Chang Yi (actor)
Chang Yi (born Chang Po-shen on 24 February 1945) is a Hong Kong actor and director originally from Huizhou, China. He has appeared in over 90 films, mostly martial arts films under the Shaw Brothers Studio. Since the 1980s he mostly acted in television and appeared in over 20 TV series.
Chang Yi | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Born | February 24, 1945 | ||||||||||
Chinese name | |||||||||||
Traditional Chinese | 張翼 | ||||||||||
Simplified Chinese | 张翼 | ||||||||||
|
He currently resides in Greater Vancouver in Canada.[1]
Filmography
Film
Year | Title | Role | Notes |
---|---|---|---|
1967 | The Thundering Sword (神劍震江湖) | ||
The Silent Swordsman (儒俠) | |||
King Cat (七俠五義) | Zhan Zhao | ||
1968 | The Silver Fox (玉面飛狐) | ||
The Bells of Death (奪魂鈴) | |||
1970 | Brothers Five (五虎屠龍) | ||
Swordswomen Three (江湖三女俠) | |||
A Taste of Cold Steel (武林風雲) | |||
The Secret of the Dirk (大羅劍俠) | |||
1971 | Zatoichi and the One-Armed Swordsman | ||
The Crimson Charm (血符門) | |||
The Fast Sword (奪命金劍) | |||
Swordsman at Large (蕭十一郎) | |||
Duel for Gold (火併) | |||
1972 | The Invincible Sword (一夫官聞) | ||
Bandits from Shantung (山東響馬) | |||
Finger of Doom (太陰指) | |||
Lady Whirlwind (鐵掌旋風腿) | |||
The Last Duel (俠義雙雄) | |||
On the Waterfront (黃浦灘頭) | |||
The Cannibals (黑吃黑) | |||
The Ghost of Night Crow (大搏殺) |
- The Blazing Temple (1976)
- Fatal Needles vs. Fatal Fists (1978)
- Eagle's Claw (1978)
- Scorching Sun, Fierce Winds, Wild Fire (1978)
- The Victim (1980)
- Rise of the Great Wall (1986)
- Ode to Gallantry (1989)
- Return Engagement (1990)
- Man from Guangdong (1991)
- Rage and Passion (1992)
- The Condor Heroes 95 (1995)
- Against the Blade of Honour (1997)
- Speech of Silence (2008)
- Rosy Business (2009)
- The Last Steep Ascent (2012)
gollark: > Some may argue that the CDC originally claimed that masks were ineffective as a way to retain the already-small supply of masks for healthcare providers and medical officials. Others may argue that the CDC made this claim due to ever-developing research around the virus. I am arguing, however, that the CDC made the claim that masks are ineffective because the CDC’s sole purpose is to provide scientific legitimation of the U.S. as a eugenicist project through medical genocide. As outlined in this essay, the CDC has a history of releasing deadly information and later backtracking on it when the damage has already been done.
gollark: > Choosing to tell the public that supplies that could benefit everyone is ineffective, rather than calling for more supplies to be created—in the midst of a global pandemic, no less—is eugenics. Making the conscious decision to tell the general public that something is ineffective when you have not done all of the necessary research, especially when medical officials are using the very same equipment, is medical and scientific genocide.
gollark: It seems like they seem to claim they're genociding *everyone*, actually?
gollark: Are you familiar with relativistic magnetoapiodynamics?
gollark: And they disagree with people disagreeing.
References
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.