George Anne Bellamy

George Anne Bellamy (née O'Hara; 23 April 1731 – 16 February 1788) was an Irish actress. She took leading roles at Theatre Royal, Drury Lane

George Anne Bellamy
by F Lindo
Born23 April, 1731
County Fingal
Died16 February, 1788
London
NationalityIreland
EmployerDrury Lane Theatre

Her success was rapid, participating in the rivalry for popular favor in Romeo and Juliet in 1750, playing with Garrick at Drury Lane,[1]while Barry and Mrs. Cibber played at Covent Garden. She was thought the more charming of the Juliets. Mrs. Bellamy was popular and she was received in the best society. She forfeited her reputation by her liaisons.[2]

Her last appearance was at Drury Lane on 24 May 1785 in her own benefit concert. She was unable to act, but spoke a short address to the audience.[2] The same year she published "An Apology for the Life of George Anne Bellamy" in six volumes.[3] The salacious work was said to be ghost written by Alexander Bicknell.[4]

She lost her beauty early, and her later life was unhappy due to her extravagance and recklessness.

She died in poverty in 1788[5] in Edinburgh.[6]

Biography

Bellamy was born, by her own account, at Fingal, Ireland on St. George's Day 1731.

"George Anne" was a name given by mistake for Georgiana. Officially George Anne Bellamy, she decided to keep this name and use it in her professional career. She was the daughter of minor actress, Mrs Bellamy, (née Seal) and James O'Hara, 2nd Baron Tyrawley, and was educated by him.[2]

David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii

Devastated that he was not her biological father, he left England and ceased all communication with her mother.

Bellamy was put out to nurse until she was two and then between ages four and eleven, she was enrolled in a convent in Boulogne. She spent most of her childhood moving between places. When she wasn't in school, she spent her time living with various carers and family members. She was given an annual allowance of 100l by her father on the condition that she did not see her mother, who eventually convinced her to move back in with her which caused her allowance to be withdrawn.

Despite a highly successful career, she lived a very tumultuous life, plagued by debt and misfortune. When she passed away, she had little money to her name and was living under the rules of the King's bench prison in her final residence in Eliot's Row, St George's Fields. [7]

Career

It was during the period where she was living with her mother that she met Mr. Rich of Covent Garden Theatre as well as his daughters. By chance, Mr. Rich heard her reciting passages from Othello one day while playing with his daughters. Impressed, he engaged her as a performer and made her professional debut on 22 November 1744, aged thirteen playing Monimia in The Orphan . Prior to her professional debut, she had already performed in Covent Garden in one of her very first roles, a non-speaking part as the servant to Colombine in the Harlequin Barber in 1741. In 1745, she was engaged by Mr. Sheridan and accompanied him to Dublin, Ireland as a theatrical recruit, where she remained for two seasons. She returned to England in 1748 and spent the next few years performing between Covent Garden and Drury Lane. Between 1760 and 1764, she mainly performed in Dublin and Glasgow. She officially retired from the stage in 1784 and passed away four years later on 16 February 1788.

One of her most significant roles was Juliet in Shakespeare's Romeo and Juliet, which she performed during the "Battle of the Romeos" [8]. The Battle of Romeos was a period of twelve days in 1750 where both Covent Garden and Drury Lane theatre put on productions of Romeo and Juliet simultaneously. In Covent Garden it was David Garrick and Bellamy while Drury Lane had Spranger Barry and Susannah Cibber playing the title roles. At age nineteen, Bellamy was said to be the more successful Juliet compared to Cibber, an already well-established tragic actress. "Several critics found Bellamy, young and beautiful, more physically appropriate for Juliet and more pleasing in the first half of the play" [9]

Bellamy was known for being very strong willed and some suggested that her deterination contributed to her success as much as her acting abilities. One such example was when Miss Wilford was cast as Cordelia. Bellamy, unhappy with decision, decided to take matters into her own hands and created and distributed hand-out sheets to the audience, stating that the role had been taken from her the night before. Aware that Miss Wilford had previously not been well received in this particular role, she put onto the hand-out that should the audience prefer, she would be ready to step into the role. As the curtain rose, the audience called so loudly for Bellamy that Wilford had no choice but to hand over the role.

Bellamy had a successful career that although began by luck, was subsequently built on talent, hard work and determination.

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References
  1. "David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii - Benjamin Wilson - Google Arts & Culture". Google Cultural Institute. Retrieved 2018-07-16.
  2. The New International Encyclopædia - Bellamy, George Anne
  3. George Anne Bellamy, An Apology for the Life of George Anne Bellamy, late of Covent Garden Theatre, Written by Herself (six volumes, London, 1785)
  4. Webb, Alfred. A Compendium of Irish Biography.
  5. "CollectionsOnline | G0054". garrick.ssl.co.uk. Retrieved 2018-07-16.
  6. "George Anne Bellamy". www.libraryireland.com. Retrieved 2018-07-16.
  7. Heddon, Deirdre E. (2004). "Bellamy, George Anne". Oxforf University Press. doi:10.1093/ref:odnb/2036. Cite journal requires |journal= (help)
  8. Ritchie, Leslie (2015). "Pox on Both your Houses: The Battle of the Romeos". Eighteenth-Century Fiction. 27 (3): 373–393. doi:10.3138/ecf.27.3.373. Retrieved 5 December 2019.
  9. Phillips, Chelsea (10 April 2019). "Bodies in Play: Maternity, Repertory, and the Rival Romeo and Juliets, 1748-51". Theatre Survey. 20 (2): 207–236. doi:10.1017/S004055741900005X.

References
  • This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Bellamy, George Anne" . New International Encyclopedia (1st ed.). New York: Dodd, Mead. This work in turn cites:
    • George Anne Bellamy, An Apology for the Life of George Anne Bellamy, late of Covent Garden Theatre, Written by Herself (six volumes, London, 1785)
    • Matthews and Hutton, Actors and Actresses of Great Britain and the United States (New York, 1886)
    • Galt, John, Lives of the Players (London, 1831)
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