Cándida (1939 film)

Cándida is a 1939 Argentine musical film drama directed by Luis Bayon Herrera. The tango film premiered in Buenos Aires and starred Juan Carlos Thorry.[1][2]

For the general given name, see Candida (given name).
Cándida
Directed byLuis Bayon Herrera
Produced byLuis Bayon Herrera
Written byLuis Bayon Herrera
Release date
  • 1939 (1939)
CountryArgentina
LanguageSpanish

Cast
gollark: So if it detects a new manifest, it can check the hashes of all stored files, redownload the changed ones, and verify them against the manifest.
gollark: Instead of just having potatOS ping pastebin every five minutes to check for new versions of the main code, it will be able to look for a manifest containing SHA256 hashes of all the files and also cryptographic signatures.
gollark: So I'm making a new updates system which will be able to allow "delta updates" and even cryptographic verification.
gollark: See, pastebin did things, so I figured it might be a good idea to start using things like "version control" a bit.
gollark: Because of moving off pastebin.

References
  1. Encyclopedia of Contemporary Latin American and Caribbean Cultures1134788525 Daniel Balderston, Mike Gonzalez, Ana M. Lopez - 2002 Also significant, however, were the pachuco character personified by Tin Tan in Mexico, the brilliant comedienne, Nini Marshall (as either of her immigrant ethnic characters, 'Catita' or 'Candida') and Luis Sandrini in Argentina; Grande Otelo and Oscarito, the chanchada pair, and Mazzaropi, the caipira, in Brazil. By the 1960s and 1970s the Latin American 'star system' fell apart alongside the collapse of the traditional studio mode of production. Contemporary stars are more likely to ...
  2. The Cambridge Companion to Modern Latin American Culture 0521636515 John King - 2004 The Argentine Nini Marshall frequently reprised several stock characters including Catita, the foul-mouthed disruptive daughter of Italian immigrants and Candida, the gallega (Spanish) maid. In Brazil, the stars of chanchada and other film genres were Oscarito and Grande Otelo, who played quite subtly with hill-billy and racial stereotypes. Comedy remained a redoubt for national and popular sentiment in the face of Hollywood, a source of pride that there was a 'we', a community, who .


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.