Fingertips

"Fingertips" is a 1963 hit single recorded live by "Little" Stevie Wonder for Motown's then Tamla label.[1]

This article is about the song by Stevie Wonder. For other uses, see Fingertips (disambiguation).
"Fingertips"
Single by Little Stevie Wonder
from the album The 12 Year Old Genius
A-side"Fingertips - Part 1"
B-side"Fingertips - Part 2"
ReleasedMay 21, 1963
RecordedRegal Theater, Chicago; 1963
GenreR&B, soul
Length
  • 6:40 (full version)
  • 2:49 (single part 1)
  • 3:09 (single part 2)
LabelTamla
T 54080
Songwriter(s)Clarence Paul, Henry Cosby
Producer(s)Berry Gordy, Jr.
Stevie Wonder singles chronology
"Contract On Love"
(1962)		 "Fingertips"
(1963)		 "Workout, Stevie, Workout"
(1963)

Overview

Written and composed by Wonder's mentors, Clarence Paul and Henry Cosby, "Fingertips" was originally a jazz instrumental recorded for Wonder's first studio album, The Jazz Soul of Little Stevie. The live version of the song was recorded in 1963 during a Motortown Revue performance at the Regal Theater in Chicago, Illinois. [2] Containing only a few stanzas of improvised lyrics, "Fingertips" is essentially an instrumental piece, meant to showcase Wonder's talents on the bongos and the harmonica.

"Part 2"

The edit point that begins "Part 2" of "Fingertips" is when Wonder shouts "Everybody say 'yeah!'", initiating a call-and-response exchange with the audience. After a couple of sung verses, each followed by Wonder's brief harmonica playing (solos accompanied only by the audience's rhythmic clapping),[1] Wonder appears to bring things to a conclusion. On the night of the recording, Wonder, as usual started to leave the stage and the band went into the exit music, as comedian Bill Murray (known professionally as Winehead Willie)[3] exhorted the crowd to "give him a hand"; however, Stevie unexpectedly changed his mind, returning to sing the "goodbye" encore. The other musicians were caught out, and the bass players had changed over to prepare for the next act on the bill, usually slated as The Marvelettes (though some sources say Mary Wells was next).[4] As Wonder moves into his impromptu encore, the new bass player, Joe Swift, having replaced Larry Moses, can be heard on the recording, yelling out: "What key? What key?"[1][5]

Release

The live version of "Fingertips" was released on May 21, 1963 as a two-part single, with Part 2 (with the encore) as the B-side. The 707 mono features "Sunset" and "Contract on Love". By August, the single B-side had reached the top of both the Billboard Pop Singles and R&B Singles charts.[6] "Fingertips" was Motown's second number-one pop hit (following The Marvelettes' "Please Mr. Postman"), and launched the then 13-year-old Wonder to prominence. The single's success helped Wonder's live album, Recorded Live: The 12 Year Old Genius, reach number-one on the Billboard Pop Albums chart, making him the youngest artist to accomplish that feat. Because of Part 2's success, it would later feature on various compilation albums just as the full recording.

Both the studio and live versions of the song featured drumming by Marvin Gaye, who had been playing drums for Wonder and other Motown artists and would become a big Motown star in his own right. [7]

Personnel
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gollark: Perhaps there is a niche for extremely precisely specified recipes.
gollark: (or just follow a recipe)
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gollark: Isn't it? I mean, you can follow a similar sort of process to... electronics, or something.

References
  1. Stevie Wonder interviewed on the Pop Chronicles (1969)
  2. C. Semmes (2 April 2006). The Regal Theater and Black Culture. Palgrave Macmillan US. pp. 187–. ISBN 978-1-4039-8330-5.
  3. Posner, Gerald (April 2, 2009). "Battle of the Stars". Motown: Music, Money, Sex, and Power. Random House. p. 99. ISBN 9780307538628. Retrieved November 9, 2016 – via Google Books.
  4. Sexton, Paul (June 22, 2019). "Stevie Wonder Makes Hot 100 Debut By His 'Fingertips'". udiscovermusic.
  5. Tenley Williams (January 1, 2002). Stevie Wonder. Infobase Publishing. p. 28. ISBN 9781438122632.
  6. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 803.
  7. Les MacDonald (8 July 2010). The Day the Music Died. Xlibris Corporation. pp. 226–. ISBN 978-1-4691-1356-2.
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