Fried Green Tomatoes

Fried Green Tomatoes is a 1991 American comedy-drama film based on the 1987 novel Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg. Directed by Jon Avnet and written by Flagg and Carol Sobieski, it stars Kathy Bates, Jessica Tandy, Mary Stuart Masterson, and Mary-Louise Parker. It tells the story of a Depression-era relationship between two women, Ruth and Idgie, and a 1980s friendship between Evelyn, a middle-aged housewife, and Ninny, an elderly woman. The centerpiece and parallel story concerns the murder of Ruth's abusive husband, Frank, and the accusations that follow.

Fried Green Tomatoes
Theatrical release poster
Directed byJon Avnet
Produced by
Screenplay by
Based onFried Green Tomatoes at the Whistle Stop Cafe
by Fannie Flagg
Starring
Music byThomas Newman
CinematographyGeoffrey Simpson
Edited byDebra Neil-Fisher
Production
company
  • Act III Communications
  • Avnet/Kerner Productions
  • Electric Shadow Productions
  • Fried Green Tomatoes Productions
Distributed byUniversal Pictures
Release date
  • December 27, 1991 (1991-12-27)
Running time
136 minutes
CountryUnited States
LanguageEnglish
Budget$11 million[1]
Box office$119.4 million[2]

Released December 27, 1991, the film received a generally positive reception from critics and grossed $119 million worldwide. It was nominated for two Oscars at the 64th Academy Awards: Best Supporting Actress (Tandy) and Best Adapted Screenplay.

Plot

Evelyn Couch, a timid, unhappy housewife in her 40s, meets elderly Ninny Threadgoode in an Anderson, Alabama, nursing home where Evelyn's husband Ed's Aunt Vesta who has dementia is also staying. Over several encounters with Evelyn, Ninny tells her the story of the now abandoned town of Whistle Stop, and the people who lived there. The film's subplot concerns Evelyn's dissatisfaction with her marriage, her life, her growing confidence, and her developing friendship with Ninny. The narrative switches several times between Ninny's story, which is set between World War I and World War II, and Evelyn's life in 1980s Birmingham.

Ninny's story begins with tomboy Idgie Threadgoode, the youngest of the Threadgoode children, whom Ninny describes as her sister-in-law. Idgie's close relationship with her charming older brother, Buddy, is cut short when he is hit by a train after his shoe gets stuck in the tracks, leading to his death. Devastated, she recedes from formal society for much of her childhood and adolescence until Buddy's former girlfriend, the straitlaced Ruth Jamison, intervenes at the request of the concerned Threadgoode family.

Idgie initially resists Ruth's attempts at friendship, but gradually a deep attachment develops between them. Ruth leaves Whistle Stop to marry Frank Bennett and moves to Valdosta, Georgia. Idgie tries to forget her but later visits her house to find her pregnant and subject to physical abuse from Frank. Against his wishes and violent attempts to stop her, she returns to Whistle Stop with Idgie, where her baby, Buddy Jr., is born. Papa Threadgoode gives Idgie money to start a business so she can care for Ruth and Buddy Jr. She and Ruth open the Whistle Stop Cafe, employing the family cook, Sipsey, and her son, Big George, who excels with a barbecue that becomes popular with their patrons.

Frank eventually returns to Whistle Stop to kidnap Buddy Jr., but his attempt is thwarted by an unseen assailant, and he is later reported missing. Once his truck appears at the bottom of a nearby river without him, Idgie is immediately a suspect, as she had publicly threatened violence against him for beating Ruth. She is detained along with Big George for his murder by Grady Kilgore, the local sheriff, who offers to release her and pin the crime solely on Big George; she refuses to sacrifice him. During the subsequent trial, the local minister, Reverend Scroggins, has no problem lying, providing Idgie and Big George with sound alibis for the time of Frank's disappearance. Taking into account Frank's reputation for getting drunk, the judge rules his death an accident and dismisses the case. Idgie and Big George are cleared of all charges.

After the trial, Ruth is diagnosed with cancer, becomes very ill, and eventually dies. Following her death, the café closes. Over time, many Whistle Stop residents eventually move away, bringing Ninny to the end of her story, but not before the revelation of what really happened to Frank. Sipsey killed him with a blow to the head with a frying pan while trying to prevent him from kidnapping Buddy Jr. Idgie got Big George to barbecue Frank's body, which was later served to an investigator from Georgia searching for him. The investigator ate with gusto, proclaiming his meal the best pork barbecue he'd ever tasted.

Evelyn discovers that during Ninny's temporary stay at the nursing home, her house was condemned and torn down. Evelyn, having become friends with her, offers her a room in her house which she accepts. As they walk away from the empty lot where her house used to be, they pass Ruth's grave, freshly adorned with a jar of honey, a honeycomb, and a card which reads, "I'll always love you, the Bee Charmer". The Bee Charmer was Ruth's old nickname for Idgie, and the note reveals that Idgie is still alive.

Cast

Production

Conception and casting

Avnet first read the novel in 1987.[3] He was introduced to it by producer Lisa Lindstrom, with whom he worked on television films Heat Wave and Breaking Point. Although he wanted her to give him a synopsis of the story, she insisted he read the book and like her, he loved it. He decided to turn the story into a film and pitched the idea to Norman Lear's company, Act III Communications, who were interested and gave him a small budget for a screenwriter.[4] He hired Carol Sobieski who had written the screenplay for 1982's Annie. She wrote a draft for it as a musical, which he was unhappy with.[4] Sobieski left the project and he hired Flagg, who had been surprised that anyone would want to turn the novel into a film, to develop the script. Although she had some screenwriting experience, she found the process of turning her own novel into a script a strange one. The job was made somewhat easier by the work done by Sobieski and Avnet in choosing which characters from the book were going to be featured, but she found it difficult and also left the project, after writing 70 pages of the screenplay. With no money left to hire another writer, Avnet took the script over himself and spent the next 2–3 years developing it. Flagg gave her blessing to the final draft.[4]

Avnet wrote the film with Jessica Tandy in mind; she expressed excitement about making the film.[4] He had worked with Kathy Bates and Chris O'Donnell on the 1990 film Men Don't Leave before offering them the roles of Evelyn Couch and Buddy Threadgoode respectively.[3] When Bates read the script she loved the characters and was particularly keen to work with Tandy.[3] Mary-Louise Parker was casting director David Rubin's first choice for the role of Ruth Jamison. She read for the part several times, initially unhappy with her own tests. When she read along with Mary Stuart Masterson, they – and the producers – agreed that they had good chemistry.

Setting
Inside the Whistle Stop Cafe, Juliette, Georgia.

Avnet hired Barbara Ling as production designer. Scouting for a location, she found Juliette, Georgia, a town that was, according to Avnet, nearly deserted.[4][5] The building chosen to be the Whistle Stop Café was formerly an antique and hardware store. It was redesigned as a cafe, with a horseshoe shaped counter to allow for optimal camera angles.[4]

After the release of the film, Juliette saw an influx of tourists and, with Jon Avnet's encouragement, locals opened the Whistle Stop Café, recreated to mirror the film set.[6] Although "Whistle Stop Café" is now a registered trademark, other establishments have appeared using that name.[7] While writing the novel, Flagg based Whistle Stop on Irondale, Alabama, and the café on a real-life restaurant, the Irondale Café.[5] She was a frequent visitor there which was formerly owned by her great-aunt.[8]

The scene where Idgie goes to collect honey from a tree stump for Ruth was originally intended to be performed by a stunt double. However, after the latter backed out at the last minute, Masterson volunteered to do it herself. The footage of her covered in a swarm of live bees is seen in the final version of the film.[3]

Differences between the film and novel

Unlike the novel, the film does not make the lesbian romance between the two central characters explicit, instead leaving the relationship between Idgie and Ruth ambiguous.[9] The DVD contains an audio commentary in which the director acknowledges the relationship and points out that a scene between Idgie and Ruth engaging in a food fight was intended to be seen as symbolic love-making. At the time of the film's debut, it was criticized by reviewers and activists for what was seen as "glossing over" the lesbian relationship.[9][10] However, it won an award from the Gay & Lesbian Alliance Against Defamation for best feature film with lesbian content.[11] It shows examples of discrimination against African Americans, women, and people living with disabilities, but the novel's examination of sexuality-based prejudice through a robust lesbian plot, is made more ambiguous.[12]

Though in the book, Idgie and Ninny are two separate characters, at the end of the film it's largely hinted that they are one and the same,[9] although this runs counter to Ninny's earlier comment that "I was practically adopted by the Threadgoodes; I married her [Idgie's] brother, Cleo".

Release

The film was given a limited release in the US on December 27, 1991, opening in five theaters.[2] It got a wide release four weeks later on January 24, 1992, in 673 theaters. It ran for 19 weeks in total, with its widest release having been 1,331 theaters.[2]

Reception

Box office

The film grossed a total of $82.4 million in the United States, and $37 million outside the US, bringing the total to $119.4 million worldwide.[2] In its opening weekend it earned $105,317, and at its wide release opening weekend it earned $5,235,940, which was 6.4 percent of its total gross.[2] According to Box Office Mojo, it ranked at no. 11 for all films released in the US in 1991, and no. 5 for PG‑13 rated films released that year.[13]

Critical reception

On review aggregate website Rotten Tomatoes the film holds an approval rating of 74% based on 42 reviews, with an average rating of 6.65/10. The critical consensus reads, "Fried Green Tomatoes' tearjerking drama is undeniably manipulative, but in the hands of a skilled cast that includes Jessica Tandy and Kathy Bates, it's also powerfully effective."[14] On Metacritic the film has a weighted average score of 64 out of 100, based on 21 critics, indicating "generally favorable reviews".[15] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[16]

Critics enjoyed the narrative, but found it conventional and predictable.[10][17] The adaptation of the separate narrative of book to the screen was criticised by Time Out as "clumsy", Roger Ebert praised the performances, Janet Maslin praised the costume and production design and Emanuel Levy praised the cinematography and score.[10][18] The cast drew praise for their performances, particularly Masterson and Tandy.[10][18]

Accolades

The film was nominated at the 64th Academy Awards for Best Actress in a Supporting Role (Jessica Tandy) and for Best Writing, Screenplay Based on Material from Another Medium (Fannie Flagg and Carol Sobieski).[19]

At the 46th British Academy Film Awards in 1992, Tandy was nominated for the Best Actress award, and Bates was nominated as Best Actress in a Supporting Role. Both also received Golden Globe nominations for their work, and the film got a Best Picture (Comedy or Musical) nomination.[19] At the 28th Guldbagge Awards in Sweden, it was nominated for the Best Foreign Film award.[20] Kathy Bates received a BAFTA Award nomination for her performance in the film.[21]

Soundtrack
Fried Green Tomatoes
Studio album by
Various Artists
ReleasedDecember 31, 1991
GenreSoundtrack
Length39:24
LabelMCA

Fried Green Tomatoes: Original Motion Picture Soundtrack featured a new song by Patti LaBelle. American singer-songwriter Grayson Hugh arranged and recorded the Bob Dylan song "I'll Remember You" for the end-title song. British singer-songwriter Paul Young also appears on the soundtrack with the song "What Becomes of the Brokenhearted," which peaked at #22 on the Billboard Hot 100 in March 1992.[22]

The original score, composed by Thomas Newman, was released as Fried Green Tomatoes in June 1992.

gollark: No, it's SPUAMAI, I was very clear.
gollark: Despite being obviously superior technology it had no adoption!
gollark: SPUAMAI would be better if anyone actually *used* it.
gollark: <@738361430763372703> Does this anger you?
gollark: The "text to image API" seems good at making *something* coherent and realistic, but bad at making it the right thing.

References
  1. "'Green Tomatoes': Why a Little Film Bloomed: Movies: Film starts slowly at the box office but word of mouth, themes, strong cast ignite interest in the $11-million work". Los Angeles Times. February 10, 1992. Retrieved November 16, 2015.
  2. Fried Green Tomatoes (1991), Box Office Mojo, retrieved April 5, 2008
  3. Avnet, Jon (1998), Director's Commentary (DVD)|format= requires |url= (help), Universal Studios
  4. Kenny, J. M. (director) (December 15, 1998), Moments of Discovery: The Making of Fried Green Tomatoes (DVD), Universal Studios Home Video, retrieved April 4, 2010
  5. Park, Irby (May 7, 2003), "Fannie Flagg Captivates Audience at City Book Event", The Chattanoogan, archived from the original on May 9, 2003, retrieved December 28, 2009
  6. "Little Town Where Movie was Made Finally Gets Café, Fried Tomatoes", Rome News-Tribune, April 13, 1992, retrieved December 28, 2009
  7. Zganjar, Leslie (November 1, 2002), "The Whistle Stop name is just too popular", Birmingham Business Journal, retrieved December 28, 2009
  8. Nolan, Michael (October 20, 2002), "Fried Green Tomatoes At The Irondale Cafe", American Profile, archived from the original on June 12, 2010, retrieved December 28, 2009
  9. Rockler, Naomi R. (2001), "A Wall on the Lesbian Continuum: Polysemy and Fried Green Tomatoes", Women's Studies in Communication, 24 (1): 90–106, doi:10.1080/07491409.2001.10162428, ISSN 0749-1409
  10. Levy, Emanuel (January 6, 2006), Fried Green Tomatoes, Emanuel Levy, retrieved June 15, 2009
  11. Pryor, Kelli; Isaak, Sharon (February 28, 1992), "Women in Love", Entertainment Weekly, Time, retrieved February 9, 2010
  12. Vickers, Lu (June 1994), "Fried Green Tomatoes Excuse me, did we see the same movie?", Jump Cut, 39: 25–30, retrieved February 12, 2012
  13. "1991 DOMESTIC GROSSES". boxofficemojo.com. Retrieved August 22, 2018.
  14. Fried Green Tomatoes (1991), Rotten Tomatoes, retrieved April 11, 2008
  15. "Fried Green Tomatoes reviews". Metacritic. Retrieved February 19, 2019.
  16. "Find CinemaScore" (Type "Fried Green Tomatoes" in the search box). CinemaScore. Retrieved February 18, 2019.
  17. Ebert, Roger (January 10, 1992), "Fried Green Tomatoes", Chicago Sun-Times, Sun-Times Media Group, retrieved December 28, 2009
  18. Maslin, Janet (December 27, 1991), "Women Finding Strength In Women", The New York Times, The New York Times Company, retrieved December 28, 2009
  19. "Fried Green Tomatoes (1991) Awards", The New York Times, The New York Times Company, retrieved June 19, 2009
  20. "Fried Green Tomatoes (1991)". Swedish Film Institute. March 22, 2014.
  21. "1993 Film Actress in a Supporting Role | BAFTA Awards". awards.bafta.org. Retrieved May 26, 2019.
  22. "Top 100 Songs - Billboard Hot 100 Chart". Retrieved September 14, 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.