Don John of Austria (opera)

Don John of Austria is a ballad opera in three acts by Isaac Nathan to a libretto by Jacob Levi Montefiore. It is the first opera to be written, composed and produced in Australia.[1]

A portrait of the historical figure John of Austria

Quote from the opera's title page:

The plot is taken and many scenes are literal translations from Casimir Delavigne's celebrated comedy of "Don John of Austria" (Don Juan d'Autriche).[2]

Performance history

It premiered on 3 May 1847 at the Royal Victoria Theatre, Sydney and enjoyed a successful run of six performances.[3]

It has been produced only twice since: two performances (12 and 14 September 1997) at Spitalfields, London, by Spitalfields Market Opera with The Chelsea Opera Group directed by Philip Parr and conducted by Alexander Briger,[4] and semi-staged performances on 18 and 20 October 2007 – in two acts – at the City Recital Hall, Angel Place, Sydney, also conducted by Briger.[5]

Nathan's original orchestration has been lost and Nathan's great-great-great grandson, the conductor Sir Charles Mackerras, created a new orchestration.[6] Alexander Briger is a nephew of Mackerras, and Nathan's great-great-great-great grandson.[1]

Synopsis

Nathan’s fast-paced opera tells of the rivalry in love of Philip II of Spain and his illegitimate half-brother Don John.

The libretto follows Delavigne's 1835 Don Juan d'Autriche fairly closely, except for the addition of a scene near the end with Agnes alone, where she sings "They tell us that a home of light there is, where praying seraphs glow".[1]

In fact the opera's plot is in many ways an inversion of Fromental Halévy's opera La Juive (libretto by Eugène Scribe). In the latter, the male lover is precluded from having an affair with his inamorata because she is Jewish, whilst he is a high-born Christian; later it turns out that she was Christian all along, but all ends tragically. In Don John, in a similar situation, it turns out that the 'high-born Christian' is in fact of Jewish descent, and all ends happily.

Roles
  • Don John of Austria, illegitimate son of Charles V (tenor)
  • Donna Agnes, secretly a Jew, also known as Miriam, John's beloved (soprano)
  • Philip II of Spain, King, legitimate son of Charles/Carlos, disguised as the Count de Santa Fiore, also in love with Agnes (baritone)
  • Don Quexada, former Prime Minister (bass-baritone)
  • Dorothy, Agnes' servant (mezzo-soprano)
  • Chorus
    • Speaking roles:
    • Brother Carlos, formerly Charles V of Spain
    • Don Ruy de Gomes, Philip's Prime Minister
    • Domingo, Don Quexada's servant
    • Antonio, Brother Carlos' servant
    • Jerome, Don Quexada's servant
    • Don Ferdinand de Valdes, Grand Inquisitor
    • Lords in Waiting, Officers, Alguazils, Monks and Attendants

Recordings
gollark: I assumed you meant "the confidence of the keyboard" and not "lose it is confidence".
gollark: "Its" is an, er, possessive adjective.
gollark: "It's" is short for "it is".
gollark: I was just highlighting the location of the incorrect "it's".
gollark: I know.

References
  1. "SSO Program Notes" (PDF). Playbill/Showbill. October 2007. Archived from the original (PDF, 900KB) on 10 November 2007. Retrieved 19 October 2007.
  2. "Colonial Secretary Correspondence, Plays submitted for approval prior to being performed". State Records Authority of New South Wales. Archived from the original on 29 August 2007. Retrieved 7 October 2007.
  3. "Bound manuscript vocal score of his opera 'Don John of Austria'". State Library of New South Wales. September 2002. Retrieved 7 October 2007.
  4. H.E. Helsom (1997). "Opera from Oz". Archived from the original on 17 January 2005. Retrieved 7 October 2007.
  5. "Gala – Don John of Austria". City Recital Hall. 2007. Archived from the original on 31 August 2007. Retrieved 7 October 2007.
  6. Hadfield, Duncan (6 September 1997). "Classical&Opera". The Independent. Retrieved 6 February 2011.
  7. Don John of Austria recording booklet
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