Fucking Smilers
@#%&*! Smilers (pronounced Fucking Smilers)[1] is the seventh studio album by singer-songwriter Aimee Mann. It was released by SuperEgo Records in the UK on June 2, 2008 and in the US on June 3.[2] Upon the week of its release the album was featured as the Virgin Megastore "Pick of the Week."
@#%&*! Smilers | ||||
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Studio album by | ||||
Released | June 2, 2008 | |||
Recorded | The Sound Factory, Hollywood, CA | |||
Genre | Pop, rock | |||
Length | 45:51 | |||
Label | SuperEgo | |||
Producer | Paul Bryan | |||
Aimee Mann chronology | ||||
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Singles from @#%&*! Smilers | ||||
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The album was produced by Mann's bassist, Paul Bryan, and features guest appearances by singer-songwriter Sean Hayes, who duets with Mann on the track "Ballantines", and author Dave Eggers, who whistles on "Little Tornado".
In addition to the standard CD package, Smilers is available in a limited-edition package with a book-bound cover, a die-cut 32-page book with illustrations by renowned artist Gary Taxali, and held together with metal screw binding. On December 3, 2008 it was announced that this limited-edition package was nominated for a Grammy in the category of "Best Boxed Or Special Limited Edition Package".[3]
The title of the album comes from a thread Mann read about 20 years ago on a newsgroup called alt.bitter where someone was complaining about the "fucking smilers" who would approach him at work when he was in a bad mood and try to cheer him up.[1][4]
Reception
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | (79/100) [5] |
Review scores | |
Source | Rating |
Allmusic | |
The A.V. Club | B− [7] |
Billboard | (favorable) [8] |
Entertainment Weekly | B+ [9] |
Mojo | |
Okayplayer | (85/100) [11] |
PopMatters | (6/10) [2] |
Rolling Stone | |
Spin | (8/10) [13] |
Tiny Mix Tapes |
The album has a score of 79 out of 100 from Metacritic based on "generally favorable reviews".[5] Prefix Magazine gave the album a score of 8.5 out of ten and said it "proves Aimee Mann still has plenty to offer doing the same thing she's already been doing for the last fifteen years."[15] Q gave it four stars out of five and said of Mann, "It isn't any different to where she's been before, it's simply that quality levels remain uniformly high."[5] Paste gave it a score of eight out of ten and called it "a more keyboard-centric entry into [Mann's] consistently excellent solo catalog."[5][16] The Boston Globe gave it a favorable review and said that the pep "is paired with tunes that seep into your brain with the stealth of Mann's own beguiling murmur and lyrics that range from poetic to narrative."[17] Hartford Courant also gave it a favorable review and said that "the strong songwriting and astute musical arrangements combine to make Mann's latest her best album so far."[18] Blender gave it a score of three-and-a-half stars out of five and said, "With its stories of faithless lovers, broken relationships and speed-dealing suburban doctors, @#%&*! Smilers almost seems to feed off the stagnation."[5] Other reviews are average: Uncut gave the album a score of three stars out of five and said that Mann's decision "to forgo electric guitars ... results in the aural equivalent of watercolour washes, lovely and tasteful but lacking presence."[5] Slant Magazine also gave it three stars out of five and said that "[Mann's] wise, bitter lyrics never let her listeners off the hook; it'd be nice to hear her challenge herself as well."[19]
Track listing
All songs written by Aimee Mann, except where noted.
- "Freeway" – 3:50
- "Stranger into Starman" – 1:31
- "Looking for Nothing" – 3:46
- "Phoenix" – 3:56
- "Borrowing Time" – 3:12
- "It's Over" – 3:58
- "31 Today" – 4:52
- "The Great Beyond" – 3:12
- "Medicine Wheel" (Mann, Gretchen Seichrist) – 4:08
- "Columbus Avenue" – 4:06
- "Little Tornado" – 3:23
- "True Believer" (Mann, Grant Lee Phillips) – 3:32
- "Ballantines" – 2:21
- iTunes bonus tracks
- "Freeway" (Acoustic Version) – 3:57
- "The Great Beyond" (Acoustic Version) – 3:11
- "Lullaby" – 4:06
@#%&*! Smilers was released in two versions in Japan, a single CD and a double CD/DVD set. "Columbus Avenue" (Acoustic Trio Version) was added as a bonus track to the CDs and the DVD featured music videos for "Freeway" and "31 Today".
- Singles
- "31 Today" (2007) (unreleased track included in the album)
- "Freeway" (2008)
- "Phoenix" (2008)
Personnel
- Aimee Mann – lead vocals, acoustic guitar, bowed acoustic
- Paul Bryan – bass, backing vocals, horn arrangements
- Jay Bellerose – drums
- Jamie Edwards – keyboards
- Buddy Judge – backing vocals on "Looking for Nothing" and "31 Today"
- Kimon Kirk – backing vocals on "It's Over"
- Jebin Bruni – Moog on "Borrowing Time"
- Chris Bruce – guitar solo (arranged for horns) on "Borrowing Time"
- Sean Hayes – duet vocals on "Ballantines"
- Dave Eggers – whistling on "Little Tornado"
- Patrick Warren – string arrangements
- Willie Murillo – trumpet
- Mark Visher – tenor and baritone saxophone
- Jason Thor – trombone and bass trombone
- Eric Gorfain, Daphne Chen, Amy Wickman, Alyssa Park, Terry Glenny, Marisa Kuney, Melisa Reiner – violins
- Leah Katz, Caroline Buckman, David Sage – violas
- Richard Dodd, Alan Matthews, John Krovaza – cellos
Charts
Chart | Peak position |
---|---|
US Billboard 200 | 32 |
US Independent Albums | 2 |
References
- "Aimee Mann Message Board". Archived from the original on February 12, 2012. Retrieved 2008-07-23.CS1 maint: BOT: original-url status unknown (link)
- PopMatters review
- Grammy nominee list
- DCist: DCist Interview: Aimee Mann Archived 2008-06-16 at the Wayback Machine
- Critic reviews at Metacritic
- Allmusic review
- The A.V. Club review
- "Billboard review". Archived from the original on June 3, 2008. Retrieved 2008-06-04.CS1 maint: BOT: original-url status unknown (link)
- Entertainment Weekly review
- Mojo review
- Okayplayer review
- "Rolling Stone review". Archived from the original on June 28, 2008. Retrieved 2008-07-02.CS1 maint: BOT: original-url status unknown (link)
- Spin review
- Tiny Mix Tapes review
- Prefix Magazine review
- Paste review
- The Boston Globe review
- Hartford Courant review Archived 2013-07-08 at Archive.today
- Slant Magazine review