From Beyond (film)
From Beyond is a 1986 American science-fiction body horror film directed by Stuart Gordon, loosely based on the short story of the same name by H. P. Lovecraft. It was written by Dennis Paoli, Gordon and Brian Yuzna, and stars Jeffrey Combs, Barbara Crampton, Ken Foree and Ted Sorel.
| From Beyond | |
|---|---|
 Theatrical release poster | |
| Directed by | Stuart Gordon |
| Produced by | Brian Yuzna |
| Screenplay by | Dennis Paoli |
| Story by | Brian Yuzna Dennis Paoli Stuart Gordon |
| Based on | "From Beyond" by H. P. Lovecraft |
| Starring |
|
| Music by | Richard Band |
| Cinematography | Mac Ahlberg |
| Edited by | Lee Percy |
| Distributed by | Empire Pictures |
Release date |
|
Running time | 86 minutes |
| Country | United States |
| Language | English |
| Budget | $4,500,000 |
| Box office | $1,261,000 (US)[1] |
From Beyond centers on a pair of scientists attempting to stimulate the pineal gland with a device called the Resonator. An unforeseen result of their experiments is the ability to perceive creatures from another dimension that proceed to drag the head scientist into their world, returning him as a grotesque shape-shifting monster that preys upon the others at the laboratory.
Plot
Dr. Edward Pretorius is a scientist who has developed the Resonator, a machine that allows whoever is within range to see beyond normal perceptible reality. His assistant, Dr. Crawford Tillinghast, activates the machine and soon sees strange creatures in the air. When he is bitten by one of them, he notifies Pretorious about the machine's functionality. Pretorious then turns the machine on and, driven by a lust for power and knowledge, refuses to turn the Resonator off, even as it malfunctions at full power. The crazed Pretorius refuses. Crawford panics and flees. When the police arrive, they find Pretorius decapitated, yet no blood. Crawford is subsequently arrested and accused of murder.
Crawford is committed to a psychiatric ward, where he is treated by Dr. Katherine McMichaels. After Crawford gives his account of Pretorius' death, Katherine orders that Crawford undergo a CT scan, showing that Crawford's pineal gland is enlarged and growing. Convinced of Crawford's innocence, Katherine has him released to her custody, and plans on taking him back to Pretorius' house and the Resonator. They are accompanied by Detective Bubba Brownlee, who investigated Pretorius' death.
Upon returning to the house, Katherine and Crawford rebuild the Resonator. Crawford reactivates the machine which causes more creatures to appear along with a severely deformed Pretorius. His consciousness having taken control of the creature that devoured his brain, Pretorius tells the trio of a world beyond that is more pleasurable than normal reality. A panicking Crawford shuts off the Resonator, making Pretorius and the creatures vanish.
The next morning, Katherine insists that the Resonator could shed light on the victims of schizophrenia, as well as possible treatments and suggests that they turn the machine back on, but Bubba and Crawford disagree. While Bubba and Crawford are asleep, Katherine gets back up to feel the pleasure from the machine and turns it back on, bringing forth a worried Crawford and the now-almost unrecognizable and mutated Pretorius. Bubba enters the scene as Pretorius grabs Katherine, preparing to eat her mind and take her to the world of beyond. Crawford and Bubba go down into the basement to shut off the power, but encounter a giant worm-like monster. Bubba succeeds in shutting off the power, rescuing Crawford and Katherine and sending Pretorius away.
When Bubba decides that they should leave the house, all of a sudden, Pretorius somehow returns and the Resonator turns back on, as all three of them run up into the attic to deactivate it. Katherine and Crawford are attacked by little bee-like creatures, and as Bubba pushes them out of the way, he is devoured to the bone. Crawford fights off Pretorius and succeeds in freeing Katherine, but then his enlarged pineal gland pops out of his forehead. Katherine short circuits the machine by spraying it repeatedly with a fire extinguisher.
She then takes Crawford back to the hospital, where she is evaluated for insanity and schizophrenia, since her story was just like Crawford's. As Katherine is being prepared for shock treatment by a sadistic staff member, Crawford has developed an overwhelming hunger for human brains and kills Katherine's superior Dr. Bloch. Katherine escapes and drives back to the house with a bomb and a crazed Crawford following her.
Katherine puts the bomb on the Resonator and goes to leave when Crawford attacks her. As he is about to eat her brain, she bites off his pineal gland, reverting him to his senses. However, Crawford is pulled away and has his brain eaten by a completely deformed, mutated Pretorius. Before he can do the same to Katherine, Crawford's consciousness begins to fight for control within Pretorius, the opposing consciousnesses tearing their shared body apart. Katherine finally escapes through the attic window just as the bomb explodes, killing both Pretorius and Crawford and destroying the resonator.
Landing outside, Katherine breaks her leg and the neighbors gather around her as she suffers a complete mental break, saying "It ATE him!" while bursting out in mad laughter.
Cast
- Jeffrey Combs as Dr. Crawford Tillinghast
- Barbara Crampton as Dr. Katherine McMichaels
- Ted Sorel as Dr. Edward Pretorius
- Ken Foree as Bubba Brownlee
- Carolyn Purdy-Gordon as Dr. Bloch
- Bunny Summers as Neighbor Lady
- Bruce McGuire as Jordan Fields
Production
Gordon had previously worked with both Combs and Crampton on Re-Animator, and he cast them in part because he had become used to working with a company of actors during his time in theater, and felt that doing the same thing with Lovecraft movies would allow the actors to know coming into the shoot that they would be asked to do "all sorts of odd things" and thus adapt more quickly to his direction.[2] He was interested in the possibility of making a series of Lovecraft films with the same cast, like Roger Corman's Poe adaptations.[2] Gordon, Combs, and Crampton would work together on a third Lovecraft adaptation in 1995, the direct-to-video Castle Freak, and Gordon would later direct versions of two more of Lovecraft's works: the film Dagon in 2001, and the second episode of the Masters of Horror television series, H. P. Lovecraft's Dreams in the Witch-House, in 2005. Many members of the production staff for Re-Animator also held similar roles in the production of From Beyond, including screenwriter Dennis Paoli, producer Brian Yuzna, executive producer Charles Band, director of photography Mac Ahlberg, and special effects artists John Carl Buechler and John Naulin.[3]
Albert Band, who served as the production manager of From Beyond, also makes an uncredited appearance as a wino.[3] Gordon's then-wife Carolyn Purdy-Gordon was cast in a small role in many of Gordon's films, and in From Beyond she played Dr. Bloch, the subject of the notorious eyeball-sucking scene.[4]
From Beyond was shot in Italy with an Italian crew in order to save money. Gordon says that the film would have cost fifteen million dollars to make in the United States, whereas the foreign production enabled him to hold costs to approximately two and a half million dollars.[5] It was shot on a soundstage called Dinocitta just outside Rome.[6] Dinocitta was originally constructed by Dino DeLaurentiis, but was seized by the government for nonpayment of taxes, and then sold to Empire Studios.[6] From Beyond was one of the first films shot at that venue during its period of ownership by Empire.[6] Gordon shot his film Dolls at the same time, and it was released the following year.[3]
As with his earlier film Re-Animator, Gordon made use of medical advisors to be sure that the actions taken by the doctors and nurses of the film followed proper medical procedures.[7] Four separate special effects teams worked on the effects for From Beyond.[3] According to Yuzna, the production ran out of money before the effects on the finale could be finished.[3]
According to Gordon, securing an "R" rating from the MPAA was a challenging ordeal. He quotes them as initially saying his presented cut of the film had "ten times too much of everything".[5] He was ultimately able to get away with making small trims, and without removing any entire sequences from the film.[5] The special effects were created by John Carl Buechler.[8]
Release
MGM has released a restored unrated cut of the film with extras. From Beyond has previously only been released in its edited R-rated form. The MPAA had required cuts to S&M footage and gore to allow it to be R-rated. This missing footage was reinserted into the film and the restored, longer version was aired on the Monsters HD Channel. This longer, "director's cut" version was also then subsequently released on DVD by MGM on September 11, 2007.
On March 26, 2013, Scream Factory released a Collector's Edition of the unrated "director's cut" of From Beyond on a Blu-ray/DVD combo pack.[9]
Awards and reception
The film received generally positive reviews from critics. On the review website Rotten Tomatoes, the film maintains a 75% approval rating from critics, with an average rating of 6.7/10 based on 16 reviews as of July 2019.[10]
Roger Ebert of the Chicago Sun-Times gave the film two-and-a-half stars out of four and wrote that it "lacks the single-minded weirdness of Gordon's first film, but it does establish him in the tradition of Hollywood horror directors who really try - directors including James Whale, Tod Browning and Roger Corman. At a time when almost any exploitation movie can make money if its ads are clever enough, this is a movie that tries to mix some satire and artistry in with the slime."[11] Variety noted, "Less wigged-out and somewhat more conventional than his wild debut feature, Re-Animator, Stuart Gordon's H.P. Lovecraft followup, From Beyond, still stands as an effectively gruesome horror entry that should please fans of the genre."[12] A generally negative review from Vincent Canby of The New York Times reported that the film "sounds rather more entertaining than it is to watch" and described the monsters as "less scary than technically arresting."[13] Patrick Goldstein, film critic for the Los Angeles Times was positive, writing, "From Beyond is a horror movie with some deliciously slimy tricks for the kids, but some shocking treats for grown-ups too".[14] Gene Siskel, film critic with the Chicago Tribune also enjoyed the movie, awarding it three stars out of four and calling it "a decent enough low-budget horror film that delivers what audiences have every reason to expect - a funny, horrific grossout".[15] William Wolf with the Gannett News Service rated the film half-a-star out of four. He criticized the movie for its strong gore content as well as the sado-masochistic treatment of women. In his review Wolf wrote, "The gore gets progressively more stomach-turning without much cleverness, and after a while From Beyond just becomes overkill, more revolting than scary or funny."[16]
AllMovie's review of the film was favorable, writing "Gordon is that rare breed who truly finds inspiration in another creator and uses that inspiration to craft a film that captures the essence of that creator while still being totally and uniquely his own", calling it a "gory thrill ride of a movie."[17]
The film score by Richard Band won the award for Best Original Soundtrack at the Sitges - Catalan International Film Festival in Sitges, Spain.[18]
In their book Lurker in the Lobby: A Guide to the Cinema of H. P. Lovecraft, Andrew Migliore and John Strysik write that "From Beyond is a visual treat," but add that the film's "gross sexual excess may displease hardcore Lovecraft fans."[19]
References
- "From Beyond". Box Office Mojo. IMDb. Retrieved July 3, 2018.
- Gallagher, John Andrew (1989). "Stuart Gordon". Film Directors on Directing. Greenwood Publishing Group. p. 98. ISBN 9780275932725.
- Lukeman, Adam (2003). Fangoria's 101 Best Horror Movies You've Never Seen: A Celebration of the World's Most Unheralded Fright Flicks. Three Rivers Press. ISBN 9781400047499.
- "CINEMA CPR: THE FILMS OF STUART GORDON", Film Threat, March 23, 2005.
- Gallagher, p. 94.
- Gallagher, p. 95.
- Gallagher, p. 93.
- Hanley, Ken W. (March 26, 2015). "The Dreadful Ten: Top 10 Horrors We'd Like to See in 3D!". Fangoria. Fangoria Entertainment. Archived from the original on September 24, 2015. Retrieved July 3, 2018.
- Turek, Ryan (December 7, 2012). "Blu-ray Dates for Phantasm II & From Beyond". ComingSoon.net. CraveOnline Media. Retrieved July 3, 2018.
- "From Beyond (1986)". Rotten Tomatoes. Fandango Media. Retrieved 21 July 2019.
- Ebert, Roger (October 24, 1986). "From Beyond". RogerEbert.com. Retrieved July 21, 2019.
- "Film Reviews: From Beyond". Variety. October 29, 1986. 14.
- Canby, Vincent (October 24, 1986). "Film: Stuart Gordon's 'From Beyond'". The New York Times. C18.
- Goldstein, Patrick (October 26, 1986). "Movie Review: 'From Beyond': Sex and the Single Resonator". Los Angeles Times. Retrieved January 1, 2017.
- Siskel, Gene (November 7, 1986). "Flick Of Week: A Musical Story That Lets Us Hear The Music". Chicago Tribune. Retrieved January 1, 2017.
- Wolf, William (November 2, 1986). "Horror takeoff has more gore than gag". San Bernardino County Sun. Retrieved January 1, 2017 – via Newspapers.com.
- Butler, Craig. "From Beyond (1986)". AllMovie. RhythmOne. Retrieved July 1, 2012.
- Band, Richard. "Biography". Richard Band official website. Archived from the original on February 7, 2012.
- Migliore, Andrew; Strysik, John (2006). Lurker in the Lobby: A Guide to the Cinema of H. P. Lovecraft. Night Shade Books. ISBN 9781892389350.