Dorothy Grebenak

Dorothy Grebenak (June 3, 1913 – June 13, 1990) was an American Pop artist.[1] Largely self-taught, she is known for her large, hand-hooked wool rugs of familiar subjects, such as baseball trading cards, Tide boxes, and dollar bills.

Dorothy Grebenak
Dorothy Grebenak, circa 1964
Born(1913-06-03)June 3, 1913
Oxford, Nebraska
DiedJune 13, 1990(1990-06-13) (aged 77)
London, United Kingdom
NationalityAmerican
Known forPop Art Weaver
Spouse(s)Louis Grebenak[1]

Bio

Grebenak was born in Oxford, Nebraska of Irish descent. Her husband Louis, also an artist, was a WPA printmaker who later turned to Hard-Edge painting. The couple lived in Park Slope, Brooklyn until 1971. Grebenak taught high school and studied dance. By 1948 she was making rugs which she initially sold in the shop at the Brooklyn Museum. Her hooked rugs differed from contemporary craft artists' fiber art in two significant ways: first, their Pop imagery made them more fine than folk art; second, they were intended not for use on the floor, but to be hung on the wall as a painting would be.

In 1963 and 1964 Grebenak had two solo exhibitions at Allan Stone Gallery,[1] through which her rugs entered the private collections of major art collectors, including Nelson Rockefeller, Albert and Vera List,[2] William and Norma Copley, Carter Burden, and John and Kimiko Powers. Her work was featured in various group exhibitions and was included in the Milwaukee Art Museum's Pop Art and the American Tradition exhibition in 1965. Her work was featured in a leading national magazine in the late sixties, with an illustration of her "Man-hole cover" rug. She wove a blanket and small rugs as gifts to her grand nephew and grand nieces. She used wool colored with natural dyes.

Despite her modest critical and commercial success at mid-century, Grebenak all but disappeared from the art world soon thereafter. Many of her rugs, too, have either vanished or fallen apart over time. After her husband's death in 1971, she relocated to London where she died in 1990.[3]

gollark: Practising stuff will make you better at what you're already able to do mostly.
gollark: No you won't.
gollark: Well, some maths at school etc. is like that, but it isn't real maths™.
gollark: Wrong.
gollark: Terrorism is generally meant to be emotionally salient regardless of actual impact. That's basically the point. This should probably not affect your views on the importance and effectiveness of aeroplane security.

References
  1. Adamson, Glenn. "Weaving Together the Story of a Forgotten Pop Artist and Her Rugs". Hyperallergic. Hyperallergic Media Inc. Retrieved 7 June 2017.
  2. Albert and Vera List, New York Times
  3. Sid Sachs and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia, PA: University of the Arts, Philadelphia, 2010.

Bibliography
  1. Sid Sachs and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia, PA: University of the Arts, Philadelphia, 2010.
  2. Jean Lipman, "Money for Money's Sake," Art in America v. 58 (January 1970), pp. 76–79.
  3. Rita Reif, "There's a Nude Sitting On the Lists' Piano," New York Times, March 5, 1966, p. 39.
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