Dante Ross

Dante Ross (born October 11, 1967 in San Francisco, California)[1] is an American music industry executive, artists and repertoire representative, and record producer. He was named one of the top-25 greatest A&R representatives in hip hop by Complex magazine.[2] Ross has been in his career an office messenger, a tour manager, an A&R person, a record producer, a notable songwriter and artist manager.[3]

Dante Ross
Birth nameDante Ross
Born (1967-10-11) October 11, 1967
San Francisco, California
OriginNew York City, New York
GenresHip hop
Occupation(s)
Instruments
Years active1987-present
Labels
Associated acts

Early life

Ross was born in San Francisco to political activist parents John Ross and mother Norma. He moved to New York City in 1967. Ross was raised by his mother in New York's Lower East Side, then a predominately Puerto Rican neighborhood, where his mother was a nursery school teacher. Ross spent his teen years skateboarding, writing graffiti and going to see punk rock shows with teenage friends who would eventually become members of the Beastie Boys, the Cro-Mags and Luscious Jackson. As a young man in the early 1980s, he often hung out at the Mudd Club, Danceteria and The Roxy while still in high school. He frequently went to see live music at CBGB where he often saw the Bad Brains who befriended a young Ross. Ross became friends with many notable punk and hardcore groups as well as various future creatives. He credits this along with watching his friends the Beastie Boys success with him wanting to work in the music business.

Career

Ross entered the music business when he was hired as a messenger at the behest of the Beastie Boys and their road manager Sean Carasov[3] at the newly formed Def Jam Recordings.[4] Ross was mentored by Lyor Cohen and Russell Simmons for several years before going to work as an A&R person at Tommy Boy Records, where he signed and handled the careers of such artists as De La Soul, Queen Latifah, and Digital Underground.[4] Ross was then hired by Elektra Records and was the first person ever hired by a major label to be specifically a hip hop A and R man, where he was considered one of the architects of the golden age of hip hop.[5] Ross became the architect of Elektra Records hip hop roster where he signed acts Brand Nubian, Grand Puba, Pete Rock & CL Smooth, KMD, Leaders of the New School, Busta Rhymes and Ol’ Dirty Bastard.[5]

As a producer Ross was a third of the Stimulated Dummies production team with partners John Gamble and Geeby Dajani.[6] The production team worked with artists such as Brand Nubian, Grand Puba, Leaders of the New School, 3rd Bass, and Del the Funky Homosapien. Gamble and Ross later went on to produce sans Dajani: Carlos Santana, Everlast (working on both the multi-platinum album Whitey Ford Sings the Blues and the gold follow-up Eat at Whitey's), and many others.[6] Ross earned a Grammy Award in 2000 for his work on Santana's Supernatural.[6] Ross’ production work has also appeared on Eminem’s 8 Mile soundtrack, on which he produced and co-wrote two songs that featured Macy Gray and Young Zee. Ross has also been enlisted for his remixing skills, which have been featured on songs by KoЯn as well as a plethora of other artists in genres as diverse as Nu metal, Dancehall, Neo-Soul and Hip-Hop.[6] Ross is credited with signing Lil Dicky and MadeinTYO who both were awarded platinum records in 2016. Ugly God, his first signing to the relaunched Asylum Records, was awarded a platinum single in June 2017. He is currently a senior vice president of A&R at ADA Music, the independent distribution company owned by the Warner Music Group. He also serves as senior vice president of A&R for the newly re-activated Asylum Records.

Awards and nominations
Year Nominee / work Award Result Ref.
1999 Supernatural Grammy Award for Album of the Year Won [7]
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gollark: One interesting (story-wise) path AI could go down is that we continue with what seems to be the current strategy - blindly evolving stuff without a huge amount of intentional design - and eventually reach human-or-better performance on a lot of tasks (including somewhat general-intelligency ones), while working utterly incomprehensibly to humans.I was going to say this after the very short discussion about ad revenue maximizers but left this half written and forgot.

References
  1. Wang, Oliver (21 June 2017). "Classic Material: The Hip-hop Album Guide". ECW Press. Retrieved 21 June 2017 – via Google Books.
  2. Complex, Magazine. "Top 25 Greatest A&Rs in Hip Hop".
  3. Ali Shaheed Muhammad, Frannie Kelley. "Dante Ross: 'We Wanted Our Own Universe'". npr.org. NPR. Retrieved 2016-05-06.
  4. "Dante Ross – The Unkut Interview Part 1: The Tommy Boy Era". Retrieved 21 June 2017.
  5. "Dante Ross – The Unkut Interview Part 2: The Elektra Era". Retrieved 21 June 2017.
  6. "Dante Ross – The Unkut Interview Part 3: The SD-50's". Retrieved 21 June 2017.
  7. "Dante Ross". GRAMMY.com. February 15, 2019.
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