Eastmancolor
Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production.
Eastmancolor, introduced in 1950, was one of the first widely successful "single-strip colour" processes, and eventually displaced the more cumbersome Technicolor. Eastmancolor was known by a variety of names such as DeLuxe Color, Warnercolor, Metrocolor, Pathécolor, Columbiacolor, and others.[1][2][3]
For more information on Eastmancolor, see
- Eastman Color Negative (ECN, ECN-1 and ECN-2), the photographic processing systems associated with Eastmancolor negative motion picture stock, and intermediate motion picture stocks (including interpositive and internegative stocks)
- Eastman Color Positive (ECP, ECP-1 and ECP-2), the photographic processing systems associated with Eastmancolor positive print motion picture stock for direct projection
- Color motion picture film, for background on Eastmancolor and other motion picture processes in general
- Eastman Kodak Fine Grain color negative films (1950 onwards), within the "List of motion picture film stocks" article
Examples of films that use Eastmancolor
The 1959 British satirical comedy film The Mouse That Roared was filmed using the Eastmancolor process.
Eastmancolor became very popular in the South Indian film industry during early '60s.
- Jigokumon - (Japan) 1953
- The High and the Mighty - (Warnercolor) 1954
- Rebel Without a Cause (Warnercolor) - 1955
- Bad Day at Black Rock - 1955
- Hang Tuah - Malaysia/Singapore 1955
- Foreign Intrigue 1956
- The Bolshoi Ballet - 1957[4]
- Peeping Tom - British - 1960
- Kandam Becha Kottu - Malayalam 1961
- Amara Shilpi Jakkanna - Telugu 1964
- Kathalikka Neramillai - Tamil 1964
- Karnan - Tamil 1964
- Padagotti - Tamil 1964
- Amarashilpi Jakanachari - Kannada 1964
- The Umbrellas of Cherbourg - French, 1964
- Chemmeen - Malayalam 1965
- Thiruvilaiyadal - Tamil 1965
- Aayirathil Oruvan - Tamil 1965
- Enga Veetu Pillai - Tamil 1965
- Idhaya kamalam - Tamil 1965
- Le Bonheur - French, 1965
- Help! - British, 1965
- Anbe Vaa - Tamil 1966
- Teorema - Italian, 1968
- 2001: A Space Odyssey - American/British, 1968 (Color credited as "Metrocolor")
- Macunaíma - Brazilian, 1969
- Antonio das Mortes - Brazilian, 1969
- A Clockwork Orange - British/American, 1971 (Color credited as "Warnercolor")
- They Call Me Hallelujah - Italian, 1971
- Agathiyar 1972
- Cries and Whispers - Swedish, 1972
- The Spirit of the Beehive - Spanish, 1973
- Deep Red - Italian, 1975
- Piya Ka Ghar - Hindi, 1971
- Women on the Verge of a Nervous Breakdown - Spanish, 1988
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gollark: At least not without making it move around or sense its rotation using haxxx.
gollark: Well, you can't fire it in something which will always be the direction it's looking.
gollark: You can't.
gollark: No, it uses absolute directions, not relative.
References
- Merritt, russell (2008). "Crying In Color: How Hollywood Coped When Technicolor Died" (PDF). NFSA Journal. Nfsa.gov. 3. Archived from the original (PDF) on 2016-03-03. Retrieved 2015-05-06.
- Peter Lev. Transforming the Screen, 1950-1959. University of California Press, 2003. p. 108.
- Stephen Neale. Contemporary Hollywood Cinema. Psychology Press, 1998. p. 120.
- "The Bolshoi Ballet (1957, UK) cert. U". The David Lean Cinema. Retrieved 2020-02-02.
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