of valuable bride-gifts, she eluded the marriage and was taken to an island by Poseidon.[7][8] Glaucus then married a daughter of Nisus named Eurymede[9] or Eurynome.[10] Zeus had declared that Glaucus would sire no children even by his own wife, perhaps because of his violations against Aphrodite. While Eurynome gave birth to the famed hero Bellerophon, Poseidon is usually seen as the true father.[8][11][12] The Iliad, however, names Glaucus as Bellerophon's father.[13] The equine theme continues: Poseidon was associated with horses, and Bellerophon was the rider of the winged horse Pegasus.

Glaucus succeeded Sisyphus to the throne of Ephyra, the city he had built, which later became Corinth. He was the ancestor of the Glaucus in the Iliad.[14]

Mythology

Glaucus took part in the funeral games organized in honor of Pelias by his son Acastus, the famous Athla epi Pelia in which some of the foremost heroes of Greece competed, including the Argonauts.[15] Glaucus lost to Iolaus in the chariot race. A fragment from Aeschylus's tragedy has sometimes been taken to mean that Glaucus died in a chariot accident on the way home, but it seems more probable that the accident occurred during the race.[15] According to Pausanias,[16] Glaucus haunted the Isthmian Games as a form of Taraxippus, because he was killed by his horses during the funeral games.

There are two main traditions concerning the death of Glaucus.[17] In one, he feeds his mares on human flesh in order to make them fierce in battle, but at the games he has no supply for them, and they turn on their master and devour him instead.[8][18][19][20] Servius, however, regards Glaucus as a doublet of Hippolytus: he offended the goddess Aphrodite (Venus) either by keeping his mares from mating in order to preserve their speed,[8][21] or by scorning her in general.[22] The goddess then brings retribution upon him through his horses.[23] In other sources, the mares are driven into their man-killing frenzy by consuming either an herb in their Boeotian pasture at Potniae[8][24][25] or water from a toxic well.[26][27][28] Gilbert Murray saw Hippolytus, Glaucus and their ilk as undergoing sparagmos as vegetation deities.[29]

In the Georgics, Vergil casts the neglect of Venus as preventing the mares from mating.[30] That the Romans considered mating a hazard of horse husbandry is indicated by a strange anecdote from Vergil's older contemporary Varro: when a stallion kept refusing to mate, the handler succeeded by covering its head; when uncovered, the stallion attacked him and killed him by biting.[31]

Notes
  1. Gilbert Murray, The Eumenides of Aeschylus (Oxford University Press, 1925), p. 15.
  2. A.F. Garvie, Aeschylus: Persae (Oxford University Press, 2009), p. xliii.
  3. H.D. Broadhead, The Persae of Aeschylus (Cambridge University Press, 1960), p. lviii.
  4. Asclepiades 12F1
  5. Homer, Iliad 6.154–155 (Merope is not named)
  6. Pseudo-Apollodorus, Bibliotheca 1.9.3
  7. Hesiod, Ehoiai frg. 43a 2–83
  8. Hard, Robin (2004). The Routledge Handbook of Greek Mythology. 29 West 35th Street, New York, NY 10001: Taylor & Francis Group. pp. 433, 663. ISBN 0-203-44633-X.CS1 maint: location (link)
  9. Pseudo-Apollodorus, Bibliotheca 1.9.3
  10. Hyginus, Fabulae 157
  11. Hesiod, frg. 43a 2–83
  12. Pindar, Olympian Ode 13.66–69
  13. Homer, Iliad 6.154
  14. Lowell Edmunds, Approaches to Greek Myth (Johns Hopkins University Press, 1990), p. 13.
  15. Garvie, Aeschylus: Persae, p. xliv.
  16. Pausanias, Graeciae Descriptio 6.20.10–19, as noted by Stephen G. Miller, Arete: Greek Sports from Ancient Sources (University of California Press, 2004), p. 56.
  17. Katharina Volk, Vergil's Georgics (Oxford University Press, 2008), p. 60.
  18. As recorded by Probus and attributed to Asclepiades Tragilensis; Volk, Vergil's Georgics, p. 60
  19. Hyginus, Fabulae 250
  20. Pausanias, Graeciae Descriptio 6.20.19
  21. Vergil, Georgics 3.266–288, with Servius's note to line 268
  22. Hard, Robin (2004). The Routledge Handbook of Greek Mythology. 29 West 35th Street, New York, NY 10001: Taylor & Francis Group. p. 432. ISBN 0-203-44633-X.CS1 maint: location (link)
  23. Volk, Vergil's Georgics, p. 60.
  24. Scholium to Euripides, Orestes 318; "Porniades" in Et. Magn.
  25. Pliny the Elder, Naturalis Historia 25.94
  26. Hard, Robin (2004). The Routledge Handbook of Greek Mythology. 29 West 35th Street, New York, NY 10001: Taylor & Francis Group. pp. 432, 663. ISBN 0-203-44633-X.CS1 maint: location (link)
  27. Servius, note to Aeneid 268
  28. Pausanias, Graeciae Descriptio 9.8.1
  29. Gilbert Murray, Aeschylus: The Creator of Tragedy (Oxford: Clarendon Press, 1940), p. 113.
  30. Vergil, Georgics 3.266–268
  31. Varro, On Agriculture 2.7.9
gollark: Inevitably, and inescapably.
gollark: `the Macron programming language, by LyricLy Christina #vfxfriday 20 megapixels`
gollark: `fox in temperate forest summer Renaissance painting`
gollark: This is as a Renaissance painting or something.
gollark: I should make it make Macron.

References
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