Frieder Bernius

Frieder Bernius (born 22 June 1947) is a German conductor, the founder and director of the chamber choir Kammerchor Stuttgart, founded in 1968. They became leaders for historically informed performances. He founded the Stuttgart festival of Baroque music, "Internationale Festtage Alter Musik", in 1987, and is a recipient of the Edison Award (1990), Diapason d'Or (1990) and the Order of Merit of the Federal Republic of Germany (1993).

Frieder Bernius

Career

Frieder Bernius was born in Ludwigshafen-Oppau, the second child of the Protestant minister Helmut Bernius and his wife Inge, a church musician.[1][2][3] After his Abitur at the Karl-Friedrich-Gymnasium in Mannheim he studied music and musicology at the Musikhochschule Stuttgart and at the University of Tübingen. In 1968, his first year at the Musikhochschule, he founded the Kammerchor Stuttgart (Stuttgart chamber choir).[4] They first concentrated on a cappella music of the 19th and 20th century, but expanded their repertoire.[1]

Since 1977, Bernius has collaborated with leading German orchestras and conducted the choirs of broadcasters, such as the SDR and WDR, the NDR Chor and the RIAS Kammerchor.

In 1985 the choir decisively turned to early music, and Bernius became known as a conductor of historically informed performance.[5][6] He has continued in Bach's music the several-voice-to-a-part approach, as opposed to the one-voice-per-part approach advocated by Andrew Parrott and Joshua Rifkin.[7] The Historical Dictionary of Choral Music says that it the choir is "recognized for high musical standards and stylistic flexibility, winning many international awards."[8] Classical cites Bernius as leading "lively and intelligent performances."[9] He has collaborated with the Musica Fiata of Cologne, the La Grande Écurie et la Chambre du Roy of Paris and the Tafelmusik of Toronto.[4]

In 1985/1987, he was instrumental in founding the Barockorchester Stuttgart and the Stuttgart festival of Baroque music, "Internationale Festtage Alter Musik" (now "Stuttgart Barock").[4] In 1988, Bernius, the Kammerchor Stuttgart and the Barockorchester Stuttgart performed the first concert of the first season of the Rheingau Musik Festival at Eberbach Abbey.[10] On 23 June they performed two works by C. P. E. Bach, his Magnificat and the oratorio Die Israeliten in der Wüste, with soloists Nancy Argenta, Lena Lootens, Mechthild Georg, Howard Crook and Stephen Roberts.[11] Bernius and the choir toured the Far East in 1988 and the USA in 1989.[4]

Bernius began recording with Sony Classical in 1989.[12] In 1992 he recorded Gluck's opera Orfeo ed Euridice with Nancy Argenta and Michael Chance. In May 1990 he was awarded the Dutch Edison Award for his recording of Symphoniae Sacrae III by Heinrich Schütz with the Musica Fiata, and in November 1990 he was awarded the French Diapason d'Or for his recording of Missa Dei Filii by Jan Dismas Zelenka with the Tafelmusik.[4]

In 1991 he founded the orchestra Klassische Philharmonie Stuttgart. In 2002, he became musical director of the ensemble Hofkapelle Stuttgart. On 10 July 2005, he conducted at the Rheingau Musik Festival Krzysztof Penderecki's Polish Requiem with the Kammerchor Stuttgart and the Sinfonia Varsovia at Eberbach Abbey.[13] In 2006 he released a CD of Symphonies No. 5 and No. 6 by Johann Wenzel Kalliwoda on the Orfeo label, and also recorded Handel's Messiah (2009), Cherubini's Requiem (2010), and Johann Rudolph Zumsteeg's opera Die Geisterinsel (2011).[12]

In 2009 he was honoured with the Bach Medal of the City of Leipzig.[12] Bernius has been teaching numerous workshops teaching, including in Belgium in 1995.[14]

In 2012, he and the Kammerchor Stuttgart were among the "Wegbegleiter" ("Companions along the way") of the Rheingau Musik Festival in its 25th anniversary season, artists who had appeared regularly from the beginning.[10][15] They performed at Eberbach Abbey Schubert's "Gesang der Geister über den Wassern", and Ein deutsches Requiem by Brahms, with the Klassische Philarmonie Stuttgart.[16]

Selected discography

Opera

  • Jommelli: Vologeso, Orfeo
  • Johann Rudolph Zumsteeg: Die Geisterinsel after "The Tempest" of William Shakespeare. Carus

Sacred music

Orchestral

Awards
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References
  1. "Die Rheinpfalz" (in German). Die Rheinpfalz, Ludwigshafen. 2 September 2011.
  2. Friedrich Blume, Ludwig Finscher (1999). Bernius. Frieder (in German). Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie Friedrich Blume, Ludwig Finscher. * 22. Juni 1947 in Ludwigshafen /Rhein, Chordirigent. Nach dem Studium der Schulmusik und Mw. in Stuttgart und ...
  3. "Bernius. Frieder". International Competition for Chamber Choirs. 2012. Retrieved 11 July 2012.
  4. "Frieder Bernius (Conductor)". Bach-Cantatas. 2001. Retrieved 11 July 2012.
  5. Susanne Benda (2006). Musikland Baden-Württemberg: Basis und Spitze / Bernius. Frieder (in German). ed. Norbert Bolin, Andreas Bomba. p. 17. Frieder Bernius FRlEDER BERNlUS Das klingt zauberhaft: »Frieder Bernius, le magicien«, ... Mit Hilfe großer Interpretennamen der Alte-Musik-Szene machte sich der 1947 in Ludwigshafen geborene Dirigent in Stuttgart rasch einen Namen.
  6. Demofoonte opera of N Jommelli (in French). arop-opera.com. 1978. sous la baguette toute de vitalité passionnée de Frieder Bernius qui, toujours sur instruments anciens, a déjà dirigé, à Stuttgart, un autre chef-d'œuvre méconnu de Jommelli, Vologeso
  7. S Beghein (2009). Still performing Bach / Early Music. Oxford University Press. In the opening session, Andrew Parrott (conductor of the Taverner Consort, Choir and Players and musicologist), Andreas Glöckner (research associate at the Bach-Archiv Leipzig) and Frieder Bernius (conductor of the Kammerchor Stuttgart) presented opposing readings of the historical sources concerning Bach's vocal ensemble.
  8. Unger, Melvin P. (2010). Historical Dictionary of Choral Music. Scarecrow Press. p. 231. ISBN 978-0-8108-5751-3.
  9. Classical. Unique Communications. 1990.
  10. "Companions along the way". Rheingau Musik Festival. 2012. Archived from the original on 27 May 2014. Retrieved 9 July 2012.
  11. Eröffnungskonzert (in German). Rheingau Musik Festival. 23 June 1988.
  12. "Frieder Bernius". AllMusic. Retrieved 11 July 2012.
  13. "Polnisches Requiem / Performances". Schott. Retrieved 11 July 2012.
  14. The Voice of Chorus America. Chorus America. 1995.
  15. Stefan Schickhaus (27 January 2012). "Wiederhören mit "Wegbegleitern" beim 25. Rheingau Musik Festival" (in German). Allgemeine Zeitung. Retrieved 9 July 2012.
  16. Axel Zibulski (9 July 2012). "Rheingau Musik Festival: Frieder Bernius und der Kammerchor Stuttgart im Jubiläumsjahr als "Wegbegleiter"zu Gast" (in German). Allgemeine Zeitung. Retrieved 11 July 2012.
  17. "Jahresbericht 2009" (PDF) (in French). Bach-Archiv Leipzig. 2009. p. 41. Archived from the original (PDF, 3.7 MB) on 13 May 2013. Retrieved 27 January 2011.
  18. "Bestenliste 1-2001" (in German). schallplattenkritik.de. 22 February 2001. Retrieved 27 January 2011.
  19. "Bestenliste 3-2001" (in German). schallplattenkritik.de. 23 August 2001. Retrieved 28 January 2011.
  20. "Bestenliste 1-2005" (in German). schallplattenkritik.de. 23 August 2001. Retrieved 28 January 2011.
  21. "Bestenliste 4-2005" (in German). schallplattenkritik.de. 15 November 2001. Retrieved 28 January 2011.
  22. "Bestenliste 3-2006" (in German). schallplattenkritik.de. 15 August 2006. Retrieved 28 January 2011.
  23. "Bestenliste 3-2010" (in German). schallplattenkritik.de. 15 August 2010. Retrieved 28 January 2011.
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