Chansons madécasses
Chansons madécasses (Madagascan Songs) is a set of three exotic works by Maurice Ravel written in 1925 and 1926 to words from the poetry collection of the same name by Évariste de Parny.[1] Scored for mezzo-soprano or baritone, flute, cello and piano, and dedicated to the American musician and philanthropist Elizabeth Sprague Coolidge,[2] the set is usually performed complete as a true song cycle although this was not the composer's designation. The songs are:
- Nahandove (incipit: Nahandove, ô belle Nahandove)
- Aoua! (incipit: Aoua! méfiez-vous des blancs, or Ow! Beware of White People)
- Il est doux (incipit: Il est doux de se coucher durant la chaleur, or It Is Sweet to Lie Down During the Heat)
Chansons madécasses | |
---|---|
Song cycle by Maurice Ravel | |
The composer, c. 1925 | |
English | Madagascan Songs |
Text | poems Chansons madécasses by Évariste de Parny |
Language | French |
Dedication | Elizabeth Sprague Coolidge |
Performed | 8 May 1926 |
Movements | three |
Scoring |
|
Premiere and recordings
Jane Bathori sang the premiere on 8 May 1926, in Rome, accompanied by flutist Louis Fleury, cellist Hans Kindler, and pianist Alfredo Casella.[3] The first edition print was made by Luc-Albert Moreau. The first known record was that by Madeleine Grey, a highly regarded singer, in 1932. More recent recordings include:
- Janet Baker (mezzo-soprano), Richard Adeney (flute), Terence Weil (cello), Lamar Crowson (piano) — L'Oiseau-Lyre SOL 298 — released 1967
- Felicity Palmer (soprano), Judith Pearse (flute), Christopher van Kampen (cello), Clifford Benson (piano) — Argo ZRG 834 — recorded May 24-25 and July 9, 1975, in St John's, Smith Square
- Frederica von Stade (mezzo-soprano), Doriot Anthony Dwyer (flute), Jules Eskind (cello), Martin Katz (piano) — CBS Masterworks 36665 — recorded Nov. 10, 1979, in CBS 30th Street Studio
- Nora Gubisch (mezzo-soprano), Magali Mosnier (flute), Jérôme Pernoo (cello), Alain Altinoglu (piano) — Naïve V5304 — recorded June 2011 in the Salle Colonne
See also
In 2011, the British composer James Francis Brown wrote a work in three movements for the same instrumentation called Songs of Nature and Farewell, which is a setting of three little-known poems by the French composer Camille Saint-Saëns. The work is intended as a companion to Ravel's Chansons madécasses.[4]
References
- Arbie Orenstein (1975). "Ravel's Musical Language". Ravel: Man and Musician. Courier Corporation. p. 92. ISBN 978-0-486-26633-6.
- Maurice Ravel; Arbie Orenstein (1 August 2003). "Correspondence". A Ravel Reader: Correspondence, Articles, Interviews. Courier Corporation. p. 267. ISBN 978-0-486-43078-2.
- Deborah Mawer (24 August 2000). The Cambridge Companion to Ravel. Cambridge Companions to Music. Cambridge University Press. pp. 264–. ISBN 978-0-521-64856-1.
- Songs of Nature and Farewell (no date) Available at: http://www.musichaven.co.uk/Songs-of-Nature-and-Farewell.html (Accessed: 13 October 2015)