Cry Cry Cry
Cry Cry Cry was a folk supergroup, consisting of Richard Shindell, Lucy Kaplansky, and Dar Williams. The band released a single eponymous album of cover songs on October 13, 1998.
Tour
The trio performed together on an extensive tour in 1999 singing mainly the songs included on their collaborative album. The tour was met with very favorable reviews.[1][2]
The trio performed on Sunday, June 18, 2017 at the Hudson River Clearwater Festival. It was the first time they had performed together in 18 years, according to Dar Williams, who announced it at the concert. She also said they would be performing more dates in the Fall of 2017.
Album
Cry Cry Cry | ||||
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Studio album by | ||||
Released | October 13, 1998 | |||
Genre | Folk | |||
Length | 49:20 | |||
Label | Razor & Tie | |||
Producer | Darleen Wilson | |||
Richard Shindell chronology | ||||
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Dar Williams chronology | ||||
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Lucy Kaplansky chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | |
Fretplay | |
PopMatters | (mixed)[5] |
The Washington Post | (favorable) [6] |
The album, Cry Cry Cry was a great success on folk music radio. Based on playlists sent to FolkDJ-L, it ranked as the fourth most played album by folk music DJs in 1998, the fifth most played in 1999, and remained in the top 250 through 2002.[7]
Track listing
- "Fall on Me" (Bill Berry, Peter Buck, Mike Mills, Michael Stipe) 2:56
- "Cold Missouri Waters" (James Keelaghan) 4:32 (based on the Mann Gulch fire)
- "Speaking With the Angel" (Ron Sexsmith) 3:58
- "The Kid" (Buddy Mondlock) 5:39
- "Shades of Gray" (Robert Earl Keen) 4:58
- "Lord, I Have Made You a Place in My Heart" (Greg Brown) 3:34
- "By Way of Sorrow" (Julie Miller) 3:03
- "Memphis" (Cliff Eberhardt) 4:46
- "Northern Cross" (Leslie Smith) 2:55
- "Down by the Water" (Jim Armenti) 3:12
- "I Know What Kind of Love This Is" (Nerissa Nields) 4:25
- "The Ballad of Mary Magdalen" (Richard Shindell) 5:22
Credits
- Jay Bellerose – Percussion, Drums
- Larry Campbell – Guitar (Acoustic), Fiddle, Guitar, Mandolin, Pedal Steel, Arranger, Lap Steel Guitar, Guitar (Electric Fingerpicked)
- Cry Cry Cry – Vocal Arrangement
- Cliff Eberhardt – Guitar
- Richard Gates – Bass
- Jon Herington – Guitar
- Jeff Hill – Bass, Bass (Upright)
- Lucy Kaplansky – Vocals, Harmony Vocals
- Billy Masters – Guitar (Electric)
- Chuck Parrish – Guitar (Acoustic)
- Doug Plavin – Percussion, Drums
- Michael Rivard – Bass, Fretless Bass, Bass (Upright)
- Richard Shindell – Guitar (Acoustic), Vocals, Harmony Vocals
- Alan Williams – Organ, Percussion, Arranger, Guitar (Electric), Producer
- Dar Williams – Vocals, Harmony Vocals
- Darleen Wilson – Producer
- Stephanie Winters – Cello, Treated Cello
Other recordings
The trio contributed one song to the folk-tribute album Bleecker Street: Greenwich Village in the 60's, covering Tom Paxton's "The Last Thing on My Mind". The three also joined together to cover Buddy and Julie Miller's "My Love Will Follow You" on Shindell's solo album, Somewhere Near Paterson, and to provide backing vocals for the song "Blue Shadows" on Jimmie Dale Gilmore's album (produced by Buddy Miller), "One Endless Night".
Notes and references
- Joyce, Mike (1999-01-06). "Cry Cry Cry Making a Joyful Noise at the Birchmere". The Washington Post. (favorable performance review)
- Powers, Ann (1999-01-19). "Converting Life's Chaos Into Harmonious Fables". The New York Times. (favorable performance review)
- Anderson, Rick. Cry Cry Cry at AllMusic
- Fried, Kerry. "Cry Cry Cry - Cry Cry Cry". Fretplay.
- PopMatters review
- Himes, Geoffrey (1999-01-01). "CRY CRY CRY: 'Cry Cry Cry'". The Washington Post. (favorable album review)
- FolkDJ-L, Compiled list of top albums for 1998 Archived 2006-10-06 at the Wayback Machine and for 1999 Archived 2006-10-06 at the Wayback Machine by Richard Gillmann. The most popular songs were, "By Way of Sorrow", "Cold Missouri Waters", "Shades of Gray", and "The Kid".
External links
- "Trio pays tribute to melancholy songs" by Ben Wener, Calgary Herald December 30, 1998
- "Catching up with Cry Cry Cry" by Ralph DiGennaro, The New York Times Magazine, January, 1998