Catherine Mason

Catherine Mason (born in Australia) is an art historian and author[1] who specialises in digital art, especially computer art.[2]

Catherine Mason
Catherine Mason apeaking at Event Two, Royal College of Art (2019)
BornAustralia
OccupationArt historian
ResidenceLondon, England
Alma materBirkbeck College; City University
PeriodLate 20th century
GenreComputer art, digital art
SpouseKeith Morris
Website
www.catherinemason.co.uk

Biography

Mason was born in Australia, brought up in the United States, and educated in the United Kingdom.[3]

In the late 1980s, Mason worked for an art dealer in Mayfair, London. In 1993, she received an undergraduate degree in the History of Art from Birkbeck College, University of London, followed by a master's degree in Museums & Gallery Management from City University, also in London. In the 1990s, Mason taught art appreciation courses in the Faculty for Continuing Education of Birkbeck College, the Workers Educational Association, and The Arts Society.

Mason's special interest is the history of computer art and digital art, beginning in 2002 when she joined an Arts & Humanities Research Council research project, CACHe (Computer Arts, Contexts, Histories, etc.), at Birkbeck College, This resulted in a co-edited book, White Heat Cold Logic, published in 2009.[4]

Mason also assisted in the re-formation of the BCS Computer Arts Society.[3] She also negotiated with the Victoria and Albert Museum (V&A) in London concerning donating an American collection of international computer art, the Patric Prince archive. This helped to develop the computer art collection at the V&A.[5]

In 2006, Mason organized a screening and panel discussion of early British computer animation, Bits in Motion, at the National Film Theatre.[3] In 2008, she authored A Computer in the Art Room,[6] based on four years of research and interviews.[7] During 2011–2014, she produced a monthly column concerning digital art for the BCS. In 2012, she discussed computer arts with John Wilson on the BBC Radio 4 programme Front Row. In 2017, she spoke about painting in the digital age on the TRT World television programme Showcase. She has advised on digital arts to organisations including The Art Fund, the BCS, Leonardo, SIGGRAPH, and a number of museums and galleries.

She married Keith Morris, a trustee of the Contemporary Art Society.[8]

gollark: You cared en ough to say that you cared 0 about it.
gollark: I'm insulted by you leaving out *my* CAS.
gollark: To be fair, it's too ill-defined to actually have obvious problems.
gollark: Yes.
gollark: We can dispatch a bee to do ear removal surgery.

References
  1. "Catherine Mason". UK: Amazon.co.uk. 1 August 2019.
  2. "Catherine Mason". monoskop.org. Retrieved 1 August 2019.
  3. "About Me". Catherine Mason: Art History Writing and Research. Retrieved 1 August 2019.
  4. Brown, Paul; Gere, Charlie; Lambert, Nicholas; Mason, Catherine, eds. (2009). White Heat Cold Logic: British Computer Art 1960–1980. MIT Press. ISBN 978-0262026536.
  5. Beddard, Honor (Autumn 2009). "Computer art at the V&A". V&A Online Journal. 2. UK: Victoria and Albert Museum. ISSN 2043-667X.
  6. Mason, Catherine (2008). A Computer in the Art Room: The Origins of British Computer Arts 1950–80. JJG Publishing. ISBN 978-1-899163-89-2.
  7. Joseph, Chris. "A Computer in the Art Room: the origins of British computer arts 1950–80, by Catherine Mason". chrisjoseph.org. Retrieved 1 August 2019.
  8. "Trustees: Keith Morris". www.contemporaryartsociety.org. Contemporary Art Society. Retrieved 1 August 2019.
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