Gil-Pérès

Gil-Pérès, real name Jules-Charles Pérès Jolin, (9 July 1822 – 30 January 1882) was a 19th-century French stage actor and vaudevilliste, who was a member of the troupe of the Théâtre du Palais-Royal in Paris in the mid-19th century, and created several roles in Offenbach operettas.

For other people with the same name, see Pérès.
Gil-Pérès
Gil-Pérès in the role of Cascaro (Les trois fils de Cadet-Roussel) : portrait by Lhéritier (1860)
Born
Jules-Charles Pérès Jolin

9 July 1822
Paris
Died30 January 1882(1882-01-30) (aged 59)
Vanves
OccupationStage actor

He was also noted for his collaboration in the plays of Labiche, often as servants.

He was buried in Passy Cemetery, where his epitaph is « le connaître, c’était l’aimer » ("to know him was to love him"); the monument was by Amédée Donatien Doublemard.[1]

He is portrayed in the 1977 French television series 'Les Folies Offenbach' by Christian Marin.

Some roles
  • 1852 (8 May): Les Suites d'un premier lit, one-act comedy mingled with songs by Eugène Labiche, Théâtre du Vaudeville : Piquoiseau
  • 1854 (9 September) : Le Baiser à l'étrier, vaudeville in one act by Edouard Brisebarre, Eugène Nyon, Théâtre du Palais-Royal
  • 1857 (26 January) : Le Bras d'Ernest, vaudeville, Théâtre du Palais-Royal : title role
  • 1860 : Les Trois Fils de Cadet-Roussel by Michel Delaporte, Charles Varin and Paul Laurencin, Théâtre du Palais-Royal
  • 1861 : La Beauté du diable, vaudeville in 3 acts by Eugène Grangé and Lambert-Thiboust, Théâtre du Palais-Royal : La Roussotte
  • 1863 (9 May): Le Brésilien, comedy by Henri Meilhac and Ludovic Halévy, Théâtre du Palais-Royal[2]
  • 1864 (21 December): Le Photographe, comédie-vaudeville by Henri Meilhac and Ludovic Halévy, Théâtre du Palais-Royal [3]
  • 1865 : La Succession Bonnet; comédie-vaudeville, by the duc de Morny, with a rondeau for Gridou (Gil-Pérès) by Offenbach, Corps législatif[4]
  • 1866 (2 May) : Le Myosotis, vaudeville in one act, by William Busnach, music by Charles Lecocq, Théâtre du Palais-Royal : Cornillon
  • 1866 (31 October): La Vie parisienne, opéra-bouffe by Jacques Offenbach, libretto by Henri Meilhac and Ludovic Halévy, Théâtre du Palais-Royal:[5] Bobinet
  • 1868 (6 May): Le château à Toto, opéra bouffe in three acts, music by Offenbach, libretto by Henri Meilhac and Ludovic Halevy, Théâtre du Palais-Royal: Le Baron de Crécy-Crécy
  • 1874 (2 April) : Le Homard, vaudeville in one act, by Edmond Gondinet Théâtre du Palais-Royal : Romanèche
  • 1874 (24 November) : La Boule, comédie in four acts, by Henry Meilhac and Ludovic Halevy, Théâtre du Palais-Royal : La Musardière
gollark: So just make it denser and have better transport.
gollark: Indeed.
gollark: If there was more of it, it would presumably cost less.
gollark: Redistributing the existing housing isn't much of a solution if there simply is not enough where people want it.
gollark: I've played city-building games. This is very simple. You just click the zoning button and paint high-density residential.

References
  1. Cimetières de France page for GIL-PERÈS accessed 20 May 2016
  2. Henri Meilhac et Ludovic Halévy, Théâtre vol. V, Calmann-Lévy, 1900 (p. 367-424).
  3. Henri Meilhac and Ludovic Halévy, Théâtre vol. VII, Calmann-Lévy, 1902.
  4. Yon, Jean-Claude. Jacques Offenbach. Editions Gallimard, Paris, 2000, p297.
  5. Henri Meilhac et Ludovic Halévy, La Vie parisienne, Michel Lévy frères, 1867 (2nd edition).
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