Dee Barton

Dewells "Dee" Barton Jr. (September 18, 1937 — December 3, 2001) was an American jazz trombonist, big band drummer, and prolific composer for big band and motion pictures.[1] He is best known for his association with the Stan Kenton Orchestra.

Dee Barton
Birth nameDewells Barton, Jr.
Born(1937-09-18)September 18, 1937
Houston, Mississippi, U.S.
OriginStarkville, Mississippi, U.S.
DiedDecember 3, 2001(2001-12-03) (aged 64)
Brandon, Mississippi
Genres
Occupation(s)
Instruments
  • Euphonium
  • Trombone
  • Drums
  • Piano
Years active1957–2001
Labels
Associated actsStan Kenton
Clint Eastwood
Dallas Jazz Orchestra

Life

Early years

Dee Barton was born in Houston, Mississippi in 1937 and eventually the family moved to Starkville, Mississippi in 1941. His father became the band director at Starkville High School. "My dad brought home an old E flat mellophone and at the age of three I figured out the fingerings on it," said Barton.[2] Barton later took up the trombone. He practiced in the school band room for 10 hours a day, and was able to help when his father was ill. Barton was able to take over his father's work and teach all of his classes for two years to keep the Starkville High School job running.[2][3]

Barton went onto attended Murray State University and after that North Texas State University where he was a member of the famed One O'Clock Lab Band under Gene Hall and Leon Breeden. In 1957 Barton already had a reputation and wanted to study composition at North Texas State University but had no money. Dr. Gene Hall, head of the department of music, arranged a full scholarship for Barton.

Professional work and Stan Kenton

Barton early on had an ambition to join the Stan Kenton Orchestra. He first met Kenton backstage at a concert in 1953 when Barton was 15. "Stan was very strange in one sense," said Barton. "He never forgot the name of anybody I ever saw him meet. I didn't see him until two years later when I'd grown some. So I was surprised when he called me by name."[2]

Determined then to get away from Mississippi, Barton went on the road in 1956 with Ralph Marterie's big band. "He was not a kind man, and it was a most unpleasant experience that almost turned me against the road altogether."[2] He left the band in New York three weeks later and replaced an absent trombonist in the Maynard Ferguson Big Band. He also worked with the Charlie Spivak band during that time.[2]

While Barton was attending school, Stan Kenton came to teach at a music clinic at North Texas State University in August 1959. Kenton became very familiar with Barton's playing and writing abilities. In 1961, at the age of 23, Barton joined Kenton's orchestra in the trombone section. His compositions Waltz of the Prophets and Turtle Talk were recorded as part of Kenton's Grammy award-winning album Adventures in Jazz.[3] He served on three other major Capitol releases in the trombone section. Barton also acted as a substitute for Kenton's drummer on occasion and in June 1962 he gave up a trombone chair and became the band's drummer recording on Adventures in Time in September 1962, as well as four subsequent Kenton releases.[2] He eventually left the band in late 1963 to pursue a wider music career in Los Angeles. He returned for short tours in 1967 worked with Kenton as drummer and arranger on the album The World We Know and Finian's Rainbow (1968).[3] The highlight of Barton's tenure with Kenton came on the Capitol release Stan Kenton Conducts the Jazz Compositions of Dee Barton where he is showcased as both composer and drummer.[2][3]

Clint Eastwood and Los Angeles

Barton moved to Los Angeles and eventually wrote the scores for more than 50 Hollywood films. In his spare time he ran a big band that played regularly at Donte's, a North Hollywood night-club. It was there Clint Eastwood heard Barton's music, eventually commissioning him to write the scores for the films Play Misty For Me (1971), High Plains Drifter (1973), Thunderbolt and Lightfoot (1974) and Every Which Way But Loose (1978). Barton also contributed to the writing for five other Eastwood films, including Dirty Harry (1971) and Magnum Force (1973).[2][3] Barton worked as a music consultant for Frank Sinatra, the Rolling Stones, Peggy Lee, Tony Bennett, John Lennon and others.[2] He helped Jimmy Webb with the composition of MacArthur Park and later wrote an arrangement of the tune for Stan Kenton.[2]

Back to the Mid-South: Memphis TN, Jackson MS

In 1973 Barton moved to Memphis TN to become musical director for the William B. Tanner Company (recording studio, media, jingle writing). He worked there until 1988 when he left to work independently and teach seminars at schools. His 1996 album, The Dallas Jazz Orchestra Plays Dee Barton, was nominated for a Grammy. He continued for live music performances and in films mainly with London Symphony Orchestra and in Europe.[2]

In 1998 Barton moved to Brandon, Mississippi and he became composer in residence at Jackson State University.[3] "I teach orchestration, composition and advanced theory. Working with kids is what I really enjoy. They're hungry for somebody that has done it, rather than somebody that has gone to school all their life."[2]

Personal life

Barton's first marriage was to Jeri Catheryne Robinson. They had two sons, DeWells Barton III (b. 29 September 29, 1959, Collin County, Texas) and Shannon Barton (b. October 14, 1962, Los Angeles, California). He has three grandchildren, DeWells Barton III's children: Cole Barton (b. October 18, 1999 Los Angeles, California) and Haley Barton (b. February 1, 2002 Denton, Texas), and Shannon Barton's child: Jake Barton (b. 1997 Los Angeles, California) His second wife was Jane E. Earl (married August 15, 1965 Los Angeles – divorced, September 1969, Los Angeles). Dee's brother, William D. "Bill" Barton, was a trombonist, pianist, arranger and band leader. He died December 8, 2007.[4] Barton died in Brandon, Mississippi on December 3, 2001 at the age of 64.[3]

Selected filmography

Clint Eastwood

Other studios

Earl Owensby Studios

Selected Big Band Charts
  • "The Singing Oyster," ("The Gay One")
  • "Turtle Talk" ©1962 OCLC 271818939
  • "Here's That Rainy Day" OCLC 26627858, 224502342
  • "Waltz of the Prophets" ©1962 OCLC 704339536
  • "MacArthur Park, parts 1 & 2" OCLC 26747333, 217101595
  • "Three thoughts" OCLC 224078755, 704341162
  • "Woman" ("The muse")
  • "New day" ("Elegy")
  • "Dilemma" ("The Chez Rah")
  • "Man"
  • "Lonely boy"
  • "My foolish heart"
  • "Elegy" ("a new day")
  • "Personal sounds part 1"
  • "Personal sounds part 2"
  • "Personal sounds part 3"
  • "Personal sounds part 4"
  • "Personal sounds part 5"
  • "The snake" (unissued)
  • "How are Things in Glocca Morra?"
  • "Lullaby" from Rosemary's Baby
  • "Modern man;" a concerto for orchestra, ©1968
  • "Stan Kenton prologue" ©1968
  • "Dee Day" 1997 OCLC 761045918

Selected discography

As sideman (trombone)

Recorded in Chicago, October 1961, Decca Records OCLC 8983410, 757663287, 657091758

As trombonist with Stan Kenton

1st CD recorded in Cincinnati, Ohio, June 16 & 17; and Santa Barbara, California, December 8, 1961
Recorded at the Marine Ballroom, Steel Pier, Atlantic City, New Jersey, September 2–4, 1961
  • Stan Kenton And His Orchestra
Recorded at the Manhattan Center, New York City, 1 to 4 PM, September 26, 1961 OCLC 44607630
"Waltz of the prophets," arranged by Barton
Recorded in Hollywood, California, December 5, 6 and 7, 1961
  • Adventures In Jazz, Creative World OCLC 5982600
Recorded in Hollywood, California, December 11 & 12, 13, and 14, 1961
"Waltz of the prophets," arranged by Barton (recorded December 12 and 14, 1961)
  • U.A. Air Force Reserve Radio Transcriptions: "Sound '62"
Radio transcriptions, Hollywood, CA, December 15 & 16, 1961
"Waltz of the prophets" (performed)
Broadcast, Patio Gardens Ballroom, New Lagoon, Salt Lake City, Utah, March 1962
Recorded in Hollywood, California, March 26, 29, and 30
  • Stan Kenton And His Orchestra, Introducing Jean Turner
Recorded in Hollywood, California, 8 to 11 PM, April 3, 1962
Private Recording, Bascom, Ohio, April 23, 1962
"Waltz of the prophets" (recorded April 23, 1962)
Live performance, Holiday Ballroom, Northbrook, Chicago, May 6, 1962
"Waltz of the Prophets" (performed)

As drummer with Stan Kenton

  • Horns Of Plenty, Volume 3 OCLC 54832739
Recorded in Westbury, New York, July 2, 1962
"Waltz of the Prophets" (performed)
One Night Stand 5707 OCLC 41637848
Marine Ballroom, Steel Pier, Atlantic City, New Jersey, July 19, 1962
  • Stan Kenton And His Orchestra
Broadcasts, WNEW Radio Studios, New York, afternoon, July 28, 1962
"Waltz of the Prophets" (performed)
Live, Patio Gardens Ballroom, The Lagoon, Salt Lake City, August 24, 1962
Recorded in Hollywood, California, September 24, 25, 27, and 28, 1962
Recorded in Hollywood, California, April 16, 17, 1963
Recorded in Hollywood, California, April 19, 1963, and September 10, 1963
Broadcast, Brant Inn, Burlington, Ontario, Canada, June 12, 1963
"Waltz of the Prophets" (performed)
Live Newport Jazz Festival, Newport, Rhode Island, July 4, 1963
"Waltz of the Prophets" (performed)
  • Stan Kenton And His Orchestra
Recorded in Hollywood, California, September 10, 1963
Recorded in Hollywood, California, September 11 & 12, 1963
Recorded at Free Trade Hall, Manchester, England, November 23, 1963
"Waltz of the Prophets" (performed)
Recorded at Moonlight Gardens, Coney Island Park, Cincinnati, Ohio, June 9 & 10, 1967
"Here's That Rainy Day," arranged by Barton
"Three thoughts," arranged by Barton
"The Singing Oyster," arranged by Barton
Recorded in Hollywood, California, 2–5 PM, October 2, 1967; and 2—5 PM & 6—9 PM, October 3, 1967; 2—6:30 PM), October 4, 1967
Recorded in Hollywood, California, December 19 & 20, 1967
  1. "The singing oyster" ("The gay one")
  2. "Three thoughts"
  3. "Woman" ("The muse")
  4. "New day" ("Elegy")
  5. "Dilemma" ("The Chez Rah")
  6. "Man"
  7. "Lonely boy"
Recorded in Grand Rapids, Michigan, March 31, 1968
"Here's That Rainy Day" (performed)
"Three thoughts" (performed)
"Woman" ("The Muse") (performed)
  • Stan Kenton At Fountain Street Church — Part Two
Recorded in Grand Rapids, Michigan, March 31, 1968
"My foolish heart," arranged by Barton
"Elegy" ("A New Day") (performed)
Recorded in Hollywood, California, 11AM – 2PM, 2:45 – 5:45 PM, May 7, 1968
"Personal sounds part 1," arranged by Barton
"Personal sounds part 2," arranged by Barton
"Personal sounds part 3," arranged by Barton
"Personal sounds part 4," arranged by Barton
"Personal sounds part 5," arranged by Barton
Recorded in Hollywood, California, July 15 3 — 6 PM, 1968
"MacArthur Park, parts 1 & 2," arranged by Barton
"The snake," arranged by Barton (unissued)
  • Finian's Rainbow (Capitol, 1968) OCLC 7262471
Recorded in Hollywood, California, 3—6 PM, July 16, 1968; 3—6 PM, July 17, 1968; 3—7 PM, July 18, 1968
"How are Things in Glocca Morra?," arranged by Barton
"Lullaby" from Rosemary's Baby, arranged by Barton

Soley as arranger for Stan Kenton

  • Live At Redlands University OCLC 4840170
Live at Memorial Chapel, Redlands University, Redlands, California, August 3, 4, 5, 1970
"MacArthur Park" (performed August 3, 1970)
"Here's That Rainy Day" (performed August 5, 1970)

As arranger

Live Donte's, North Hollywood, c. 1969
Brass arrangements by Barton
Recorded in Hollywood, California, January 17 and March 27, 1984
"Turtle talk" (performed)
  • Chicago Metropolitan Jazz Orchestra, Live And Screamin', Chicago Lakeside Jazz (1998) OCLC 57443657
Recorded live at FitzGerald's Night Club, Chicago, Illinois, November 1997
"Here's that rainy day" (performed)
gollark: A lot of the time you're just doing boring drudgery integrating other already-existing things, which will soon be significantly automated I think. Sometimes you actually need to spend time thinking about clever algorithms to do a thing, or how to make your thing go faster, or why your code mysteriously doesn't work, which is harder.
gollark: It's mentally challenging, sometimes, but obviously not particularly physically hard.
gollark: There are lots of cool applications now. Automatic generation of art, protein folding, human-level competitive programming, good OCR.
gollark: Ah, but it's *very complicated* curve fitting which can sometimes do interesting things.
gollark: Any particular improvement might not work, but I would be *very very surprised* if people several hundred years ago just happened to stumble on the optimal court system.

References
  1. Harris M Lentz III, Obituaries in the Performing Arts, 2001: Film, Television, Radio, McFarland & Company (2002) OCLC 320371571 ISBN 9780786452064 ISBN 0786452064
  2. Voce, Steve. The Independent. Dee Barton, obit. Saturday 22 December 2001 01:00
  3. Cuscuna, Michael. The Jazz Compositions of Dee Barton. CD Liner noters. 2007
  4. Obituary, William D. "Bill" Barton, Starkville Daily News, December 14, 2007
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