Field of Glass

Field Of Glass by The Triffids was released as a 12" extended play in 1985.[1] All three tracks were generally recorded live at BBC Studio 5, Maida Vale, London. The EP was produced by Mark Radcliffe,[1] engineered by Mike Robinson, engineered by Owen Davies and remixed by Nick Cook at Townhouse 3.[2]

Field Of Glass
EP by
The Triffids
ReleasedFebruary, 1985
RecordedBBC Studio 5, Maida Vale, London
November 6, 1984
GenreRock / Folk rock
LabelHot Records
ProducerMark Radcliffe
The Triffids chronology
Lawson Square Infirmary
(1985)		 Field Of Glass
(1985)		 Peel Sessions
(1987)

Details

The first two songs, "Bright Lights, Big City" and "Monkey On My Back", deal directly with David McComb’s drug abuse and are infused with bitterness and desperation. The song which gave its name to the EP tells the tale of a loner who has some unrequited love issues with a rich girl who’s just finished school. He pleads with her to ride with him on a baking hot summer's night and she goes along. Driven mad by the intolerable heat and by her rejection he murders her. This song was originally two songs - "Field of Glass" and "Pleasure Slide".

McComb later said, "When we got to London I think we sort of felt we had to make a kind of statement. We recorded the Field of Glass EP just when we got there, which is still I guess the most aggressive and violent record that we had done. It gave us heaps of confidence."[3]

"Evil" Graham Lee noted the EP was, "a psychodrama from beginning to end, with a ferocious, partly improvised maelstrom of a sound to match the tortured, twisted and sometimes very funny lyrics. Nothing The Triffids had done to this point could have prepared listeners for the onslaught of Field Of Glass."[4]

Track listing

All tracks written by David McComb.[5]

  1. "Bright Lights, Big City"
  2. "Monkey on My Back"
  3. "Field of Glass"

Personnel

The Triffids

Credited to:[1]

Notes
  1. Holmgren, Magnus; Skjefte, Morten; Warnqvist, Stefan; Simonetti, Vince. "The Triffids". Passagen.se. Australian Rock Database (Magnus Holmgren). Archived from the original on 28 July 2002. Retrieved 18 May 2014.
  2. "Listings for Field Of Glass". Discogs. Retrieved 2007-12-20.
  3. Tracee Hutchison (1992). Your Name's On The Door. Sydney, New South Wales: ABC Enterprises. p. 87. ISBN 0-7333-0115-0.
  4. Alex Denney. "A Beautiful Waste: in search of The Triffids". Drowned in Sound.
  5. "Australasian Performing Right Association". APRA. Archived from the original on 2008-05-05. Retrieved 2007-12-19.
gollark: For example:- the average person probably does *some* sort of illegal/shameful/bad/whatever stuff, and if some organization has information on that it can use it against people it wants to discredit (basically, information leads to power, so information asymmetry leads to power asymmetry). This can happen if you decide to be an activist or something much later, even- having lots of data on you means you can be manipulated more easily (see, partly, targeted advertising, except that actually seems to mostly be poorly targeted)- having a government be more effective at detecting minor crimes (which reduced privacy could allow for) might *not* actually be a good thing, as some crimes (drug use, I guess?) are kind of stupid and at least somewhat tolerable because they *can't* be entirely enforced practically
gollark: No, it probably isn't your fault, it must have been dropped from my brain stack while I was writing the rest.
gollark: ... I forgot one of them, hold on while I try and reremember it.
gollark: That's probably one of them. I'm writing.
gollark: > If you oppose compromises to privacy on the grounds that you could do something that is misidentified as a crime, being more transparent does helpI mean, sure. But I worry about lacking privacy for reasons other than "maybe the government will use partial data or something and accidentally think I'm doing crimes".
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