Giuseppe Antonio Torricelli

Giuseppe Antonio Torricelli (1662–1719) was an Italian sculptor and gem-engraver of the late Baroque active in Florence, often using colorful and semi-precious pietra dura, a type of workmanship that became a specialty of Florence. He initially trained with Gaetano Giulio Zumbo. During his lifetime, worked under the supervision of Giovanni Battista Foggini, the master sculptor of the duchy. His masterpiece is the elaborate bust of Vittoria della Rovere (made from chalcedony (face), sardonyx (pupils), Sicilian jasper (lips), and black touchstone (bodice and veil). This project alone took nearly two decades to complete (1696–1713). It ultimately lacks the majesty of marble, and has the appearance of a wax museum portrait. It is found presently in Museo degli Argenti in Florence.

Vittoria della Rovere

Sources

  • Gli Ultimi Medici, Review by Peter Cannon-Brookes, in The Burlington Magazine, 1974, p 777-80.
  • Bruce Boucher (1998). Italian Baroque Sculpture. Thames & Hudson, World of Art. pp. 81–82.
gollark: Nope. The mage who erased knowledge of magical lacemaking restricts the supply.
gollark: Yes, like cereal bars. Not that you're capable of understanding that now.
gollark: I'm sure you'd like to think so.
gollark: *And* to erase the idea of ever doing the same thing from almost everyone else.
gollark: Evidently, the first person to realize the power of lace (and cereal bars) achieved financial domination over things via lace wealth, while using mind magic things to prevent knowledge of their secret lace-making activities from existing.
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