Detroit (play)

Detroit is a play by Lisa D'Amour. It was a finalist for the Pulitzer and Susan Smith Blackburn Prizes. The play premiered at the Steppenwolf Theatre Company in Chicago in 2010 and subsequently ran Off-Broadway at Playwrights Horizons in fall 2012. The play won the Obie Award for Best New American Play in 2013.

Detroit
Written byLisa D'Amour[1]
CharactersSharon
Kenny
Ben
Frank
Mary
Date premieredSeptember 10, 2010 (2010-09-10)
Place premieredSteppenwolf Theatre Company, Chicago
Original languageEnglish
GenreComedy/Drama[1]
SettingDetroit, Michigan

Synopsis

Mary and Ben live in an unnamed suburb near a midsize American city, but the city is never specified.[2] Ben has just lost his job[2] as a bank loan officer, and is starting a new job operating an Internet site to give help to people who are in debt. Mary and Ben are hosting their new neighbors, Sharon and Kenny, with a backyard barbecue.[2] Sharon and Kenny live next door[2] in a rented house which has no furniture. During the course of the play, the characters discuss suburban angst related to upward mobility, spousal relationships and economic anxiety.[2]

Production history

Chicago (2010)

The Steppenwolf Theatre Company presented the play at the Steppenwolf Theatre in Chicago, Illinois, from September 10, 2010, to November 7, 2010.[3] It was directed by Austin Pendleton and choreographed by Tommy Rapley.[1] The Chicago production featured Kevin Anderson as Kenny, Laurie Metcalf as Mary, Kate Arrington as Sharon, Ian Barford as Ben and Robert Breuler as Frank. Lighting was by Kevin Rigdon, sets by Kevin Depinet, costumes by Rachel Healy, and sound by Josh Schmidt.[1]

Off-Broadway (2012)

Although Detroit was originally expected to transfer to Broadway in Fall 2011,[4] the play received its New York premiere Off-Broadway at Playwrights Horizons in 2012.[5]

The play opened on September 18, 2012, after previews from August 24, with a cast that featured David Schwimmer, Amy Ryan and John Cullum, directed by Anne Kauffman.[6] The limited run was extended from October 7 to October 18, 2012.[7]

London (2012)

In 2012, a production of Detroit opened at the Royal National Theatre in London, United Kingdom in the Cottesloe Theatre. It was once again directed by Austin Pendleton.[8]

Detroit (2013)

A production of Detroit premiered at the Hilberry Theater at Wayne State University in Detroit.[9] The cast featured Brandy Joe Plambeck, Vanessa Sawson, Dani Cochrane, and David Sterritt. It was directed by Lavinia Hart.

Washington, DC (2013)

A production of Detroit premiered at Woolly Mammoth Theatre Company in September, 2013.[10] The cast includes Woolly Company Members Emily Townley and Michael Willis. Gabriela Fernandez-Coffey, Tim Getman, and Danny Gavigan.[2] The set was designed by Tom Kamm.[2]

Ottawa, ON (2014)

Detroit received its Canadian premiere in January 2014 at The Gladstone Theatre in Ottawa.[11] It is directed by Chris Ralph and will feature Teri Loretto Valentik, David Whiteley, Stephanie Izsak, David Benedict Brown and Geoff Gruson. A Plosive Production.[12]

Awards and nominations

On April 18, 2011, the winner of the 2011 Pulitzer Prize for Drama was announced. Detroit was a finalist along with the play A Free Man of Color, with the winner being Clybourne Park.[13] The piece was also a finalist for the Susan Smith Blackburn Prize.[14]

Detroit won the Obie Award for Best New American Play for 2013.[15]

Response

Chris Jones in the Chicago Tribune wrote of the show: "Sure, D’Amour ultimately does not delve as deep as one might wish into the implications of the situation she so richly and vividly realizes. And Austin Pendleton’s quirky and amusing production doesn’t always keep its balance ... But D’Amour has penned a very provocative snapshot of the perilous moment ... that sense of dislocation is exquisitely embodied in the work of Laurie Metcalf, an actress who long has understood the precarious dreams of the lower-middle class. Her blistering performance here has the incision of a laser, creating a character who knows that everything is going away and tries to figure out what that might mean."[16]

"The dream here is the 1960s first-ring suburb," said Michael Brosilow, "where neighbors socialize and kids play outside. But in 2010, "does anyone talk to their neighbors anymore?" Sharon asks, before revealing that she and Kenny are recovering substance abusers. That revelation puts the first chinks in the veneer of Mary and Ben’s safe-and-happy home life; we come to see how close they are to the precipice."[17]

Mary Shen Barnidge of the Windy City Times observed, "Despite the serious questions it raises, D'Amour's premise has all the makings of a situation comedy. There's even a drunk scene—that standby of 1950s farce—along with extended recitations of heavily-symbolic dreams and the bizarre street names characteristic of open-box-add-water subdivisions to escalate the atmosphere of dislocation."[18]

The London production received similar responses. Many praised D'Amour's writing and Michael Billington in The Guardian wrote: "D'Amour makes some interesting points in this two-hour play: especially about the lingering suburban dream of a post-Thoreau, back-to-nature existence that leads the two women to set out on an abortive camping trip, which is matched by the hard-up guys planning a nocturnal rave-up. But, although D'Amour registers the solitude and despair of the innercity suburbs, she only briefly relates that to the broader picture of American decline and consigns a lecture on the loss of communal values to an awkward coda."[19] Time Out London gave the London production a four out of five star rating and wrote: "'Detroit' looks like a very fine small-scale play that's trying a touch too hard to embrace big national themes. But there's a lovely looseness, rhythm and exhilaration to D'Amour's writing, especially in the tender, misguided relationship between the two women, who take off for a weekend camping in the woods....but only make it as far as the gas station. It is most original when it advances on Betty Friedan in its wry, acute portrait of contemporary suburban women living dangerously, on the tightrope between boredom and self-destruction."[20] The Blog, A Cultured Lad gave it a positive review stating that "D’Amour’s play is fierce, and ferociously funny. Her dialogue is spot on and the characters are immensely entertaining personalities."

gollark: <@357932279231807488> This is why we need some sort of standard for punching over the internet.
gollark: I think a better solution would be a gender-neutral singular pronoun which you can actually distinguish from a plural one, but nobody seems to want that.
gollark: I think the whole they-singular thing is kind of inelegant, but a workable solution at least.
gollark: https://meta.stackexchange.com/questions/334248/an-update-to-our-community-and-an-apology?cb=1
gollark: Wow, the SE "apology" hit 1121 downvotes now!

References
  1. "Detroit". Theater in Chicago. Steppenwolf Theatre Company. Retrieved 18 April 2011.
  2. Barger, Jennifer (September 26, 2013). "Suburban Squall". The Express Newspaper. pp. E5.
  3. BWW News (January 11, 2011). "DETROIT is Bound for Broadway this Fall". broadwayworld.com. Retrieved 18 April 2011.
  4. Gans, Andrew (January 11, 2011). "Detroit, New Play by Lisa D'Amour Seen at Steppenwolf, Will Arrive on Broadway in the Fall". playbill.com. Retrieved 18 April 2011.
  5. "Detroit to Get New York Premiere at Playwrights Horizons Instead of Broadway". Broadway.com. Retrieved 12 December 2011.
  6. Isherwood, Charles. "Theater review. 'Detroit,' With Amy Ryan and David Schwimmer" The New York Times, September 18, 2012
  7. Jones, Kenneth. "Acclaimed NYC Premiere of 'Detroit' Gets Added Weeks" playbill.com, September 20, 2012
  8. "Detroit National Theatre". nationaltheatre.org.uk. Retrieved 6 July 2012.
  9. Archived 2012-12-12 at the Wayback Machine hilberry.com
  10. "Performance | Detroit | Woolly Mammoth Theatre Company". Woollymammoth.net. Retrieved 2013-12-27.
  11. "Archived copy". Archived from the original on 2014-01-14. Retrieved 2014-01-07.CS1 maint: archived copy as title (link)
  12. http://www.plosive.ca/. Retrieved 2014-01-07. Missing or empty |title= (help)
  13. Gans, Andrew. "Clybourne Park Wins 2011 Pulitzer Prize for Drama" Archived 2011-04-20 at the Wayback Machine, playbill.com, April 18, 2011
  14. "LISA D'AMOUR'S "DETROIT" IS FINALIST FOR THE SUSAN SMITH BLACKBURN PRIZE AND PREPARES FOR BROADWAY MOVE". AOInternational. Retrieved April 18, 2011.
  15. Gans, Andrew. "'Detroit', 'Grimly Handsome', Eisa Davis, John Rando, Shuler Hensley and More Are Obie Winners" Archived June 5, 2013, at the Wayback Machine playbill.com, May 20, 2013
  16. Jones, Chris (September 19, 2010). "In world premiere of Lisa D'Amour's 'Detroit,' uneasiness in the neighborhood". Chicago Tribune. Retrieved 18 April 2011.
  17. Vire, Kris. "Detroit". Time Out Chicago. Retrieved 18 April 2011.
  18. Barnidge, Mary Shen (September 29, 2010). "Detroit". Windy City Times. Retrieved 18 April 2011.
  19. Billington, Michael. The Guardian, 16 May 2012
  20. "Detroit" timeout.com (London), May 16, 2012
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